Adrián Pablo Fanjul

Tallado y demarcación: composiciones transpuestas entre el rock de Brasil y de Argentina

Here we approach some configurations in the representation of several types of personal entities in enunciation, in a comparison between Brazilian and Argentinean discursivities. The cases in study are poetic-musical compositions in the rock music, transcribed from one country to the other. We work with a theoretical and methodological reference based on the enunciativediscourse analysis. We observed the changes which are produced in the passage of the compositions from one discursivity and language to the other, regarding the contour of the figures and voices represented in the enunciation. We found in the Argentinian productions a tendency to reinforce these contours while a higher permeability to the represented surroundings was observed in the Brazilian productions.

Entalhe e demarcação: composições transpostas entre o rock do Brasil e o da Argentina

Here we approach some configurations in the representation of several types of personal entities in enunciation, in a comparison between Brazilian and Argentinean discursivities. The cases in study are poetic-musical compositions in the rock music, transcribed from one country to the other. We work with a theoretical and methodological reference based on the enunciativediscourse analysis. We observed the changes which are produced in the passage of the compositions from one discursivity and language to the other, regarding the contour of the figures and voices represented in the enunciation. We found in the Argentinian productions a tendency to reinforce these contours while a higher permeability to the represented surroundings was observed in the Brazilian productions.

Carving and boundaries: transcribed compositions between the Brazilian and the Argentinian rock

Here we approach some configurations in the representation of several types of personal entities in enunciation, in a comparison between Brazilian and Argentinean discursivities. The cases in study are poetic-musical compositions in the rock music, transcribed from one country to the other. We work with a theoretical and methodological reference based on the enunciativediscourse analysis. We observed the changes which are produced in the passage of the compositions from one discursivity and language to the other, regarding the contour of the figures and voices represented in the enunciation. We found in the Argentinian productions a tendency to reinforce these contours while a higher permeability to the represented surroundings was observed in the Brazilian productions.

Os gêneros "desgenerizados": discursos na pesquisa sobre espanhol no Brasil

In a communication corpus presented in middle-sized congresses in Brazil focusing the Spanish language, we have selected those which approach genre issues designated “discoursive” and/ or “textual”. We found that most of them seem to deal with teaching issues. We investigated four issues in those oral presentations: which theoretical articulation is the basis for the work, if it considers or not the peculiarities of a foreign language, if it includes a specific genre as an object for discussion and, in those cases which include it, how this genre or the utterances which represent it relate with other enunciations or different discourse features. We found a disregard for properties which, within the theoretical frameworks mentioned, seem to be central in genre issues, along with an abandonment of the linguistic-discursive materiality as a matter for studies.