Carlos Agon
Pierre-and-Marie-Curie University
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Publication
Featured researches published by Carlos Agon.
acm multimedia | 2011
Jean Bresson; Carlos Agon; Gérard Assayag
OpenMusic is an open source environment dedicated to music composition. The core of this environment is a full-featured visual programming language based on Common Lisp and CLOS (Common Lisp Object System) allowing to design processes for the generation or manipulation of musical material. This language can also be used for general purpose visual programming and other (possibly extra-musical) applications.
designing interactive systems | 2014
Jérémie Garcia; Theophanis Tsandilas; Carlos Agon; Wendy E. Mackay
Contemporary music composition is a highly creative and disciplined activity that requires free expression of ideas and sophisticated computer programming. This paper presents a technique for structured observation of expert creative behavior, as well as Polyphony, a novel interface for systematically studying all phases of computer-aided composition. Polyphony is a unified user interface that integrates interactive paper and electronic user interfaces for composing music. It supports fluid transitions between informal sketches and formal computer-based representations. We asked 12 composers to use Polyphony to compose an electronic accompaniment to a 20-second instrumental composition by Anton Webern. All successfully created a complete, original composition in an hour and found the task challenging but fun. The resulting dozen comparable snapshots of the composition process reveal how composers both adapt and appropriate tools in their own way.
symposium on visual languages and human-centric computing | 2011
Jean Bresson; Carlos Agon
We present score programming features in the visual programming and computer-aided composition environment OpenMusic. The sheet object allows to build complex scores and fill or modify their contents algorithmically using visual programs.
l'interaction homme-machine | 2014
Jérémie Garcia; Theophanis Tsandilas; Carlos Agon; Wendy E. Mackay
Interactive paper technologies offer new opportunities for supporting the highly individual practices of creative artists, such as contemporary music composers, who express and explore their ideas on both paper and the computer. We introduce PaperComposer, a graphical interface builder that allows users to create a personalized interactive paper interface that they can connect to their own computer-based musical data. We also present an API that facilitates the development of interactive paper components for PaperComposer. We describe one public demonstration of a novel musical interface designed for children and our collaborations with composers to create two novel interactive music interfaces that reflected their individual composition styles.
Archive | 2005
Jean Bresson; Carlos Agon; Gérard Assayag
Sound and Music Computing Conference (SMC'07) | 2007
Carlos Agon; Jean Bresson
Digital Music Research Network Doctoral Research Conference | 2006
Jean Bresson; Carlos Agon
Sound and Music Computing conference | 2010
Fivos Maniatakos; Gérard Assayag; Frédéric Bevilacqua; Carlos Agon
European Lisp Symposium - ELS'08 | 2007
Carlos Agon; Jean Bresson; Gérard Assayag
Electroacoustic Music Studies Network Conference - EMS'07 | 2006
Jean-Marc Chouvel; Jean Bresson; Carlos Agon