Truth from fiction

Abstract

2. For which see, e.g., R. L. Gordon, “The Real and the Imaginary: Production and Religion in the Greco-Roman World,” Art History 2 (1979): 5–34; R. T. Neer, “Connoisseurship and the Stakes of Style,” Critical Inquiry 32 (2005): 1–26; E. Marlowe, Shaky Ground: Context, Connoisseurship, and the History of Roman Art (London, 2013); A. H. Borbein, “Connoisseurship,” in The Oxford Handbook of Greek and Roman Art and Architecture, ed. C. Marconi (Oxford, 2014), 519–40. 3. See recently C. Isler-Kerényi, “Iconographical and Iconological Approaches,” in Marconi, Oxford Handbook, 558–78. The quest for origins