Claus-Christian Carbon

Face-specific configural processing of relational information

Face processing relies on configural processing, which is thought to be particularly disrupted by inversion. We compared inversion effects in recognition experiments for three types of stimuli, using faces (Experiment 1) and houses (Experiment 2). Stimuli varied by their colour only (colour), by the spatial relations between components (relational), or by the components themselves (eyes, mouths, doors). For faces, relational versions revealed strong inversion effects, component versions moderate, and colour versions no inversion effect. Recognition of houses revealed no inversion effects at all. We suggest that the inversion effects observed for faces in the component condition are due to relational changes, which must accompany any change in components. This proposal may account for the rather inconsistent effects of inversion reported in the literature. Furthermore, we suggest configural processing seems to be somehow face-specific.

Neural and genetic foundations of face recognition and prosopagnosia

Faces are of essential importance for human social life. They provide valuable information about the identity, expression, gaze, health, and age of a person. Recent face-processing models assume highly interconnected neural structures between different temporal, occipital, and frontal brain areas with several feedback loops. A selective deficit in the visual learning and recognition of faces is known as prosopagnosia, which can be found both in acquired and congenital form. Recently, a hereditary sub-type of congenital prosopagnosia with a very high prevalence rate of 2.5% has been identified. Recent research results show that hereditary prosopagnosia is a clearly circumscribed face-processing deficit with a characteristic set of clinical symptoms. Comparing face processing of people of prosopagnosia with that of controls can help to develop a more conclusive and integrated model of face processing. Here, we provide a summary of the current state of face processing research. We also describe the different types of prosopagnosia and present the set of typical symptoms found in the hereditary type. Finally, we will discuss the implications for future face recognition research.

The cycle of preference: Long-term dynamics of aesthetic appreciation

According to evolutionary psychology people prefer curved objects. We provide evidence that preferences for curved objects might be biologically motivated, but can also be, at least partly, modulated by fashion, trends or Zeitgeist effects. In four studies, participants (n1=38, n2=40, n3=38, n4=38) rated the curvature and appreciation of car models for ten 5-y periods (1950-1999). A parabolic function of curvature, with the lowest curvature for 1980s designs, was documented. Further, appreciation followed this parabolic trend. We revealed adaptation effects as plausible candidates for triggering such changes in preference. In sum, as appreciation of curvature changes dynamically over time, any study aiming to find static and general principles of liking regarding curvature is confounded with Zeitgeist effects.

The Aesthetic Aha: On the pleasure of having insights into Gestalt

Are challenging stimuli appreciated due to perceptual insights during elaboration? Drawing on the literature regarding aesthetic appreciation, several approaches can be identified. For instance, fluency of processing as well as perceptual challenge are supposed to increase appreciation: One group (Reber, Schwarz, & Winkielman, 2004) claims that fluency of processing increases appreciation. Others link aesthetics to engagement: Creation and manipulation of sense itself should be rewarding (Ramachandran & Hirstein, 1999). We experimentally tested the influence of insights during elaboration on liking. Pairs of stimuli - hardly detectable two-tone images including a face (Mooney face) and meaningless stimuli matched for complexity - were presented repeatedly. Having an insight as well as the intensity of the insight predicted subsequent gains in liking. This paper qualifies the role of insight (-aha!) on aesthetic appreciation through the effects of elaboration and problem-solving on understanding the processing of modern art.

When context hinders! Learn–test compatibility in face recognition

Some theories of holistic face processing propose that parts in faces (eyes, nose, mouth, etc.) are not explicitly represented. So far, the empirical evidence has shown that whole-to-part superiority is found when wholes are learned. We substantiated this using photographic faces. More importantly, we investigated whether learning parts also reveals holistic effects. This has not been attempted before. Four experiments showed that after learning facial parts, recognition of these parts was disrupted when the part was shown in the full face. This distraction effect was strongest when perceivers were not directed to focus on a particular facial feature. Thus, it is very difficult to ignore irrelevant parts in faces. In fact, this might be the essence of holistic face processing.

Aesthetic appraisal of product designs: independent effects of typicality and arousal

Theories differ on how typicality and arousal influence aesthetic appraisal and whether these processes together interact or have independent effects on aesthetic appraisal. This research investigates the simultaneous effects of typicality and arousal on aesthetic appraisal for product designs by manipulating both processes separately: typicality by prototype deviation and arousal by colour saturation levels. We demonstrate that typicality has a curvilinear relationship with aesthetic appraisal. Additionally, arousal has a positive linear relationship with aesthetic appraisal of product designs. Moreover, arousal can influence aesthetic appraisal independent from typicality.

Adaptation effects of highly familiar faces: Immediate and long lasting.

A central problem of face identification is forming stable representations from entities that vary—both in a rigid and nonrigid manner—over time, under different viewing conditions, and with altering appearances. Three experiments investigated the underlying mechanism that is more flexible than has often been supposed. The experiments used highly familiar faces that were first inspected as configurally manipulated versions. When participants had to select the veridical version (known from TV/media/movies) out of a series of gradually altered versions, their selections were biased toward the previously inspected manipulated versions. This adaptation effect (face identity aftereffect, Leopold, Rhodes, Müller, & Jeffery, 2005) was demonstrated even for a delay of 24h between inspection and test phase. Moreover, the inspection of a specific image version of a famous person not only changed the veridicality decision of the same image, but also transferred to other images of this person as well. Thus, this adaptation effect is apparently not based on simple pictorial grounds, but appears to have a rather structural basis. Importantly, as indicated by Experiment 3, the adaptation effect was not based on a simple averaging mechanism or an episodic memory effect, but on identity-specific information.

All is beautiful? Generality vs. specificity of word usage in visual aesthetics

A central problem in the literature on psychological aesthetics is a lack of precision in terminology regarding the description and measurement of aesthetic impressions. The current research project approached the problem of terminology empirically, by studying peoples word usage to describe aesthetic impressions. For eight different object classes that are relevant in visual aesthetics, including visual art, landscapes, faces and different design classes, we examined which words people use to describe their aesthetic impressions, and which general conceptual dimensions might underlie similarities and differences between the classes. The results show an interplay between generality and specificity in aesthetic word usage. In line with results by Jacobsen, Buchta, Kohler, and Schroger (2004)beautiful and ugly seem to be the words with most general relevance, but in addition each object class has its own distinct pattern of relevant terms. Multidimensional scaling and correspondence analysis suggest that the most extreme positions in aesthetic word usage for the classes studied are taken by landscapes and geometric shapes and patterns. This research aims to develop a language of aesthetics for the visual modality. Such a common vocabulary should facilitate the development of cross-disciplinary models of aesthetics and create a basis for the construction of standardised aesthetic measures.

When Feature Information Comes First! Early Processing of Inverted Faces

We investigated the early stages of face recognition and the role of featural and holistic face information. We exploited the fact that, on inversion, the alienating disorientation of the eyes and mouth in thatcherised faces is hardly detectable. This effect allows featural and holistic information to be dissociated and was used to test specific face-processing hypotheses. In inverted thatcherised faces, the cardinal features are already correctly oriented, whereas in undistorted faces, the whole Gestalt is coherent but all information is disoriented. Experiment 1 and experiment 3 revealed that, for inverted faces, featural information processing precedes holistic information. Moreover, the processing of contextual information is necessary to process local featural information within a short presentation time (26 ms). Furthermore, for upright faces, holistic information seems to be available faster than for inverted faces (experiment 2). These differences in processing inverted and upright faces presumably cause the differential importance of featural and holistic information for inverted and upright faces.

Priming semantic concepts affects the dynamics of aesthetic appreciation

Aesthetic appreciation (AA) plays an important role for purchase decisions, for the appreciation of art and even for the selection of potential mates. It is known that AA is highly reliable in single assessments, but over longer periods of time dynamic changes of AA may occur. We measured AA as a construct derived from the literature through attractiveness, arousal, interestingness, valence, boredom and innovativeness. By means of the semantic network theory we investigated how the priming of AA-relevant semantic concepts impacts the dynamics of AA of unfamiliar product designs (car interiors) that are known to be susceptible to triggering such effects. When participants were primed for innovativeness, strong dynamics were observed, especially when the priming involved additional AA-relevant dimensions. This underlines the relevance of priming of specific semantic networks not only for the cognitive processing of visual material in terms of selective perception or specific representation, but also for the affective-cognitive processing in terms of the dynamics of aesthetic processing.