Ana M. T. Martins
University of Beira Interior
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IOP Conference Series: Materials Science and Engineering | 2017
Ana M. T. Martins
This paper aims to present a contribution to the history of the reform and renewal in the Portuguese Cistercian monasteries throughout almost nine centuries of cultural and architectural history in this Country. The Cistercian Order played a remarkable role in the affirmation of Portugal (1143) and had unquestionable position, since the medieval period, in the construction of a significant part of the Portuguese culture. The reform of many Monasteries came with the Autonomous Congregation of Alcobaca (1567). In fact, the Portuguese Cistercian Monasteries absorbed the regional ways of construction with masonry (granite in the north and limestone in the south) but it is without a doubt in its architecture that change and renewal can be found as strength and a tool for achieving a status of cultural landmarks. The renewal and reform in the Portuguese Cistercian Monasteries was not restricted to the styles in vogue but also was related to the physical expansion of the monasteries. This could be achieved by adding new aisles and cloisters like in Alcobaca or Salzedas Monasteries. Though there are cases of unconventional renewals and reformations such as the existence of two churches in the Monastery of Salzedas and the example of the open air Museum of the Monastery of S. Joao de Tarouca were can be found the former medieval monastery, as a result of new archaeological research and a prospective hypothesis of its volumetric layout, in between the walls of the 17th century dormitories and the Church. This continuous architectonic renewal is still being carried out in the 21st century either by the Portuguese Government, through several heritage institutes since the 20th century, or a few individuals on their one.The history of the Portuguese Cistercian Monasteries blends itself with the history of Portugal as the continuous architectonic renewals and reforms were also a result of nine centuries of events and changes in this Country.
IOP Conference Series: Materials Science and Engineering | 2017
Fabiel Rodrigues; João Carlos Gonçalves Lanzinha; Ana M. T. Martins
The Cistercian Order (11th century) stands out as an apologist of the simplicity and austerity of the space. According to the Order of Citeaux, only with an austere space, without any distractions, the true spiritual contemplation is achieved. This Order was an aggregator and consolidator pole during the Christian Reconquest. Thus, as it happens with other Religious Orders, Citeaux has a vast heritage legacy. This heritage is witness, not only of the historical, but also social, political, and spiritual evolution. This legacy resumes the key principles to an austere liturgy, which requirements, in the beginning, are based on the simplicity of worship and of the connection between man and God. Later, these requirements allowed the development of the liturgy itself and its relation with the believers. Consequently, it can be concisely established an empirical approach between the Cistercian churches and the acoustics conditioning of these spaces. This outcome is fundamental in order to understand the connection between liturgy and the conception of the Cistercian churches as well as the constructed space and its history. So, an analysis of these principles is essential to establish the relation between acoustic and religious buildings design throughout history. It is also a mean of understanding the knowledge of acoustics principles that the Cistercian Order bequeathed to Portugal. This paper presents an empirical approach on Cistercian monastic churches acoustics. These spaces are the place where the greatest acoustic efforts are concentrated and it is also the space where the liturgy reaches greater importance. On the other hand, Portugal is a country which has an important Cistercian legacy over several periods of history. Consequently, the Portuguese Cistercian monastic churches are representative of the development of the liturgy, the design of spaces and of the acoustic requirements of their churches since the 12th century until the 21st century and it is of great importance to implement this study.
International Journal of Heritage in the Digital Era | 2012
José Ribeiro Mendes; Andreia Galvão; Ana M. T. Martins
We present the ongoing project Route of the World Heritage Monasteries in Portugal and emphasize the planned Digital Touristic Platform. Its been created as a partnership between local authorities where those monasteries are located and with higher education institutions and the National Management Institute of Heritage. It is been financed by European funds over 14,4Me. We describe the strategic plan, the key actions and the model of governance. The role of the Information and Communication Technologies (ICT) on growth and on employment related to cultural heritage and tourism is then approached referring to e-business and digital platforms particularly. We present the results and some new start-up projects as a result of the created synergies. The importance of Heritage Economics with the use of ICT as well as the lessons learned so far are analyzed.
Energy and Buildings | 2014
Ana M. T. Martins; Jorge S. Carlos
IOP Conference Series: Materials Science and Engineering | 2017
Ana M. T. Martins; Jorge S. Carlos
1st International Conference on New Music Concepts (ICNMC 2015) | 2015
João Carlos Gonçalves Lanzinha; Miguel Costa Santos Nepomuceno; Ana M. T. Martins; Carla Patrícia Lopes dos Reis; Albino da Ascensão dos Santos Alves
Ubimuseum: Revista Online do Museu de Lanifícios da Universidade da Beira Interior | 2014
Ana M. T. Martins; Mafalda Sampaio
Proceddings of Twin International Conferences – 2nd Civil Engineering & 5th Concrete Future. | 2013
Ana M. T. Martins; Michael Mathias; Mafalda Sampaio; Cláudia Beato; Miguel Moreira Pinto
Archive | 2013
Mafalda Gambutas Teixeira de Sampayo; Ana M. T. Martins; Teresa Marat-Mendes
Filantropia e Arquitectura: período 1880-1920 | 2013
Ana M. T. Martins; José Ribeiro Mendes; Luís Miguel de Barros Moreira Pinto; Cláudia Sofia Sao Marcos Miranda Beato; Mafalda Sampaio