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Featured researches published by Christopher Callahan.


Romance Quarterly | 2002

Canon Law, Primogeniture, and the Marriage of Ebain and Silence

Christopher Callahan

ing Ebain’s decision, at the close of the Roman de Silence,’ to wed its eponymous heroine, whom he has just restored to her rightful position as countess of Cornwall, strikes modern readers as K impetuous and poorly conceived. This marriage is particularly disturbing in that it effects a complete reversal of the case which Master Heldris seems to be advancing on Silence’s behalf. Marriage to the very sovereign who was responsible for her predicament hardly seems a fitting resolution to a tale that belies its own misogynous rhetoric by presenting Silence and her subterfuge in a very sympathetic light. Although this marriage may indeed be a reward for Silence’s loyalty, it also clips her wings, while making the case that as a woman, this is the best she can aspire to. For with the undoing of her public persona, she must now lose the voice she had acquired through her mastery of lyric discourse,’ and her music/mode of expression must be relegated to a purely private sphere, as she herself foresaw (w. 2865-72):


Arthuriana | 2002

Lyric Discourse and Female Vocality: On the Unsilencing of Silence

Christopher Callahan

The practice of lyric allows both Silence and Nicolete of chantefable fame to transcend the limits of gender, by validating both their male and female personae at once. Whether purely literary convention or reality, this empowerment is characteristic of medieval lyric discourse.


Catholic Historical Review | 2008

Gautier de Coinci: Miracles, Music, and Manuscripts (review)

Christopher Callahan

tioner was allowed to present witnesses.They testified on the contested articles, and the defendant questioned them, as per the inquiry procedure of the common law. Nevertheless, while the petitioner produced fourteen witnesses, the defendant also presented six on articles that have not been preserved. These twenty depositions are integrally transcribed and occupy fifty-six pages of the volume.The testimonies are not constant on the priest’s or the vicar’s qualifications and do not pronounce themselves on the legitimacy of the ruling of 1457.


Archive | 2005

Les chansons de Colin Muset

Colin Muset; Christopher Callahan; Samuel N. Rosenberg


French Forum | 2002

Hybrid Discourse and Performance in the Old French Pastourelle

Christopher Callahan


Variants | 2012

Troubadour songs in trouvère codices: mouvance in the transmission of courtly lyric

Christopher Callahan


Textual Cultures: Text, Contexts, Interpretation | 2010

Thibaut de Champagne and Disputed Attributions: The Case of MSS Bern, Burgerbibliothek 389 (C) and Paris, BnF fr. 1591(R)

Christopher Callahan


Archive | 2005

Les chansons de Colin Muset : textes et mélodies

Christopher Callahan; Samuel N. Rosenberg


College Music Symposium | 2000

Music in Medieval Medical Practice: Speculations and Certainties

Christopher Callahan


Essays in Medieval Studies | 1991

Interpolating the Musical Text of the Lyric Interpolations: Guillaume de Dole the Trouvere Manuscript Tradition

Christopher Callahan

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