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Featured researches published by Geoffrey Block.


Notes | 1998

All Made of Tunes: Charles Ives and the Uses of Musical Borrowing@@@Charles Ives and the Classical Tradition

Kathryn Bumpass; J. Peter Burkholder; Geoffrey Block

Ives uses of existing music emulating models and learning musical styles the art of paraphrase modeling and paraphrase in the First and Second Symphonies cumulative settings the development and significance of cumulative settings modelling and stylistic allusion to evoke a style orgenre patchwork and extended paraphrase programmatic quotation quodlibet and collage the significance of Ives uses of existing music.


Archive | 1997

Enchanted Evenings: The Broadway Musical from Show Boat to Sondheim

Geoffrey Block


Notes | 1994

Beethoven Forum 1

Geoffrey Block; Christopher Reynolds; Lewis Lockwood; James Webster


Archive | 2002

The Richard Rodgers Reader

Geoffrey Block; Scott DeVeaux


American Music | 2001

The Gershwin style : new looks at the music of George Gershwin

Geoffrey Block; Wayne Schneider


The Journal of Musicology | 1993

The Broadway Canon From 'show Boat' To 'west Side Story' And The European Operatic Ideal

Geoffrey Block


Archive | 2008

Enchanted Evenings : The Broadway Musical from 'Show Boat' to Sondheim and Lloyd Webber

Geoffrey Block


Archive | 1996

Charles Ives and the Classical Tradition

Geoffrey Block; J. Peter Burkholder


American Music | 1992

The evolving keyboard style of Charles Ives

Geoffrey Block; Michael J. Alexander; John Caldwell


Archive | 1999

Oscar Hammerstein II

Geoffrey Block

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