Cinzia Di Dio

The Golden Beauty: Brain Response to Classical and Renaissance Sculptures

Is there an objective, biological basis for the experience of beauty in art? Or is aesthetic experience entirely subjective? Using fMRI technique, we addressed this question by presenting viewers, naïve to art criticism, with images of masterpieces of Classical and Renaissance sculpture. Employing proportion as the independent variable, we produced two sets of stimuli: one composed of images of original sculptures; the other of a modified version of the same images. The stimuli were presented in three conditions: observation, aesthetic judgment, and proportion judgment. In the observation condition, the viewers were required to observe the images with the same mind-set as if they were in a museum. In the other two conditions they were required to give an aesthetic or proportion judgment on the same images. Two types of analyses were carried out: one which contrasted brain response to the canonical and the modified sculptures, and one which contrasted beautiful vs. ugly sculptures as judged by each volunteer. The most striking result was that the observation of original sculptures, relative to the modified ones, produced activation of the right insula as well as of some lateral and medial cortical areas (lateral occipital gyrus, precuneus and prefrontal areas). The activation of the insula was particularly strong during the observation condition. Most interestingly, when volunteers were required to give an overt aesthetic judgment, the images judged as beautiful selectively activated the right amygdala, relative to those judged as ugly. We conclude that, in observers naïve to art criticism, the sense of beauty is mediated by two non-mutually exclusive processes: one based on a joint activation of sets of cortical neurons, triggered by parameters intrinsic to the stimuli, and the insula (objective beauty); the other based on the activation of the amygdala, driven by ones own emotional experiences (subjective beauty).

When Art Moves the Eyes: A Behavioral and Eye-Tracking Study

The aim of this study was to investigate, using eye-tracking technique, the influence of bottom-up and top-down processes on visual behavior while subjects, naïve to art criticism, were presented with representational paintings. Forty-two subjects viewed color and black and white paintings (Color) categorized as dynamic or static (Dynamism) (bottom-up processes). Half of the images represented natural environments and half human subjects (Content); all stimuli were displayed under aesthetic and movement judgment conditions (Task) (top-down processes). Results on gazing behavior showed that content-related top-down processes prevailed over low-level visually-driven bottom-up processes when a human subject is represented in the painting. On the contrary, bottom-up processes, mediated by low-level visual features, particularly affected gazing behavior when looking at nature-content images. We discuss our results proposing a reconsideration of the definition of content-related top-down processes in accordance with the concept of embodied simulation in art perception.

The neural correlates of velocity processing during the observation of a biological effector in the parietal and premotor cortex

While there have been several studies investigating the neural correlates of action observation associated with hand grasping movements, comparatively little is known about the neural bases of observation of reaching movements. In two experiments, using functional magnetic resonance imaging (fMRI), we defined the cortical areas encoding reaching movements and assessed their sensitivity to biological motion and to movement velocity. In the first experiment, participants observed video-clips showing either a biological effector (an arm) or a non-biological object (rolling cylinder) reaching toward a target with a biological and a non-biological motion, respectively. In the second experiment, participants observed video-clips showing either a biological effector (an arm) or a non-biological object (an arrow) reaching toward a target with the same biological motion profiles. The results of the two experiments revealed activation of superior parietal and dorsal premotor sites during observation of the biological motion only, independent of whether it was performed by a biological effector (reaching arm) or a non-biological object (reaching arrow). These areas were not activated when participants observed the non-biological movement (rolling cylinder). To assess the responsiveness of parietal and frontal sites to movement velocity, the fMRI repetition-suppression (RS) technique was used, in which movement was shown with same or different velocities between consecutive videos, and observation of identical stimuli was contrasted with observation of different stimuli. Regions of interest were defined in the parietal and frontal cortices, and their response to stimulus repetition was analyzed (same vs. different velocities). The results showed an RS effect for velocity only during the observation of movements performed by the biological effector and not by the non-biological object. These data indicate that dorsal premotor and superior parietal areas represent a neural substrate involved in the encoding of reaching movements and that their responsiveness to movement velocity of a biological effector could be instrumental to the discrimination of movements performed by others.

Specificity of Esthetic Experience for Artworks: An fMRI Study

In a previous functional magnetic resonance imaging (fMRI) study, where we investigated the neural correlates of esthetic experience, we found that observing canonical sculptures, relative to sculptures whose proportions had been modified, produced the activation of a network that included the lateral occipital gyrus, precuneus, prefrontal areas, and, most interestingly, the right anterior insula. We interpreted this latter activation as the neural signature underpinning hedonic response during esthetic experience. With the aim of exploring whether this specific hedonic response is also present during the observation of non-art biological stimuli, in the present fMRI study we compared the activations associated with viewing masterpieces of classical sculpture with those produced by the observation of pictures of young athletes. The two stimulus-categories were matched on various factors, including body postures, proportion, and expressed dynamism. The stimuli were presented in two conditions: observation and esthetic judgment. The two stimulus-categories produced a rather similar global activation pattern. Direct comparisons between sculpture and real-body images revealed, however, relevant differences, among which the activation of right antero-dorsal insula during sculptures viewing only. Along with our previous data, this finding suggests that the hedonic state associated with activation of right dorsal anterior insula underpins esthetic experience for artworks.

Expressing our internal states and understanding those of others

Significance Vitality form is a term that describes the manner with which actions are performed. Despite their crucial importance in interpersonal communication, vitality forms have been almost completely neglected in neuroscience. Here, using a functional MRI technique, we investigated the neural correlates of vitality forms in three tasks: action observation, imagination, and execution. We found that, in all three tasks, there is a common specific activation of the dorsocentral sector of the insula in addition to the parietofrontal network that is typically active during arm movements production and observation. Thus, the dorsocentral part of the insula seems to represent a fundamental and previously unsuspected node that modulates the cortical motor circuits, allowing individuals to express their vitality forms and understand those of others. Vitality form is a term that describes the style with which motor actions are performed (e.g., rude, gentle, etc.). They represent one characterizing element of conscious and unconscious bodily communication. Despite their importance in interpersonal behavior, vitality forms have been, until now, virtually neglected in neuroscience. Here, using the functional MRI (fMRI) technique, we investigated the neural correlates of vitality forms in three different tasks: action observation, imagination, and execution. Conjunction analysis showed that, in all three tasks, there is a common, consistent activation of the dorsocentral sector of the insula. In addition, a common activation of the parietofrontal network, typically active during arm movements production, planning, and observation, was also found. We conclude that the dorsocentral part of the insula is a key element of the system that modulates the cortical motor activity, allowing individuals to express their internal states through action vitality forms. Recent monkey anatomical data show that the dorsocentral sector of the insula is, indeed, connected with the cortical circuit involved in the control of arm movements.

Foreign Accent Syndrome: in the ear of the beholder?

Background: The identification of accent type in patients with acquired accent change following brain damage (Foreign Accent Syndrome; FAS), may vary depending on the judge. Aims: This experiment tests the accent identification abilities of naive judges listening to speech samples from FAS patients versus healthy controls. Method & Procedures: A total of 52 naive judges listened to speech samples from speakers of British English, which were presented over audio CD. They were asked to identify the accent type, but were blind as to the identity of the participants vis-a-vis FAS versus control, and foreign versus native UK. Accuracy, variability, and confidence ratings were assessed as a function of participant and of accent type. Outcomes & Results: The naive judges displayed greater accuracy, consistency, and confidence in typing the control versus the FAS accents. There was a positive familiarity effect for the control, but not the FAS accents. Conclusions: The data provide preliminary support for the view that FAS is not exclusively “in the ear of the beholder”.

NEUROESTHETICS: THE BODY IN ESTHETIC EXPERIENCE.

Neuroesthetics is a field within cognitive neuroscience investigating the neural underpinnings of esthetic experience, particularly in visual arts. Neuroscience has investigated this area using brain imaging and neurophysiological techniques. The evidence produced so far, its heterogeneity notwithstanding, shows that esthetic experience of artworks is characterized by activation of sensory–motor areas, core emotional centers, and reward-related centers. In this article we discuss the functional relevance of these activations. Capitalizing upon the fundamental role of empathy in visual art appreciation, we propose an embodied theory of esthetic experience that emphasizes the role of motor and emotional embodied simulation mechanisms in the beholder.

Human, Nature, Dynamism: The Effects of Content and Movement Perception on Brain Activations during the Aesthetic Judgment of Representational Paintings

Movement perception and its role in aesthetic experience have been often studied, within empirical aesthetics, in relation to the human body. No such specificity has been defined in neuroimaging studies with respect to contents lacking a human form. The aim of this work was to explore, through functional magnetic imaging (f MRI), how perceived movement is processed during the aesthetic judgment of paintings using two types of content: human subjects and scenes of nature. Participants, untutored in the arts, were shown the stimuli and asked to make aesthetic judgments. Additionally, they were instructed to observe the paintings and to rate their perceived movement in separate blocks. Observation highlighted spontaneous processes associated with aesthetic experience, whereas movement judgment outlined activations specifically related to movement processing. The ratings recorded during aesthetic judgment revealed that nature scenes received higher scored than human content paintings. The imaging data showed similar activation, relative to baseline, for all stimuli in the three tasks, including activation of occipito-temporal areas, posterior parietal, and premotor cortices. Contrast analyses within aesthetic judgment task showed that human content activated, relative to nature, precuneus, fusiform gyrus, and posterior temporal areas, whose activation was prominent for dynamic human paintings. In contrast, nature scenes activated, relative to human stimuli, occipital and posterior parietal cortex/precuneus, involved in visuospatial exploration and pragmatic coding of movement, as well as central insula. Static nature paintings further activated, relative to dynamic nature stimuli, central and posterior insula. Besides insular activation, which was specific for aesthetic judgment, we found a large overlap in the activation pattern characterizing each stimulus dimension (content and dynamism) across observation, aesthetic judgment, and movement judgment tasks. These findings support the idea that the aesthetic evaluation of artworks depicting both human subjects and nature scenes involves a motor component, and that the associated neural processes occur quite spontaneously in the viewer. Furthermore, considering the functional roles of posterior and central insula, we suggest that nature paintings may evoke aesthetic processes requiring an additional proprioceptive and sensori-motor component implemented by “motor accessibility” to the represented scenario, which is needed to judge the aesthetic value of the observed painting.

Vitality Forms Processing in the Insula during Action Observation: A Multivoxel Pattern Analysis

Observing the style of an action done by others allows the observer to understand the cognitive state of the agent. This information has been defined by Stern “vitality forms”. Previous experiments showed that the dorso-central insula is selectively active both during vitality form observation and execution. In the present study, we presented participants with videos showing hand actions performed with different velocities and asked them to judge either their vitality form (gentle, neutral, rude) or their velocity (slow, medium, fast). The aim of the present study was to assess, using multi-voxel pattern analysis, whether vitality forms and velocities of observed goal-directed actions are differentially processed in the insula, and more specifically whether action velocity is encoded per se or it is an element that triggers neural populations of the insula encoding the vitality form. The results showed that, consistently across subjects, in the dorso-central sector of the insula there were voxels selectively tuned to vitality forms, while voxel tuned to velocity were rare. These results indicate that the dorso-central insula, which previous data showed to be involved in the vitality form processing, contains voxels specific for the action style processing.

Prospective thinking and decision making in primary school age children

In this study, we seek to widen our understanding of the developmental processes underlying bargaining behaviour in children addressing the concept of prospective thinking. We argue that the emergence of the capacity to think prospectively about future outcomes or behaviours in response to current actions is a required precedent to strategic decision making. To test this idea, we compared 6, 8 and 10 years old children’s performance on three tasks: the ultimatum game assessing fairness/inequality aversion, the marshmallow task, an intertemporal choice task evaluating the ability to delay gratification, and the dictator game assessing altruism. The children’s socio-demographic and cognitive variables were also evaluated. We hypothesized that development of strategic thinking in the ultimatum game is related to an increased ability to delay gratification − given that both tasks require looking at prospective benefits − and, crucially, not to altruism, which benefits from immediate selfless reward. Our results confirmed our hypothesis suggesting that increased strategic planning with age would also stem from the development of competencies like prospective thinking.