Immi Tallgren

We Did It? The Vertigo of Law and Everyday Life at the Diplomatic Conference on the Establishment of an International Criminal Court

International law is a projection of the imagination and professional identity of the practitioners in the field. Take a diligent, somewhat idealistic Delegate X who participates in a major event in international law: the negotiations on the Statute of the International Criminal Court (ICC), starting with the Ad Hoc Committee in 1995, continuing in the Preparatory Committee and culminating at the Diplomatic Conference in Rome in 1998. What takes place when the ambitious ‘world public opinion’ expectations for international law are supposed to be made everyday life by the delegates? How does X, a single committed person, play his or her role as a tiny part of the global reform machinery? What is the anatomy of the engagement: professionalism and a comfortable exit from the intolerable world of human suffering and injustice? What kind of mechanisms govern the vertiginous scenes of genocide, champagne and flirt? Do the everyday worlds of violence and of welfare touch each other only slightly, in the name of international law, just in order to disappear again in their own, irresistible orbits?

Come and See? The Power of Images and International Criminal Justice

What kind of interdisciplinary approaches on images and international criminal justice (ICJ) are there to be explored? What could they bring to scholarship and institutional practice? This article provides a panorama of images and their roles, analysing the power of persuasion and attraction of images and its shadows. The power of images of suffering is discussed in light of critical scholarship on solidarity and humanitarianism. Another kind of power emanates from images by institutions and advocacy where justice is ‘seen to be done’. These powers are intertwined; images of suffering derive legitimacy and veracity from the format of their deployment, whereas images of institutional authority fuel on affects and their appeasement in the order the institutions aim at narrating, also by images. Engaging with interdisciplinarity, the article invites critical attention to what happens when images are powerful, and on the subjectivities and hierarchies involved, thereby reaching beyond the images.