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Dive into the research topics where Alain Renaud is active.

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Featured researches published by Alain Renaud.


international conference on computer graphics and interactive techniques | 2013

KIMA: a holographic telepresence environment based on cymatic principles

Oliver Gingrich; Alain Renaud; Eugenia Emets

KIMA is a holographic surround-sound installation that visualizes telepresence as both a phonetic and a synaesthetic phenomenon. The performance piece is based on the physical conditions of cymatics--the study of physically visible sound wave patterns. Two environments, a quad surround and a holographic interface, build the framework of a telematic experience that illustrates communication as wave forms while focusing on the relationship between sound and matter.


EVA '16 Proceedings of the conference on Electronic Visualisation and the Arts | 2016

A perceptually motivated visualisation paradigm for musical timbre

Sean Soraghan; Alain Renaud; Ben Supper

Background is given on existing research into the perception and description of timbre. This is used to contextualise the development of visual mappings for acoustic timbre features. Two example systems are explained and discussed, which demonstrate the use of perceptually motivated mappings from acoustic features to visual properties, in specific contexts. Possible applications and extensions of such systems are proposed.


Leonardo | 2018

KIMA: The Wheel—Voice Turned into Vision: A participatory, immersive visual soundscape installation

Oliver Gingrich; Sean Soraghan; Alain Renaud; Evgenia Emets; Dario Villanueva-Ablanedo

Over the last five years, KIMA, an art and research project on sound and vision, has investigated visual properties of sound. Previous iterations of KIMA focused on digital representations of cymatics—physical sound patterns—as media for performance. The most recent development incorporated neural networks and machine learning strategies to explore visual expressions of sound in participatory music creation. The project, displayed on a 360-degree canvas at the London Roundhouse, prompted the audience to explore their own voice as intelligent, real-time visual representation. Machine learning algorithms played a key role in meaningful interpretation of sound as visual form. The resulting immersive performance turned the audience into cocreators of the piece.


international conference on computer graphics and interactive techniques | 2014

Transmission: a telepresence interface for neural and kinetic interaction

Oliver Gingrich; Alain Renaud; Eugenia Emets; Zhidong Xiao

Transmission is both a telepresence performance and a research project. As a real-time visualization tool, Transmission creates alternate representations of neural activity through sound and vision, investigating the effect of interaction on human consciousness. As a sonification project, it creates an immersive experience for two users: a soundscape created by the human mind and the influence of kinetic interaction. An electroencephalographic (EEG) headset interprets a users neural activity. An Open Sound Control (OSC) script then translates this data into a real-time particle stream and sound environment at one end. A second user in a remote location modifies this stream in real time through body movement. Together they become a telematic musical interface--communicating through visual and sonic representation of their interactions.


EVA London 2014 Proceedings of the EVA London 2014 on Electronic Visualisation and the Arts | 2014

Transmission: Sonifying, Visualising and Analysing Neural Activity through Telepresence

Oliver Gingrich; Evgenia Emets; Alain Renaud

Transmission is a telematic performance which allows for real time sonification and visualisation of brain waves and looks at the effect of interaction on the human consciousness. Users are equipped with an Emotiv EEG which enables them to perceive sonification and visualisation of their brains processing in real time. This visualisation is modified through another users movement in a remote location -- the users consciousness becomes a new musical and visual interface played by a remote person. Transmission is both a research project on telepresence and a participatory audience tool.


Audio Engineering Society Conference: 44th International Conference: Audio Networking | 2011

Cueing and Composing for Long Distance Network Music Collaborations

Alain Renaud


new interfaces for musical expression | 2013

Jam On: a new interface for web-based collective music performance.

Ulysse Rosselet; Alain Renaud


EVA | 2013

Enhancing Presence - Immersive Sound Environments as Presence Generating Factor.

Oliver Gingrich; Eugenia Emets; Alain Renaud


EVA London 2018 | 2018

Aura: A holographic brainwave interface.

Oliver Gingrich; Evgenia Emets; Alain Renaud


EVA London 2018 | 2018

KIMA: Noise: A visual sound installation on urban noise.

Oliver Gingrich; Evgenia Emets; Alain Renaud; Stephen Stansfeld

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