Gayle Rogers
University of Pittsburgh
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James Joyce Quarterly | 2011
Gayle Rogers
I mythology tells of the migration of the Milesians, who were Gaelic Celts, to Ireland through the northwestern part of the Iberian Peninsula—thus, the “Hiberio-Miletians” mentioned in Finnegans Wake (FW 309.11). Some of them stayed in what became the Roman province of Gallaecia (present-day northern Portugal and northwestern Spain), whose inhabitants shared with Irish Celts similar languages and mythological cycles.1 Contemporary scholars in the Spanish province of Galicia have invoked this narrative often both in their research and in the broader spirit of their attention to James Joyce, a northern-Atlantic neighbor who attracted considerable attention from his Galician contemporaries as well. Indeed, as the books at hand demonstrate, Spanish Joyceans, especially in the past two decades, have developed a complex array of practices and critical idioms focused on issues of reception, translation, adaptation, and exegesis. Even as that is acknowledged, however, there is no uniformity among Spanish Joyce scholars: the field is, in fact, robust enough to have subdivisions, and these three books belong to what might be called more precisely “Galician Joyce,” which is related to but distinct from the work of Catalan or Andalusian critics—and is itself a heterogeneous community. Together, the titles considered here comprise a sampling of this work, pointing interested Joyceans toward new avenues for archival investigations and other forms of inquiry. Non-Spanish REVIEW ESSAY
Archive | 2012
Gayle Rogers
Pmla-publications of The Modern Language Association of America | 2009
Antonio Marichalar.; Gayle Rogers
Archive | 2015
Sean Latham; Gayle Rogers
Novel: A Forum on Fiction | 2015
Gayle Rogers
Archive | 2012
Gayle Rogers
Modernism/Modernity Print Plus | 2018
Joshua Miller; Gayle Rogers
Anuario Lope de Vega. Texto, literatura, cultura | 2016
Gayle Rogers
Archive | 2015
Gayle Rogers; Joshua Miller
Modernism: Evolution of an Idea | 2015
Sean Latham; Gayle Rogers