In today's plays, concerts and various live events, the role of stage managers is ubiquitous. They work quietly behind the scenes to ensure that every performance goes smoothly. However, the emergence of this position has a long history. The earliest concept of stage management can be traced back to the ancient Greek times, but it was not until the 18th century that it officially became an independent position and title.
Stage management is a broad field that covers the various activities involved in organizing and coordinating an event or theater production.
Playwrights in ancient Greece were often responsible for all aspects of the entire production. Writers like Sophocles were not only playwrights, but also scenic artists, musicians, and producers. During the Middle Ages, the need for stage management, although it was called variously, emerged, with the role of "prompt" helping actors remember their lines during performances. However, it was not until the 17th century that the role of stage management became clear.
In the Elizabethan and Jacobin periods, stage management responsibilities were more specific and divided into stage managers and bookkeepers. These positions are responsible for maintaining the theater, managing props, and tracking all details of the show. It was not until the 18th century that the term stage manager officially appeared, marking the independent development of the stage management function.
This was the first period when non-actors and playwrights were employed to manage or direct the stage.
Until then, actors and playwrights had assumed nearly all financial, directing, and stage management responsibilities. With the development of stage technology, especially the emergence of mechanical scenery, rapid dressing changes and controlled lighting, the work of the stage manager began to be divided into two independent roles: director and stage manager.
In the United States, stage manager is often a general term used to refer to a person who performs various stage management functions. In small performances, one stage manager is usually responsible for all tasks; in large performances, multiple stage managers are required to work together. The chief stage manager is called the production stage manager.
In contrast, in the UK, the structure of the stage management team varies depending on the type and size of the production. From independent stage manager, assistant stage manager to deputy stage manager, each role has a clear division of responsibilities and works together to ensure the smooth progress of the performance.
With the rise of global K-POP and culture and art, Korean stage planning is playing an increasingly important role on the international stage. Not only do they arrange the time and location of the performance, they are also fully responsible for the planning and execution of the entire event. For example, Korean stage planner Kim Sang-woo played an important role in BTS’s “Love Yourself” tour.
A successful performance not only relies on stage design and technology, but also on the emotional resonance of the audience.
With the advancement of technology, especially the increasing maturity of live broadcast and online performance technology, the role of the stage manager seems to be facing new challenges and opportunities. Future performances, whether online or offline, will require professional stage managers to adjust to ensure the effectiveness of the performance. In addition, with the diversification of performance forms, the skills of stage managers are also advancing with the times and becoming more professional.
The role of stage manager is no longer limited to traditional theaters, but has expanded to various cultural activities. In the context of globalization, stage managers from different cultures are demonstrating different management and creative methods. How will they continue to change and adapt to new challenges in the future arena?