Elizabeth Shotton

Evolutionary design using grammatical evolution and shape grammars : designing a shelter

A new evolutionary design tool is presented, which uses shape grammars and a grammar-based form of evolutionary computa- tion, grammatical evolution (GE). Shape grammars allow the user to specify possible forms, and GE allows forms to be iteratively selected,

Combining structural analysis and multi-objective criteria for evolutionary architectural design

This study evolves and categorises a population of conceptual designs by their ability to handle physical constraints. The design process involves a trade-off between form and function. The aesthetic considerations of the designer are constrained by physical considerations and material cost. In previous work, we developed a design grammar capable of evolving aesthetically pleasing designs through the use of an interactive evolutionary algorithm. This work implements a fitness function capable of applying engineering objectives to automatically evaluate designs and, in turn, reduce the search space that is presented to the user.

String-Rewriting Grammars for Evolutionary Architectural Design

Evolutionary methods afford a productive and creative alternative design workflow. Crucial to success is the choice of formal representation of the problem. String-rewriting context-free grammars (CFGs) are one common option in evolutionary computation, but their suitability for design is not obvious. Here, a CFG-based evolutionary algorithm for design is presented. The process of meta-design is described, in which the CFG is created and then refined to produce an improved design language. CFGs are contrasted with another grammatical formalism better known in architectural design: Stinys shape grammars. The advantages and disadvantages of the two types of grammars for design tasks are discussed.

Living in the Clouds: Conceptual Reconstructions of Harbour Structures

Purpose The harbours of Ireland, under threat from deterioration and rising sea levels, are being documented using terrestrial LiDAR augmented by archival research to develop comprehensive histories and timeline models for public dissemination. While methods to extract legible three-dimensional models from scan data have been developed and such operational formats for heritage management are imperative, the need for this format in interpretive visualisations should be reconsidered. The paper aims to discuss these issues. Design/methodology/approach Interpretive visualisations are forms of history making, where factual evidence is drawn together with conjecture to illustrate a plausible account of events, and differentiation between fact and conjecture is the key to their intellectual transparency. A procedure for superimposing conjectural reconstructions, generated using Rhinoceros and CloudCompare, on original scan data in Cyclone and visualised on a web-based viewer is discussed. Findings Embellishing scan data with conjectural elements to visualise the evolution of harbours is advantageous for both research and public dissemination. The accuracy and density of the scans enables the interrogation of the harbour form and the irregular details, the latter in danger of generalisation if translated into parametric or mesh format. Equally, the ethereal quality of the point cloud conveys a sense of tentativeness, consistent with a provisional hypothesis. Finally, coding conjectural elements allows users to intuit the difference between fact and historical narrative. Originality/value While various web-based point clouds viewers are used to disseminate research, the novelty here is the potential to develop didactic representations using point clouds that successfully capture a provisional thesis regarding each harbour’s evolution in an intellectually transparent manner to enable further inquiry.

Technological transformations at Boatstrand Harbour

Virtual Heritage Network: Ireland 2016, 8-10 December 2016, CACSSS, School of English, Digital Humanities Lab, University College Cork

Augmented Maritime Histories: Text Point Line

Drawing Futures, The Bartlett School of Architecture, University College London, 11-12 November 2016