Erwin Schoonderwaldt

Extraction of bowing parameters from violin performance combining motion capture and sensors

A method is described for measurement of a complete set of bowing parameters in violin performance. Optical motion capture was combined with sensors for accurate measurement of the main bowing parameters (bow position, bow velocity, bow acceleration, bow-bridge distance, and bow force) as well as secondary control parameters (skewness, inclination, and tilt of the bow). In addition, other performance features (moments of on/off in bow-string contact, string played, and bowing direction) were extracted. Detailed descriptions of the calculations of the bowing parameters, features, and calibrations are given. The described system is capable of measuring all bowing parameters without disturbing the player, allowing for detailed studies of musically relevant aspects of bow control and coordination of bowing parameters in bowed-string instrument performance.

Play It Again with Feeling: Computer Feedback in Musical Communication of Emotions

Communication of emotions is of crucial importance in music performance. Yet research has suggested that this skill is neglected in music education. This article presents and evaluates a computer program that automatically analyzes music performances and provides feedback to musicians in order to enhance their communication of emotions. Thirty-six semi-professional jazz /rock guitar players were randomly assigned to one of 3 conditions: (1) feedback from the computer program, (2) feedback from music teachers, and (3) repetition without feedback. Performance measures revealed the greatest improvement in communication accuracy for the computer program, but usability measures indicated that certain aspects of the program could be improved. Implications for music education are discussed.

The Violinist's Sound Palette: Spectral Centroid, Pitch Flattening and Anomalous Low Frequencies

The string player controls variations in spectral content mainly via bow velocity, bow-bridge distance and bow force. Many combinations of the bowing parameters influence the pitch noticeably as we ...

An empirical investigation of bow-force limits in the Schelleng diagram

An experimental study of the upper and lower bow-force limits for bowed violin strings is reported. A bowing machine was used to perform bow strokes with a real violin bow on steel D and E strings ...

High-speed real-time magnetic resonance imaging of fast tongue movements in elite horn players

This paper describes the use of high-speed real-time (RT) magnetic resonance imaging (MRI) in quantifying very rapid motor function within the oropharyngeal cavity of six elite horn players. Based on simultaneous sound recordings, the efficacy of RT-MRI films at 30 and 100 frames per second (fps) was assessed for tongue movements associated with double tonguing performance. Serial images with a nominal temporal resolution of 10.0 and 33.3 ms were obtained by highly undersampled radial fast low-angle shot (FLASH) sequences (5 and 17 spokes, respectively) using complementary sets of spokes for successive acquisitions (extending over 9 and 5 frames, respectively). Reconstructions of high-speed images were obtained by temporally regularized nonlinear inversion (NLINV) as previously described. A customized MATLAB toolkit was developed for the extraction of line profiles from MRI films to quantify temporal phenomena associated with task performance. The analyses reveal that for the present setting, which required the use of a temporal median filter to optimize image quality, acquisition rates of 30 fps are inadequate to accurately detect tongue movements during double tonguing, but that rates of 100 fps do allow for a precise quantification of movement. These data for the first time demonstrate the extreme performance of elite horn players. High-speed RT-MRI offers so far unavailable opportunities to study the oropharyngeal movements during brass playing with future potential for teaching and the treatment of patients suffering from dystonia.

Characteristics of Task-specific Tremor in String Instrument Players

Background In recent studies primary bowing tremor has been described; however, tremor frequency has never been quantitatively assessed. In addition to describing phenomenological aspects of tremor we thus aimed at assessing tremor frequency. Our hypothesis was that primary bowing tremor is similar to the phenomenological aspects and frequency of primary writing tremor. Methods We quantified primary bowing tremor in four violinists under two conditions: open strings and a G major scale. Data were analyzed using empirical mode decomposition because it takes into account non-stationarity and non-linearity of signals. For each patient we further described tremor phenomenology and assessed symptom onset, risk factors, medication, and family history with a structured anamnesis. We compare the findings to previous findings for primary bowing tremor and primary writing tremor. Results We mainly found a flexion–extension tremor of the wrist with a frequency range of 4.7–6.7 Hz. There was no significant difference between the conditions. Mean onset age was 43±2.4 years. Medication included trihexyphenidyl, propranolol, primidone, and botulinum toxin. We found a positive family history in two patients and an injury prior to symptom onset in another two patients. Comparison of onset age, frequency range, family history, and injuries prior to onset revealed that our findings are very similar to previous findings on primary bowing tremor and primary writing tremor. Discussion Our findings confirmed our hypothesis that primary bowing tremor is similar to primary writing tremor, with regard to phenomenology and epidemiology as well as tremor frequency. There was no difference in tremor frequency between conditions, suggesting that tremor is not influenced by bimanual coordination or bowing speed. Our findings thus provide new phenomenological aspects and may contribute to a better understanding of primary bowing tremor.

Visualization of bowing gestures for feedback : The Hodgson plot

A set of displays is proposed for the visualization of bowing gestures measured using motion capture techniques. The main displays (Hodgson plots) show the spatial trajectory followed by the bow frog in time in two different projections. The bridge and the strings of the instrument are shown in the background, forming a functional context for the displayed bowing gestures. The main purpose of the visualizations is to provide informative feedback to players regarding their use of the bow, making them suitable for pedagogical use.

Movement induced tremor in musicians and non-musicians reflects adaptive brain plasticity

Evidence exists that motor dexterity is associated with a higher tremor amplitude of physiological tremor. Likewise, lower frequencies are associated with motor control. So far only case reports of a higher amplitude of physiological tremor in musicians exist. Moreover, no study has investigated lower frequencies during a finger movement task in musicians who can be regarded as a model of motor expertise. We developed a model and derived three hypotheses which we investigated in this study: (1) Tremor amplitude is higher in the range of physiological tremor and (2) higher for frequency ranges of dystonic tremor in musicians compared to non-musicians; (3) there is no difference in tremor amplitude at frequencies below 4 Hz. We measured tremor during a finger flexion-extension movement in 19 musicians (age 26.5 ± 8.2 years) and 24 age matched non-musicians (age 26.5 ± 8.7). By using empirical mode decomposition in combination with a Hilbert transform we obtained the instantaneous frequency and amplitude, allowing to compare tremor amplitudes throughout the movement at various frequency ranges. We found a significantly higher tremor amplitude in musicians for physiological tremor and a tendency toward a higher amplitude during most of the movement in the frequency range of 4–8 Hz, which, however, was not significant. No difference was found in the frequency range below 4 Hz for the flexion and for almost the entire extension movement. Our results corroborate findings that the 8–12 Hz oscillatory activity plays a role in motor dexterity. However, our results do not allow for the conclusion that tremor at the frequency range of 4–8 Hz is related to either plasticity induced changes that are beneficial for motor skill development nor to maladaptive changes as, e.g., focal dystonia.

Auditory perception of note transitions in simulated complex bowing patterns.

Recent motion-capture measurements of violin bowing revealed an interesting coordination behavior in fast repetitive bowing patterns involving bow changes and string crossings; bow changes were consistently lagging behind string crossings, and the relative timing appeared to be an integral part of the bow-movement patterns. The aim of the current study was to investigate if there might be a perceptual explanation for the observed coordination behavior. For this purpose a virtual violin was used, controlled by simulated bowing gestures. A simplified coordination model is presented, which was implemented to allow real-time control of complex bowing patterns. This synthesis approach was employed in a perceptual experiment in which the participants were asked to optimize the sound by adjusting a slider controlling the main coordination parameters. It was found that the resulting coordination patterns were similar to those observed in performance, implying that complex bowing trajectories for an important part emerge from auditory-motor interaction. Further analysis of the responses shed light on temporal and spatial constraints of the simulated gestures associated with the note transitions. The results raise interesting questions with regard to auditory-motor interaction in complex instrumental control gestures.

A system for improving the communication of emotion in music performance by feedback learning

Expressivity is one of the most important aspects of music performance. However, in music education, expressivity is often overlooked in favor of technical abilities. This could possibly depend on ...