In the history of Dutch art, Hieronymus Bosch's "De tuin der lusten" (Dutch: De tuin der lusten) is undoubtedly one of the most controversial and attractive works. This oil painting triptych is almost regarded as the embodiment of Bosch's religious beliefs. Its complex symbolism and peculiar picture layout have triggered countless interpretations and discussions. Between 1490 and 1510, Bosch brought his creativity and mysticism to this work, which reveals the intertwining of human desires, morals and beliefs. The outside of the work shows the scene of creation, while the middle shows human desire in the woods, and finally the eternal despair of hell. Such a structure makes us wonder, what kind of belief or warning does Bosch want to convey?
The outside of Bosch's triptych reveals a gray scene when closed, a hue that may symbolize a time when the sun and moon had not yet been created. In line with the Christian view of creation, the outside of the work depicts God's creation of the world, with God sitting with the Bible, symbolizing his power to create the world with his words.
"Ipse dīxit, et facta sunt: ipse mandāvit, et creāta sunt" - For whatever He said, it came to pass; whatever He commanded, it stood.
The existence of this scene is in sharp contrast to the human nature full of desire within. When viewers capture the external panels, they are also thinking about the meaning of this creation from scratch.
As in other works by Bosch, the interior center panel depicts a flourishing yet chaotic paradise in which naked humans seem to indulge freely in the pursuit of pleasure. This scene is considered by many scholars to be a symbol of desire, an existence beyond Christian morality.
"Their behavior was completely 공개 and without shame."
In this "secular paradise", men and women play and frolic together, showing almost unlimited desires. Yet this senseless joy may well also present a deep moral warning. When people act without norms, the boundaries between good and evil become blurred.
Compared with the prosperity in the center, the right panel presents a chilling scene of hell. Human beings here are reduced to endless desires, and it looks like an endless torture visually.
"The reflection of the flames reflected the water like blood."
The chaotic scene is full of ethical challenges. This painting strives to tell the viewer that as people indulge, eternal punishment and constant suffering will follow. The overall structure makes people feel a strong stage: from the innocence and purity of creation, through the paradise of human degradation, and into the endless hell.
Bosch's artistic works fully demonstrate his thinking about human nature and his vague depiction of religious beliefs. His paintings are full of symbolism, with different panels interconnected to create a dialogue between history and faith. The analysis of his works by different scholars also reflects the characteristics of the times and the subjective understanding of the audience.
In summary, "A Secular Paradise" is not only a visually stunning work, but also a philosophical work that triggers deep thought. What other unrevealed beliefs and secrets does Bosch contain in this painting?