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Dive into the research topics where Carlos Agon is active.

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Featured researches published by Carlos Agon.


acm multimedia | 2011

OpenMusic: visual programming environment for music composition, analysis and research

Jean Bresson; Carlos Agon; Gérard Assayag

OpenMusic is an open source environment dedicated to music composition. The core of this environment is a full-featured visual programming language based on Common Lisp and CLOS (Common Lisp Object System) allowing to design processes for the generation or manipulation of musical material. This language can also be used for general purpose visual programming and other (possibly extra-musical) applications.


designing interactive systems | 2014

Structured observation with polyphony: a multifaceted tool for studying music composition

Jérémie Garcia; Theophanis Tsandilas; Carlos Agon; Wendy E. Mackay

Contemporary music composition is a highly creative and disciplined activity that requires free expression of ideas and sophisticated computer programming. This paper presents a technique for structured observation of expert creative behavior, as well as Polyphony, a novel interface for systematically studying all phases of computer-aided composition. Polyphony is a unified user interface that integrates interactive paper and electronic user interfaces for composing music. It supports fluid transitions between informal sketches and formal computer-based representations. We asked 12 composers to use Polyphony to compose an electronic accompaniment to a 20-second instrumental composition by Anton Webern. All successfully created a complete, original composition in an hour and found the task challenging but fun. The resulting dozen comparable snapshots of the composition process reveal how composers both adapt and appropriate tools in their own way.


symposium on visual languages and human-centric computing | 2011

Visual programming and music score generation with OpenMusic

Jean Bresson; Carlos Agon

We present score programming features in the visual programming and computer-aided composition environment OpenMusic. The sheet object allows to build complex scores and fill or modify their contents algorithmically using visual programs.


l'interaction homme-machine | 2014

PaperComposer: creating interactive paper interfaces for music composition

Jérémie Garcia; Theophanis Tsandilas; Carlos Agon; Wendy E. Mackay

Interactive paper technologies offer new opportunities for supporting the highly individual practices of creative artists, such as contemporary music composers, who express and explore their ideas on both paper and the computer. We introduce PaperComposer, a graphical interface builder that allows users to create a personalized interactive paper interface that they can connect to their own computer-based musical data. We also present an API that facilitates the development of interactive paper components for PaperComposer. We describe one public demonstration of a novel musical interface designed for children and our collaborations with composers to create two novel interactive music interfaces that reflected their individual composition styles.


Archive | 2005

The OM Composer's Book 3

Jean Bresson; Carlos Agon; Gérard Assayag


Sound and Music Computing Conference (SMC'07) | 2007

Mixing Time Representations in a Programmable Score Editor

Carlos Agon; Jean Bresson


Digital Music Research Network Doctoral Research Conference | 2006

Sound Writing and Representation in a Visual Programming Framework

Jean Bresson; Carlos Agon


Sound and Music Computing conference | 2010

On architecture and formalisms for computer assisted improvisation

Fivos Maniatakos; Gérard Assayag; Frédéric Bevilacqua; Carlos Agon


European Lisp Symposium - ELS'08 | 2007

OpenMusic: Design and Implementation Aspects of a Visual Programming Language

Carlos Agon; Jean Bresson; Gérard Assayag


Electroacoustic Music Studies Network Conference - EMS'07 | 2006

L’analyse musicale différentielle : principes, représentation et application à l'analyse de l'interprétation

Jean-Marc Chouvel; Jean Bresson; Carlos Agon

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