Caderno Crh | 2019

DESLOCAMENTO, FORMAÇÃO E LEGITIMAÇÃO: uma análise de programas de residência artística no Brasil

 

Abstract


No universo da arte contemporânea brasileira, instituicoes publicas ou privadas divulgam anualmente editais voltados para jovens artistas, cujo objetivo e fomentar o seu deslocamento para espacos diferenciados de interacao social e trocas, a fim de incentivar sua producao. Nas residencias, o artista complementa e aprimora sua formacao atraves de novas experiencias com o entorno, desenvolvendo seu trabalho longe do ambiente de costume. Neste artigo, objetiva-se compreender como tais programas tem alterado os processos de formacao e legitimacao de artistas no Brasil. Para isso, sao analisados os editais de selecao de tres programas de residencia artistica: o Programa Bolsa Pampulha, promovido, desde 2003, pela Prefeitura Municipal de Belo Horizonte, no Museu de Arte da Pampulha; a Casa B-Residencia Artistica, lancada em 2016 pelo Museu do Bispo Rosario Arte Contemporânea (MBRAC), no Rio de Janeiro, com incentivo da FUNARTE; e a Residencia Artistica Red Bull Station, iniciativa financiada pela empresa austriaca Red Bull em Sao Paulo, desde 2013. DISPLACEMENT, TRAINING AND LEGITIMATION: an analysis of artistic residency programs in Brazil In the universe of Brazilian contemporary art, public or private institutions annually publish notices aimed at young artists, whose purpose is to encourage their displacement to different spaces of social interaction and exchanges, in order to encourage their production. In the residences, the artist complements and improves his formation through new experiences with the surroundings, developing his work away from the usual environment. This article aims to understand how such programs have altered the processes of formation and legitimation of artists in Brazil. For this, the selection notices for three artistic residency programs are analyzed: the Programa Bolsa Pampulha, promoted since 2003 by the Belo Horizonte City Hall at the Museu de Arte da Pampulha; the Casa B-Residencia Artistica, launched in 2016 by the Museu do Bispo Rosario Arte Contemporânea (MBRAC), in Rio de Janeiro, with the encouragement of FUNARTE; and the Residencia Artistica Red Bull Station, an initiative funded by the Austrian company Red Bull in Sao Paulo, since 2013. Keywords: Contemporary art. Young artists. Artistic residences. Displacement. Legitimation. Career. DEPLACEMENT, FORMATION ET LEGITIMATION: une analyse des programmes de residence artistique au Bresil Dans l’univers de l’art contemporain bresilien, les institutions publiques ou privees publient annuellement des avis destines aux jeunes artistes, dont le but est d’encourager leur deplacement vers differents espaces d’interaction et d’echanges sociaux, afin d’encourager leur production. Dans les residences, l’artiste complete et ameliore sa formation a travers de nouvelles experiences avec l’environnement, en developpant son travail loin de l’environnement habituel. Cet article vise a comprendre comment ces programmes ont modifie les processus de formation et de legitimation des artistes au Bresil. A cette fin, les avis de selection pour trois programmes de residence artistique sont analyses: le Programa Bolsa Pampulha, promu depuis 2003 par la mairie de Belo Horizonte au Museu de Arte da Pampulha; la Casa B-Residencia Artistica, lancee en 2016 par le Museu do Bispo Rosario Arte Contemporânea (MBRAC), a Rio de Janeiro, avec l’encouragement de FUNARTE; et la Residencia Artistica Red Bull Station, une initiative financee par la societe autrichienne Red Bull a Sao Paulo, depuis 2013. Mots-cles: art contemporain. Jeunes artistes. Residences artistiques. Deplacement. Legitimation. Carriere.

Volume 32
Pages 561-575
DOI 10.9771/ccrh.v32i87.30772
Language English
Journal Caderno Crh

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