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Modernism/modernity | 2007

Introduction: MSA Peer Seminar Cluster: Modernist Authenticities

Debra Rae Cohen; Kevin J. H. Dettmar

Debra Rae Cohen is assistant Professor of english at the University of South Carolina. She is author of Remapping the Home Front: Locating Citizenship in British Women’s Great War Fiction (northeastern 2002). Currently she is co-editing a volume of essays on modernism and radio, and working on a book on rebecca West and modernist historiography. Kevin J. H. Dettmar is Professor of english and cultural studies at Southern Illinois University Carbondale. he has written or edited a half-dozen books on modernist literature, serves as general editor of the Longman Anthology of British Literature, and is coeditor of the new oxford University Press book series modernist Literature & Culture. his current project is an examination of the history and theory of irony in the public sphere since the 1830s. Introduction MSA Peer Seminar Cluster: Modernist Authenticities


Modernism/modernity | 2012

Culture in Camouflage, and: Media, Memory, and the First World War (review)

Debra Rae Cohen

195 Notes 1. Gertrude Stein, “Tender Buttons,” in Gertrude Stein: Writings 1903–1932, edited by Catharine R. Stimpson and Harriet Chessman (New York: Library of America, 1998), 313. 2. Richard Bridgman, Gertrude Stein in Pieces (New York: Oxford University Press, 1970), 316–318; Janet Hobhouse, Everybody Who Was Anybody: A Biography of Gertrude Stein (New York: Putnam, 1975), 202; Wanda Van Dusen and Michael Davidson, “Portrait of a National Fetish: Gertrude Stein’s ‘Introduction to the Speeches of Maréchal Pétain’ (1942),” Modernism/Modernity 3.3 (1996): 69–96; Edward Burns and Ulla Dydo, “Appendix IX. Gertrude Stein: September 1942–1944,” in The Letters of Gertrude Stein & Thornton Wilder, edited by Edward Burns and Ulla Dydo, with William Rice (New Haven: Yale University Press, 1996), 401–421; Patrick Shaw, “The Surrender to Ethos: Gertrude Stein’s ‘Introduction to the Speeches of Maréchal Pétain,’” in Chasing Esther: Jewish Expressions of Cultural Difference, edited and with an introduction by David Metzger and Peter Schulman (Santa Monica, CA; Norfolk, VA; Mount Carmel, Israel: Kol Katan; Institute for Jewish Studies and Interfaith Understanding; University of Haifa, 2005), 9–31; Janet Malcolm, Two Lives: Gertrude and Alice (New Haven: Yale University Press, 2007). 3. See Joan Retallack, “Introduction,” in Gertrude Stein: Selections, edited and with an introduction by Joan Retallack (Berkeley: University of California Press, 2008), 64. 4. Gertrude Stein, Wars I Have Seen (New York: Random House, 1945), 53.


Archive | 2002

Remapping the Home Front: Locating Citizenship in British Women's Great War Fiction

Debra Rae Cohen


Modernism/modernity | 2012

Intermediality and the Problem of the Listener

Debra Rae Cohen


Archive | 2010

Modernism on Radio

Debra Rae Cohen


Social Text | 2013

“Police and Thieves” Citation as Struggle in the Punk Cover Song

Debra Rae Cohen; Michael Coyle


Modernism/modernity | 2013

Victory through Harmony: The BBC and Popular Music in World War II by Christina Baade (review)

Debra Rae Cohen


The Space Between | 2012

Getting the Frame into the Picture: Wells, West, and the Mid-War Novel

Debra Rae Cohen


Archive | 2009

Blonde on Blonde (1966)

Michael Coyle; Debra Rae Cohen; Kevin J. H. Dettmar


Archive | 2009

Rebecca West's Palimpsestic Praxis: Crafting the Intermodern Voice of Witness

Debra Rae Cohen

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