La danza, una narrativa corpórea del horror, en Suspiria de Luca Guadagnino

Abstract

The following article tries to analyze the dance in the Luca Guadagnino’s last film, Suspiria, a extended remake classic of terror, Suspiria of Dario Dargento. The dance is a fundamental rol because the corporeal movement is the soport where the dramatic action and the mysterious and the horrible inscribes in Suspiria of Guadagnino. For that purpose, we are going to study the body from the posestructuralist philosophy and the psicoanalysis for understand the different imechanisms with is build the corporeal horror and power in this work. The dance turns into an invisible personage, it takes power about dancer’s bodies until incompressible limits. It suposses a regret at the pre-aristotelic origins, when the dance was the joining with the nature, the medio where individuals interect and express their emotions. We will comprove how the dance covers to the cinematographic and narrative spaces, allowing to blessed spectator and without any tool for defende against horror in the film of Guadganino.