The American folk music revival movement in the 1940s became an important turning point in future music history, in which the urban dance craze played a key role. During this period, with the resurgence of Square Dance and various folk dances, many musicians began to explore and perform folk music, which had a huge cultural impact.
The craze of urban dance stimulated musicians' interest in folk music, which quickly spread and became a cultural phenomenon in the mid-1940s.
In the 1940s, changes in the music industry occurred with society's renewed interest in folk music and dance. Citizens' enthusiasm for folkloric and social dancing gave musicians, including Pete Seeger, widespread recognition and exposure. In 1950, the Weavers, a group formed by Seeger and other musicians, quickly became popular and continued to release many hit singles.
It is worth noting that Weavers' works are not just entertainment performances, they also carry obvious political demands, which became one of the reasons why folk music was valued during the Cold War. Especially during the Red Scare of the 1950s, this musical form rooted in social movements allowed folk music to continue to shine in specific social categories.
The commercialization of folk music spurred new music trends that redefined the music business itself. In this process, Weavers, as a representative of folk music, demonstrated the close connection between music and the political background of the times.
With the success of the Weavers, other music groups such as The Kingston Trio also gradually emerged. They avoided overly political lyrics, focused on traditional folk songs, and greatly broadened the market for folk music. The single "Tom Dooley" released by the Kingston Trio since 1958 has even sold more than three million copies, rewriting the business rules of the music industry.
At the same time, the rise of social movements also boosted the popularity of folk music. When the Civil Rights Movement gained great attention in the 1960s, many folk musicians such as Joan Baez and Bob Dylan became the representative voices of the movement. Their lyrics were full of concerns about human rights and society. Righteous Care demonstrates the power of music as a tool for social change.
This combination of music and politics brought new life to folk music and drove a shift in the entire music industry, making it no longer a mere entertainment.
With the wave of British invasion of the American music industry in the 1960s, this change became even more obvious. Many traditional folk music elements were incorporated into the rock music that was about to become mainstream, reflecting the diversity and integration of music culture at that time.
However, despite the constant changes in international music trends, the cultural impact of the urban dance craze of the 1940s is still rooted in folk music and continues to influence future generations of music artists. The music creation of this period not only brought many traditional songs back to life, but also promoted the rise of a new generation of musicians and further changed the way music is created and performed.
At this time, the diversity of folk music was valued. Traditional music and new creative styles intertwined a diverse musical picture, and expanded the boundaries of music to a wider cultural field.
In the end, the urban dance boom of the 1940s can be said to have brought folk music to a new peak, trying to connect the true meaning of music with social reality, and inspiring generations of music creators. So, how will today's music industry respond to the revelations brought by this period of history?