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Dive into the research topics where François Déchelle is active.

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Featured researches published by François Déchelle.


Computer Music Journal | 1991

The Architecture of the IRCAM Musical Workstation

Eric Lindemann; François Déchelle; Bennett Smith; Michel Starkier

The IRCAM Musical Workstation (IMW) is designed to facilitate experimentation with real-time signal processing and event processing. The main focus is on interactive musical composition and performance algorithms. The hardware architecture of the IMW is based around a general-purpose multiprocessor providing sufficient number-crunching power for real-time musical signal processing and event processing. A real-time operating system has been written for this multiprocessor as well as a toolbox that provides support for distributed real-time signal processing and event processing applications. The toolbox also defines an object system to support interactive CAD-like applications. Support for musical applications is in the form of MIDI, digital audio I/O, and music-oriented event scheduling. The multiprocessor consists of a number of processor boards, each with two Intel i860 processors (Intel 1989), that plug into a host computer, the NeXT machine. The host is used for its graphic interface and file system. The i860 processors handle all realtime event processing and signal processing. A number of distributed applications have been written for the system. User interfaces run on the host and communicate with tasks on the multiprocessor. These include Animal (Lindemann and De Cecco 1991), an object-oriented data definition and manipulation environment; MAX (Puckette 1991), a graphical programming language; IMW Signal Editor (Eckel 1990), a tool for manipulating sampled signals in time and frequency domains; and the IMW Universal Recorder (Smith 1990), a multitrack real-time data recorder for spooling event and signal streams to disk. This article provides a general overview of the IMW system with a special focus on the hardware architecture. Musical Signal Processing Architectures


Computer Music Journal | 1999

jMax: An Environment for Real-Time Musical Applications

François Déchelle; Riccardo Borghesi; Maurizio De Cecco; Enzo Maggi; Butch Rovan; Norbert Schnell

jMax est une nouvelle implementation du langage visuel MAX, largement utilise pour des applications musicales interactives. Base sur une architecture mixte JAVA/C, jMax privilegie la portabilite.


cooperative information systems | 2003

Monitoring the Distributed Virtual Orchestra with a CORBA Based Object Oriented Real-Time Data Distribution Service

Hans-Nikolas Locher; Nicolas Bouillot; Erwan Becquet; François Déchelle; Eric Gressier-Soudan

This paper presents a CORBA based object oriented real-time data distribution service and its use to monitor our distributed virtual orchestra over a campus LAN. This service offers two types of data management policies: periodic exchanges and condition based exchanges. The distributed virtual orchestra uses the jMax engine to generate automatically sounds (virtual player), play and transform the music from real musicians (real player). Each player is connected to a PC and sends its high quality audio stream through the network. Real players hear each other, including the sounds from virtual players, and are self-synchronized. The jMax engine is modeled by a virtual sound automaton remotely monitored through our real-time data distribution service. The monitoring service is effective and has been used for jMax management during musical performance. Future works deal with a CORBA-CCM based monitoring service.


international computer music conference | 2001

Score Following Using Spectral Analysis and Hidden Markov Models

Nicola Orio; François Déchelle


international computer music conference | 1998

jMax: A New JAVA-based Editing and Control System for Real-time Musical Applications

François Déchelle; Riccardo Borghesi; Maurizio De Cecco; Enzo Maggi; Butch Rovan; Norbert Schnell


international computer music conference | 1995

The IRCAM Real-Time Platform and Applications

François Déchelle; Maurizio De Cecco


international computer music conference | 2000

The jMax environment: an overview of new features

François Déchelle; Norbert Schnell; Riccardo Borghesi; Nicola Orio


international computer music conference | 1999

jMax Recent Developments.

François Déchelle; Maurizio De Cecco; Enzo Maggi; Norbert Schnell


international computer music conference | 2000

Coney Island: Combining jMax, Spat and VSS for Acoustic Integration of Spatial and Temporal Models in a Virtual Reality Installation.

Robin Bargar; François Déchelle; Insook Choi; Alex Betts; Camille Goudeseune; Norbert Schnell; Olivier Warusfel


international computer music conference | 1996

New DSP applications on FTS

François Déchelle; Maurizio De Cecco; Enzo Maggi; Norbert Schnell

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