François Déchelle
IRCAM
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Featured researches published by François Déchelle.
Computer Music Journal | 1991
Eric Lindemann; François Déchelle; Bennett Smith; Michel Starkier
The IRCAM Musical Workstation (IMW) is designed to facilitate experimentation with real-time signal processing and event processing. The main focus is on interactive musical composition and performance algorithms. The hardware architecture of the IMW is based around a general-purpose multiprocessor providing sufficient number-crunching power for real-time musical signal processing and event processing. A real-time operating system has been written for this multiprocessor as well as a toolbox that provides support for distributed real-time signal processing and event processing applications. The toolbox also defines an object system to support interactive CAD-like applications. Support for musical applications is in the form of MIDI, digital audio I/O, and music-oriented event scheduling. The multiprocessor consists of a number of processor boards, each with two Intel i860 processors (Intel 1989), that plug into a host computer, the NeXT machine. The host is used for its graphic interface and file system. The i860 processors handle all realtime event processing and signal processing. A number of distributed applications have been written for the system. User interfaces run on the host and communicate with tasks on the multiprocessor. These include Animal (Lindemann and De Cecco 1991), an object-oriented data definition and manipulation environment; MAX (Puckette 1991), a graphical programming language; IMW Signal Editor (Eckel 1990), a tool for manipulating sampled signals in time and frequency domains; and the IMW Universal Recorder (Smith 1990), a multitrack real-time data recorder for spooling event and signal streams to disk. This article provides a general overview of the IMW system with a special focus on the hardware architecture. Musical Signal Processing Architectures
Computer Music Journal | 1999
François Déchelle; Riccardo Borghesi; Maurizio De Cecco; Enzo Maggi; Butch Rovan; Norbert Schnell
jMax est une nouvelle implementation du langage visuel MAX, largement utilise pour des applications musicales interactives. Base sur une architecture mixte JAVA/C, jMax privilegie la portabilite.
cooperative information systems | 2003
Hans-Nikolas Locher; Nicolas Bouillot; Erwan Becquet; François Déchelle; Eric Gressier-Soudan
This paper presents a CORBA based object oriented real-time data distribution service and its use to monitor our distributed virtual orchestra over a campus LAN. This service offers two types of data management policies: periodic exchanges and condition based exchanges. The distributed virtual orchestra uses the jMax engine to generate automatically sounds (virtual player), play and transform the music from real musicians (real player). Each player is connected to a PC and sends its high quality audio stream through the network. Real players hear each other, including the sounds from virtual players, and are self-synchronized. The jMax engine is modeled by a virtual sound automaton remotely monitored through our real-time data distribution service. The monitoring service is effective and has been used for jMax management during musical performance. Future works deal with a CORBA-CCM based monitoring service.
international computer music conference | 2001
Nicola Orio; François Déchelle
international computer music conference | 1998
François Déchelle; Riccardo Borghesi; Maurizio De Cecco; Enzo Maggi; Butch Rovan; Norbert Schnell
international computer music conference | 1995
François Déchelle; Maurizio De Cecco
international computer music conference | 2000
François Déchelle; Norbert Schnell; Riccardo Borghesi; Nicola Orio
international computer music conference | 1999
François Déchelle; Maurizio De Cecco; Enzo Maggi; Norbert Schnell
international computer music conference | 2000
Robin Bargar; François Déchelle; Insook Choi; Alex Betts; Camille Goudeseune; Norbert Schnell; Olivier Warusfel
international computer music conference | 1996
François Déchelle; Maurizio De Cecco; Enzo Maggi; Norbert Schnell