Alan Riach
University of Edinburgh
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Archive | 2017
Alan Riach
Robin Jenkins’s short stories are collected in two books: A Far Cry from Bowmore (1973), set in the far east, in locations such as Malaysia, Afghanistan and Burma, and Lunderston Tales (1996), set in a small seaside town on the west coast of Scotland. This chapter begins by discussing ideas of distance and proximity in Jenkins’s writing, showing how stylistically he brings together apparently ‘objective’ prose describing events ‘externally’ with more insidious and sly representations of ‘subjective’ or ‘internally’-realised intimations of characters’ motives, prejudices and dispositions. This allows him to explore the relations of difference and continuity between appearance and the deeper currents informing the actions of his characters. The chapter goes through each of the stories in both books, and considers one further story published independently, chronologically between each of the books’ publication dates. The developing argument centres on the relation between ‘realism’ and the sense Jenkins’s writing delivers that realism is not all there is. The unexpected twists in the narratives, the moral ambiguities and unreliable co-ordinate points experienced by many of the characters, the recurrence the inexplicable, make Jenkins’s writing uniquely challenging and compelling in modern Scottish literature, and nowhere more evidently than in his short stories.
Archive | 2005
Alan Riach
Archive | 2009
Ian Brown; Alan Riach
Archive | 2014
Alexander Moffat; Alan Riach
Archive | 2005
Alan Riach
Archive | 2009
Alan Riach
Archive | 2004
D.M. Gifford; Alan Riach
Archive | 2003
Alan Riach
Archive | 1999
R. Watson; Alan Riach
Archive | 1997
Alan Riach