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Archive | 2015

Bachelor of Music: Purpose, Desires and Requirements

H Monkhouse

Effective curriculum design demands a thorough understanding of the purpose of the particular award, balanced with awareness of the amount of time required for knowledge, understanding, and the development of skills necessary to demonstrate achieved learning. For practical, tertiary-level, music study there are several intersecting imperatives that must be considered when establishing a curriculum to sit within a Bachelor of Music. This paper summarises, briefly, international guidelines established for Bachelor of Music programs, in particular the desired attributes for tertiary music performance graduates, then details the Australian context and finally considers how assessment strategies may be used to support required learning outcomes.


Clarinet & Saxophone | 2001

News from Around the Country

H Monkhouse


Ireland International Conference on Education (IICE-2017) | 2017

Perceptions of tertiary music students on the benefits of ensemble activities

H Monkhouse; Am Forbes


Ireland International Conference on Education (IICE-2017) | 2017

Teaching creative arts for older adults in an online environment

Am Forbes; H Monkhouse


Archive | 2015

Lunchtime Recital Series: Clarinet Recital Performance of Thomas Dunhill Phantasy Suite, Op. 91 for Clarinet and Piano, Nino Rota Sonata in Re per clarinetto e pianoforte, Charles Stanford Sonata for Clarinet and Piano, Op. 129

H Monkhouse; Ke Smithies


Literacy Information and Computer Education Journal | 2015

The Use of YouTube to Improve Students’ Acuity and Analytic Skills in Discussion of Issues in Music Performance

H Monkhouse; Am Forbes


Archive | 2014

Lunchtime Recital Series: Performance of Alfred Pratt Idylle Printanière, Op. 17. No. 2, Roger Fiske, Sonata for Clarinet and Piano, Arnold Bax Sonata for Clarinet and Piano, Otto Goldschmidt Evening, from Two Pieces, Op. 26

H Monkhouse; Ke Smithies


31st ISME World Conference on Music Education | 2014

Embodied Learning in an Orchestral Setting

H Monkhouse; Am Forbes


Archive | 2013

Lunchtime Recital Series: Performances of William Lloyd Webber Air and Variations, Gordon Jacob Five Pieces for Clarinet, William Hurlstone Four Characteristic Pieces, Arthur Bliss, Pastoral, Joseph Holbrooke Andante and Presto for Clarinet and Piano, Op. 6, No. 2 and Edward Elgar Chanson de nuit, Op. 15, No. 1

H Monkhouse; Ke Smithies


Archive | 2012

Lunchtime Recital Series: Performances of Gerald Finzi Five Bagatelles for Clarinet and Piano, Op. 23, Victor Babin Hillandale Waltzes, Eric Ewazen Tasman Suite, and selections from The Keating Tangos: Raffaele Marcellino The World's Greatest Tango, Wendy Marlow Tango on the J-Curve, Maria Grenfell Option-C Tango, Ian Munro The Tango We Had to Have, Russell Gilmour Scumbag Tango, Don Kay Sweetest Victory Tango, Kent Farbach Tango Republic

H Monkhouse; Ke Smithies

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Am Forbes

University of Tasmania

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