Paulus er ikke død – han lugter bare grimt: Den aksiale værdiomkalfatrings betydning for tidlig Kristusreligion

Abstract

ENGLISH ABSTRACT: Through a discussion of Dostoevsky’s depiction of the death of the staret in Brothers Karamazov, I discuss the olfactory channel of communication in religion with the aim in mind to tease apart the underlying ontology pertaining to different forms of religion. The focus is on impurity related to putrefaction in death. Contrary to the understanding represented by the ironic voice of the narrator in Brothers Karamazov, I explore the view holding the saintly person to undergo an olfactory transformation in death changing into a pleasurable aroma and thereby becoming an indexical token of celestial life. From Brothers Karamazov, I proceed to examine notions of divine presence and olfactory tokens in ancient Graeco-Roman culture. I use it as a historical foil to analyse Paul’s total inversion of the motif in 2 Cor 2, 14-17 and 4, 7-12 in which he portrays himself and his Christ-message as an indexical putrefaction of Christ. Thus, the title of my essay: “Paul isn’t dead, he just smells funny.” Finally, I discuss the extent to which such an understanding is encompassed by Philippe Descola’s notion of analogistic ontology. \nDANSK RESUME: Jeg fokuserer i artiklen pa en form for urenhed, som er knyttet til vaemmelsen ved ligstank. I forste omgang ser jeg pa staretsens dod i Brodrene Karamasov. Ad den vej bevaeger jeg mig tilbage til graesk-romersk antik og drofter sammenhaengen mellem forestillingen om guddommeligt naervaer og velduft. Diametralt modsat denne opfattelse er Paulus’ skildring af sig selv og sit budskab som en omvandrende ligstank. Det er den aksiale spaending for fuld udluftning. Endelig diskuterer jeg i hvilket omfang, en sadan opfattelse og billedbrug lader sig rumme inden for Philippe Descolas tanke om analogismen som en af fire fundamentalontologier.