Art Therapy | 2021
Critical Thinking: Obligation to Inquiry
Abstract
After we finished our sandwiches in the car, Cheryl Doby-Copeland and I quickly made our way to the front of the museum. We figured we would be among the first there, so we were disappointed when we discovered 40 people already ahead of us. In the crisp warmth of mid-October, 2017 in Washington, DC, we waited on the sidewalk as more people joined the line. When the doors finally opened we hurried to find a seat in the immense atrium of the National Museum of African American History and Culture to listen to Ta-Nehisi Coates talk about his newly published book, We Were Eight Years in Power: An American Tragedy. In typical fashion, Cheryl and I continuously looked up at him, commented to each other, and scribbled notes. When at one point an audience member asked for his opinion on a matter, he uttered one phrase that has continued to reverberate in my mind: “Don’t outsource your critical thinking to me ... in a republic, the people are responsible.” Coates is a consummate researcher who makes intricate connections among history, systemic racism, and current events. If there is anyone who I might defer to, it would be him. Yet, here was a renowned social and political scholar reminding an audience to judge information for themselves. Even though it is difficult to classify and assess, critical thinking has been conceived as a process more so than a product (Lamont, 2020). For example, Samson (2021) highlighted the holistic integration of personal values and lived experience with established theories and reputable evidence that can result in purposeful undertakings. Many definitions emphasize two components—critique and critical perspectives. Kirschner (2011) differentiated these functions as being critical-in, grounding in scientific methods, and critical-about, applying social justice and emancipatory viewpoints. In addition, Teo (2011) mandated both reflexivity and self-reflexivity; the former involves a staunchness to question others, whereas the latter demands a curiosity about one’s position—no matter how open-minded an individual supposes to be. When brought together, critical thinking involves seeking information from a variety of sources, subjecting material to analysis based on multiple perspectives, reviewing social justice implications, and scrutinizing one’s own stance. To hone critical thinking, art offers a potent tool. Creativity enhances critical thinking in the pursuit of discovering meaning (Dumitru, 2019) and can be a means to tempering authority and absolute certainty (Ho & Ho, 2008). As art therapists know, art making can disrupt an artist’s presumptions by fostering opportunities for introspection, experimentation, and provocations. Likewise, art viewing can challenge an audience member’s assumptions, preconceptions, and expectations. As much as art can be degraded for propaganda, it can be uplifted for truths. Breaking down Coates’s comment offers implications for critical thinking in art therapy. The edict “don’t outsource” speaks to making a personal commitment to pursuing knowledge. For art therapists, appropriate skepticism is important for evaluating information for their clients and selecting trainings for professional development. In their review of strategies for assessing best practices and new interventions in psychotherapy, Meichenbaum and Lilienfeld (2018) advised practitioners to adopt “a well-calibrated sense of self-confidence—one that balances appropriate self-assurance with healthy selfdoubt” (p. 23). Critical thinking calls for the stance of a cynical optimist or skeptical believer. Art therapists can put some of their trust in vetted sources, such as reliable news sites, known social media presences, erudite colleagues, and reputable publications. However, too much trust may be an indicator that individuals have forfeited their obligation to inquiry. The component of “the people are responsible” defends against authoritarian attempts to quash independent thought, free press, and schools of thought that challenge the status quo. Holdo (2018) identified three necessary citizen types. The virtuous citizen is focused on engagement and the trustworthy one is engrossed with rules. However, the critical citizen seeks to gain multifaceted knowledge and help others to do so, as well. Instead of indoctrination, the self-reflective posture encourages confrontations that calibrate reproach with prudence in order to “avoid the weaponization of suffering that prevents constructive healing” (Ross, 2019, para. 18). Critical thinking provides art therapists with the means for engaging introspection and honoring