Ashley Dawson

Squatters, Space, and Belonging in the Underdeveloped City

City air makes you free. This medieval German maxim referring to the city as a haven from the harsh laws of feudal vassalage might serve as an ironic epigraph for Patrick Chamoiseau’s novel Texaco. Near the beginning of Chamoiseau’s third novel, his narrator, the so-called Word Scratcher, writes that “to escape the night of slavery and colonialism, Martinique’s black slaves and mulattoes will, one generation after another, abandon the plantations, the fi elds, and the hills to throw themselves into the conquest of the cities.” 1 In Texaco the powerful matriarch of a squatter camp, Marie-Sophie Laborieux, recounts the epic battles she and her ancestors fought to gain a home in the city. This struggle has helped shape urban space, creating a highly cosmopolitan but also extremely polarized social geography in the Martinican capital of Fort-de-France. The fragmented geography of urban space described in Chamoiseau’s novel ensures that the freedom of the city will be alloyed with suffering, its cosmopolitanism shot through with inequality and unrest. In The Age of Extremes, Eric Hobsbawm argues that the most convulsive social change of the turbulent century that had just closed was not what one might expect. 2 It was not the revolution in Russia, or the two world wars, or the development of the atom bomb and the cold war, or the decolonization of the third world. No, for Hobsbawm the greatest change of the twentieth century was the death of the peasantry. In 1900, the vast majority of humanity lived in rural areas. Of course, the percentage of rural residents was signifi cantly higher in the third world than in the industrialized core countries. Yet by the close of the century, the majority of human beings lived not in the countryside but in cities. This change has been particularly wrenching in the third world. There, policies implemented by international development agencies such as the World Bank have pushed poor subsistence farmers off their lands by the hundreds of millions and forced them into the derelict squatter camps that ring the megacities of the developing world. Every year, a staggering 20 to 30 million of the world’s poor leave their villages and move to cities. 3 The last century has, in other words, witnessed a process of accumulation by dispossession on an unprecedented scale. 4 The powerful global cities of the developed world are an increasingly

Exceptional State: Contemporary U.S. Culture and the New Imperialism

Exceptional State analyzes the nexus of culture and contemporary manifestations of U.S. imperialism. The contributors, established and emerging cultural studies scholars, define culture broadly to include a range of media, literature, and political discourse. They do not posit September 11, 2001 as the beginning of U.S. belligerence and authoritarianism at home and abroad, but they do provide context for understanding U.S. responses to and uses of that event. Taken together, the essays stress both the continuities and discontinuities embodied in a present-day U.S. imperialism constituted through expressions of millennialism, exceptionalism, technological might, and visions of world dominance. The contributors address a range of topics, paying particular attention to the dynamics of gender and race. Their essays include a surprising reading of the ostensibly liberal movies Wag the Do g and Three Kings , an exploration of the rhetoric surrounding the plan to remake the military into a high-tech force less dependent on human bodies, a look at the significance of the popular Left Behind series of novels, and an interpretation of the Abu Ghraib prison photos. They scrutinize the national narrative created to justify the U.S. invasions of Afghanistan and Iraq, the ways that women in those countries have responded to the invasions, the contradictions underlying calls for U.S. humanitarian interventions, and the role of Africa in the U.S. imperial imagination. The volume concludes on a hopeful note, with a look at an emerging anti-imperialist public sphere. Contributors . Omar Dahbour, Ashley Dawson, Cynthia Enloe, Melani McAlister, Christian Parenti, Donald E. Pease, John Carlos Rowe, Malini Johar Schueller, Harilaos Stecopoulos