Christopher R Gibson

Geographies of tourism: (un)ethical encounters

In this report I focus on encounter, and the manner in which tourism catalyses entanglements of people, places and identities. Antecedent were earlier theories of the tourist gaze, and critiques of tourism as neocolonialism. One response was the emergence of an ethical tourism industry — branded as such because of commitments to pay decent wages, respect local cultures and tread lightly on nature. While the ethical tourism industry has made strides on these issues, I critique its reliance on binary thinking, and failure to accommodate contradictions and variable ethical conduct in the moments of encounter. By contrast, recent work in geography has sought to explore the multisensory and affective dimensions of tourism encounters without recourse to ethical essentialism. In research on embodiment, emotions and sensory encounters, risks of diluting critique are weighed against opportunities to sharpen ethical concepts. A focus on encounter enables closer dissection of the moments and spaces in which power is exercised, and relations of care extended.

Rural Transformation and Cultural Industries: Popular Music on the New South Wales Far North Coast

This article explores the emergence of popular music as a niche cultural industry, connected to economic and social transformations on the New South Wales Far North Coast (also known as the ‘Northern Rivers’ region). The various images of the New South Wales Far North Coast as a ‘lifestyle’ region, ‘alternative’ locale and coastal retreat have attracted a diverse mix of ex–urban professionals, unemployed persons, youth subcultures, backpacker tourists and retirees. Yet, despite population growth, the region continues to suffer unemployment rates among the highest in Australia. Against this backdrop, diverse popular music ‘scenes’ have emerged, constituting an industry with linkages to cultural production in Sydney, Melbourne and overseas. While the region’s unique cultural mix has been suggested as a key site of comparative advantage, future employment is likely to remain transient, insecure, and governed by industry–wide labour relations. This case study illustrates some of the complexities underpinning contemporary urban–regional change in Australia, and provides cautious assessment of the capacity of the cultural industries to reinvigorate rural economies.

Locating geographies of tourism

*Email: cgibson@uow.edu.au

Music and Tourism: On the Road Again

Preface 1. Tourism and Music 2. Virtual Tourism 3. Musical Landscapes, Tourist Sites 4. Music in the Market: Economy, Society and Tourism 5. Music, Tourism and Culture: Authenticity and Identity 6. On The Road Again: Nostalgia and Pleasure 7. Festivals: Community and Capital 8. Conclusion: Final Notes

Where is Creativity in the City? Integrating Qualitative and GIS Methods

This paper discusses a new blend of methods developed to answer the question of where creativity is in the city. Experimentation with new methods was required because of empirical shortcomings with existing creative city research techniques; but also to respond to increasingly important questions of where nascent economic activities occur outside the formal sector, and governmental spheres of planning and economic development policy. In response we discuss here how qualitative methods can be used to address such concerns, based on experiences from an empirical project charged with the task of documenting creative activity in Darwin—a small city in Australias tropical north. Diverse creative practitioners were interviewed about their interactions with the city—and hard-copy maps were used as anchoring devices around spatially orientated interview questions. Results from this interview-mapping process were accumulated and analysed in a geographical information system (GIS). Digital maps produced by this method revealed patterns of concentration and imagined ‘epicentres’ of creativity in Darwin, and showed how types of sites and spaces of the city are imagined as ‘creative’ in different ways. Qualitative mapping of creativity enabled the teasing out of contradictory and divergent stories of the location of creativity in the urban landscape. The opportunities which such methods present for researchers interested in how economic activities are ‘lived’ by workers, situated in social networks, and reproduced in everyday, material, spaces of the city are described.

A Queer Country? A case study of the politics of gay/lesbian belonging in an Australian country town

Abstract The present paper examines the complex politics of gay/lesbian belonging through a case study of Daylesford, Victoria, an Australian country town. It contributes to two research bodies: gay/lesbian rural geographies and the politics of belonging. Daylesford hosts ChillOut, Australias largest rural gay/lesbian festival, which provides a telling context for investigating gay/lesbian belonging in rural Australia. We use qualitative data from the 2006 ChillOut Festival, including interviews with local residents, newspaper commentaries, and visitors’ surveys, to explore how Daylesford has been constructed, imagined, and experienced as a ‘unique’ site of gay/lesbian belonging in rural Australia. We find that ChillOut crucially contributes to its wider reputation as a gay-friendly country town, but also, we argue, to the contested nature of gay/lesbian belonging. This was most powerfully demonstrated by the local councils refusal to fly the gay-identified rainbow flag on the Town Hall during the 2006 Festival and its subsequent banning of the display of all festival flags from that key public building. Because ChillOut was the catalyst for this protocol, the resolution was viewed as homophobic. Indeed, the homophobic and heterosexist rhetoric that ensued in the Letters to the Editor section of the local newspaper revealed some residents’ underlying antagonism towards ChillOut and the local gay/lesbian community. Moreover, appealing to a shared ‘Australian identity’ and associated normative ‘family values’, these letter writers deployed a multi-scalar politics of belonging, where a sense of gay/lesbian belonging to Daylesford at the local scale was contested by the assertion of a ‘more meaningful’ national scale of allegiance fashioned by heteronormativity.

Community and nostalgia in urban revitalisation: a critique of urban village and creative class strategies as remedies for social 'problems'

Abstract We examine how normative constructions of ‘the creative city’ have entered into Australian planning discourses. Although welcoming a place-based approach, critical consideration is given to how the misappropriation of ‘place making’ in creative city revitalisation plans may enhance rather than address processes of social marginalisation. A Foucauldian framework is employed, exploring the notion of the social production of power through discourse. We draw on a case study of Wentworth Street, a key urban space in Port Kembla, the industrialised district of Wollongong, New South Wales. The study focuses on various ideas of a common place-making theme of the ‘urban village’ evoked by planners, the media and a targeted local resident group (here elderly Macedonians) for a street positioned in ‘crisis’ because of declining infrastructure, services and its association with crime, drugs and prostitution. The case study demonstrates that marginalisation and exclusions are products of creative city strategies and wider, more oppressive urban discourses. But we also demonstrate that despite becoming normative in the texts of planning policies, discourses of place and identity always remain multiple, negotiated, and contradictory.

Cultural Festivals and Economic Development in Nonmetropolitan Australia

Examining a database of 2,856 festivals in Australia and survey results from 480 festival organizers, we consider how nonmetropolitan cultural festivals provide constraints as well as opportunities for economic planners. Cultural festivals are ubiquitous, impressively diverse, and strongly connected to local communities through employment, volunteerism, and participation. Despite cultural festivals being mostly small-scale, economically modest affairs, geared around community goals, the regional proliferation of cultural festivals produces enormous direct and indirect economic benefits. Amidst debates over cultural and political issues (such as identity, exclusion, and elitism), links between cultural festivals and economic development planning are explored.

Household Sustainability: Challenges and Dilemmas in Everyday Life

Contents: Introduction 1. Having a Baby 2. Spaghetti Bolognese 3. Clothes 4. Water 5. Warmth 6. Toilets 7. Laundry 8. Furniture 9. Plastic Bags 10. Driving Cars 11. Flying 12. The Refrigerator 13. Screens 14. Mobile Phones 15. Solar Hot Water 16. The Garden 17. Christmas 18. Retirement 19. Death 20. Conclusion References Index

Becoming differently modern: Geographic contributions to a generative climate politics

Anthropogenic climate change is a quintessentially modern problem in its historical origins and discursive framing, but how well does modernist thinking provide us with the tools to solve the problems it created? On one hand even though anthropogenic climate change is argued to be a problem of human origins, solutions to which will require human actions and engagements, modernity separates people from climate change in a number of ways. On the other, while amodern or more-than-human concepts of multiple and relational agency are more consistent with the empirical evidence of humans being deeply embedded in earth surface processes, these approaches have not sufficiently accounted for human power in climate change, nor articulated generative pathways forward. We argue that recent research in human geography has much to offer because it routinely combines both deconstructive impulses and empirical compulsions (ethnographic, material, embodied, practice-based). It has a rather unique possibility to be both deconstructive and generative/creative. We bring together more-than-human geographies and cross-scalar work on agency and governance to suggest how to reframe climate change and climate change response in two main ways: elaborating human and non-human continuities and differences, and identifying and harnessing vernacular capacities.