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Journal of the American Musicological Society | 1961

A Propos the Notation of the Parisian Organa

Hans Tischler

THE PARIS of the late 12th century saw the last flowering of the organa, the invention of strictly metered polyphonic music in the discant clausulae, and the rise of the polyphonic conductus and the motets. A new type of notation was introduced, perhaps by Leonin, and later refined, probably by Perotin, to do justice to these new species of composition. The theorists differed here and there in their methods of teach-


Notes | 1959

Bibliographie der ältesten französischen und lateinischen Motetten

Hans Tischler; Friedrich Gennrich


Archive | 1978

The Montpellier Codex

Hans Tischler; Susan Stakel; Joel C. Relihan


Notes | 1984

The Earliest Motets (To Circa 1270): A Complete Comparative Edition

Rebecca A. Baltzer; Hans Tischler


Revue De Musicologie | 1958

Studien zur italienischen Musik des Trecento und fruhen Quattrocento

Hans Tischler; Kurt von Fischer


Archive | 1997

Trouvère lyrics with melodies : complete comparative edition

Hans Tischler


Notes | 1993

The Monophonic songs in the Roman de Fauvel

Joseph C. Morin; Samuel N. Rosenberg; Hans Tischler


Modern Language Review | 1997

Chansons des trouveres: Chanter m'estuet

Peter T. Ricketts; Samuel N. Rosenberg; Hans Tischler; Marie-Geneviève Grossel


Notes | 1978

Ernest Bloch: Voice in the Wilderness. A Biographical Study

Hans Tischler; Robert Strassburg


Journal of the American Musicological Society | 1966

The Early Cantors of Notre Dame

Hans Tischler

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