Evangelos Himonides
University of London
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In: Perspectives on Males and Singing. (pp. 37-54). Springer: London. (2012) | 2012
Graham Welch; Jo Saunders; Ioulia Papageorgi; Evangelos Himonides
The chapter reports evidence to suggest that children’s singing is characterised by both sex and gender differences. Sex differences are evidenced in the relative size of the vocal anatomy and physiology, with boys tending to have slightly larger vocal instruments compared to girls throughout childhood. Gender differences are evidenced in the ways that such sex differences are reflected in the socio-cultural shaping of children’s developing vocal behaviours over time. Girls tend to be relatively more accomplished in their singing than boys at an earlier age in Western cultures, but there are also diverse cultural examples (such as in the UK, Afghanistan and South Africa) where there are strong traditions of accomplished boys’ singing. For both sexes, highly skilled singing is more likely to be evidenced where selected children participate in an extensive programme of singing development, such as offered by the Cathedral choirs in the UK since the first millennium. Within the chapter, gender similarities and differences are illustrated by data from three longitudinal studies, one in Italy and two in England, including an ongoing evaluation of the English National Singing Programme Sing Up. In the latter study, data analyses based on the sung products of approximately 10,000 individual children indicate that those with successful experience of the programme – both girls and boys – tend to be significantly more developed in their singing competency than those outside the programme. However, gender differences persist in both groups in favour of girls, although these are mediated by age and experience. When questioned about their attitudes to singing, clear gender differences also emerged, with girls tending to be more positive than boys, although again with age as a mediating factor, with younger children of both sexes generally more positive than older children. Nevertheless, the potential benefit of appropriate educational experience in addressing these general trends is evidenced by examples of individual schools where boys are at least as successful as their female peers, and demonstrate equally positive attitudes to singing.
Archive | 2009
Graham Welch; Evangelos Himonides; Jo Saunders; Ioulia Papageorgi; Maria Vraka; Costanza Preti; Cynthia Stephens
Archive | 2008
Graham Welch; Evangelos Himonides; Jo Saunders; Ioulia Papageorgi; Tiija Rinta; Costanza Preti; Claire Stewart; Jennifer Lani; Maria Vraka; Joy Hill
In: 9th International Conference on Music Perception and Cognition (ICMPC). (pp. 411-412). Bologna University Press: Bologna. (2006) | 2006
Evangelos Himonides; Graham Welch
Archive | 2012
Evangelos Himonides
International Music Education Research Centre, iMerc, London. (2011) | 2011
Jo Saunders; Ioulia Papageorgi; Evangelos Himonides; Tiija Rinta; Graham Welch
International Music Education Research Centre, iMerc: London. (2012) | 2012
Graham Welch; Jo Saunders; Angela Hobsbaum; Evangelos Himonides
In: (Proceedings) 25th International Seminar on Research in Music Education. (pp. pp. 321-335). (2014) | 2014
Graham Welch; Jo Saunders; Evangelos Himonides
London Borough of Newham: London. | 2013
Graham Welch; Jo Saunders; Evangelos Himonides; Ross S. Purves
Institute of Education, University of London, London. (2009) | 2009
Graham Welch; Ioulia Papageorgi; Maria Vraka; Evangelos Himonides; Jo Saunders