Bryonny Goodwin-Hawkins

Post-fordist death: A comparative ethnographic analysis of milling and mining in Northern England

ABSTRACT Building on work on post-Fordist affect, we argue that the group-based and person-centered forms of production in mining and milling, respectively, produce contingent conceptualizations of culture, identity, and personhood and, in turn, of dying and death. The “communal solidarism” characteristic of post-mining milieu engenders senses of dying and death entailing a communal merging of erstwhile individual selfhoods. In post-milling milieu dying and death are conceptualized as individuated, but subject to social evaluation. The evaluative criterion in this regard is ability to “perform” dying and death in ways that reflect the valorized essence of local culture, identity, and personhood, “resilient autonomy.”

Life’s end: Ethnographic perspectives

ABSTRACT In this introduction to the special issue, Life’s End: Ethnographic Perspectives, we review the field of anthropological studies of death and dying. We make the argument that, largely because of its sub-disciplining into the larger field of the anthropology of religion, ritual and symbolism, the focus of anthropological research on death has been predominantly on post- rather than pre-death events, on death’s beginnings rather than life’s ends. Additionally, we argue that an anthropological aversion to the study of dying may also lie in the intimacy of the discipline’s principal method, ethnography. Contrastingly, we argue that this very methodological intimacy can be a source of insight, and we offer this as a rationale for the special issue as a whole, which comprises eight ethnographic studies of dying and social relations at life’s end from across Africa, Australia, Europe, and North America. Each of these studies is then summarized, and a rationale for their presentation around the themes of “structures of dying,” “care for the dying,” “hope in dying,” and “ending life” is presented.

Monstrous Spectres: Chimneys and Their Smoke in Industrial Britain

ABSTRACT What does a chimney mean? As Britain industrialised, chimneys and smoke grew out of technological change and expanding manufacturing. Yet, as I demonstrate here, the substances of brick and particulates had – and have – more than material meaning. This article offers a brief ethnography of industrial chimneys and their smoke in Britain, from the nineteenth century to the smokeless, postindustrial present. Taking as my concern how chimneys and smoke have been ‘written’ into socio-spatial symbolism, I show their polarisation between triumphant spectacle and savage monstrosity. I then reflect on their current, spectral, presence.

Morris dancers, matriarchs and paperbacks: Doing the village in contemporary Britain

To call a place rural is to categorize it as a particular kind of place and, often, to presume that particular kinds of being innately occur there. Over the past 20 years, however, trends in British rural studies have problematized easy ascription; this article is an ethnographic contribution within those trends. If it is no longer adequate to read the rural as a container for being, then, as I contend here, rurality can be explored anew through doing. I draw upon David Matless’s (1994) frame of ‘doing the village’ representationally, and amplify it to include concepts of place as representational and relational. I thus use ‘doing’ to read the multiple ways in which diverse residents in a Northern England village engage with both their real locality and with nationally shared rural imaginings.