J. Devin McAuley

The time of our lives: Life span development of timing and event tracking

Life span developmental profiles were constructed for 305 participants (ages 4-95) for a battery of paced and unpaced perceptual-motor timing tasks that included synchronize-continue tapping at a wide range of target event rates. Two life span hypotheses, derived from an entrainment theory of timing and event tracking, were tested. A preferred period hypothesis predicted a monotonic slowing of a preferred rate (tempo) of event tracking across the life span. An entrainment region hypothesis predicted a quadratic profile in the range of event rates that produced effective timing across the life span; specifically, age-specific entrainment regions should be narrower in childhood and late adulthood than in midlife. Findings across tasks provide converging support for both hypotheses. Implications of these findings are discussed for understanding critical periods in development and age-related slowing of event timing.

Modeling effects of rhythmic context on perceived duration: a comparison of interval and entrainment approaches to short-interval timing.

Relative merits of interval and entrainment conceptions of the internal clock were assessed within a common theoretical framework by 4 time-judgment experiments. The timing of tone onsets marking the beginning and ending of standard and comparison time intervals relative to a context rhythm were manipulated: onsets were on time, early, or late relative to the implied rhythm, and 2 distinct accuracy patterns emerged. A quadratic ending profile indicated best performance when the standard ended on time and worst performance when it was early or late, whereas a flat beginning profile (Experiments 1-3) indicated uniform performance for the 3 expectancy conditions. Only in Experiment 4, in which deviations from expected onset times were large, did significant effects of beginning times appear in time-discrimination thresholds and points of subjective equality. Findings are discussed in the context of theoretical assumptions about clock resetting, the representation of time, and independence of successive time intervals.

FMRI investigation of cross-modal interactions in beat perception: audition primes vision, but not vice versa.

How we measure time and integrate temporal cues from different sensory modalities are fundamental questions in neuroscience. Sensitivity to a “beat” (such as that routinely perceived in music) differs substantially between auditory and visual modalities. Here we examined beat sensitivity in each modality, and examined cross-modal influences, using functional magnetic resonance imaging (fMRI) to characterize brain activity during perception of auditory and visual rhythms. In separate fMRI sessions, participants listened to auditory sequences or watched visual sequences. The order of auditory and visual sequence presentation was counterbalanced so that cross-modal order effects could be investigated. Participants judged whether sequences were speeding up or slowing down, and the pattern of tempo judgments was used to derive a measure of sensitivity to an implied beat. As expected, participants were less sensitive to an implied beat in visual sequences than in auditory sequences. However, visual sequences produced a stronger sense of beat when preceded by auditory sequences with identical temporal structure. Moreover, increases in brain activity were observed in the bilateral putamen for visual sequences preceded by auditory sequences when compared to visual sequences without prior auditory exposure. No such order-dependent differences (behavioral or neural) were found for the auditory sequences. The results provide further evidence for the role of the basal ganglia in internal generation of the beat and suggest that an internal auditory rhythm representation may be activated during visual rhythm perception.

Time judgments in global temporal contexts.

With three experiments, we examined the effects of global temporal context on time judgments as gauged by constant errors (CEs) and estimates of a preferred period (P). In Experiment 1, participants in seven different conditions listened to sequences of a given rate (with interonset intervals ranging from 200 to 800 msec) and judged the relative duration of a final (comparison) time interval. No P emerged. In Experiments 2 and 3, we embedded the same rates in different global (session) contexts that varied according to (1) mean session rate, (2) standard deviation, (3) range, and (4) number of different rates in a session. Evidence from CEs indicated that P varied primarily as a function of mean session rate and range of tempi. The best predictor of errors involved a measure termedrelative range (RR=range/mean session rate). A general algorithm incorporating RR successfully predicts P, and the implications of this algorithm are discussed.

Duration discrimination in crossmodal sequences

Four duration-discrimination experiments were carried out to compare crossmodal and unimodal timing conditions. For all experiments, participants were presented with two sequences, each consisting of 1 or 4 time intervals (marked by 2 or 5 signals), and asked to indicate whether the interval(s) of the second sequence was (were) shorter or longer than the interval(s) of the first. Markers in the first and second sequences were, respectively, tones and flashes (experiment 1), flashes and tones (experiment 2), both flashes (experiment 3), and both tones (experiment 4). In all modality conditions, except when using only tones (experiment 4), increasing the number of repetitions of the variable interval reduced duration-discrimination thresholds, independently of whether the fixed interval was presented first or second within the sequence pair. Moreover, judgments about sequence timing were best for tones–tones sequence pairs, worst for flashes–flashes sequence pairs, and intermediate for crossmodal (flashes–tones or tones–flashes) sequences. Finally, presenting a fixed interval in the first sequence resulted in better discrimination than presenting a variable interval in the first sequence. Implications for theories of timing are discussed.

Tempo sensitivity in isochronous tone sequences: The multiple-look model revisited

Factors affecting tempo sensitivity in isochronous tone sequences were investigated in two experiments. Participants listened to tones in sequence conditions in which the number of time intervals in isochronous standard and comparison sequences was varied, and they were asked to judge the tempo of the comparison relative to the standard. When the duration of the standard interval was held constant, tempo sensitivity was affected by the number of comparison intervals, but not by the number of standard intervals. In contrast, when the duration of the standard interval was varied randomly from trial to trial, tempo sensitivity was affected by the number of intervals in both sequences. The present findings are discussed in the context of a generalized multiple-look model that posits independent contributions of both sequences to tempo sensitivity. Quantitative model fits suggest that the relative contribution of the number of the standard intervals to tempo thresholds depends on (1) the availability of a stable long-term referent for the standard tempo and (2) a priori knowledge about the number of standard intervals.

Behaviorally inhibited temperament is associated with severity of post-traumatic stress disorder symptoms and faster eyeblink conditioning in veterans.

Prior studies have sometimes demonstrated facilitated acquisition of classically conditioned responses and/or resistance to extinction in post-traumatic stress disorder (PTSD). However, it is unclear whether these behaviors are acquired as a result of PTSD or exposure to trauma, or reflect preexisting risk factors that confer vulnerability for PTSD. Here, we examined classical eyeblink conditioning and extinction in veterans self-assessed for current PTSD symptoms, exposure to combat, and the personality trait of behavioral inhibition (BI), a risk factor for PTSD. A total of 128 veterans were recruited (mean age 51.2 years; 13.3% female); 126 completed self-assessment, with 25.4% reporting a history of exposure to combat and 30.9% reporting current, severe PTSD symptoms (PTSS). The severity of PTSS was correlated with current BI (R2 = 0.497) and PTSS status could be predicted based on current BI and combat history (80.2% correct classification). A subset of the veterans (n = 87) also completed the eyeblink conditioning study. Among veterans without PTSS, childhood BI was associated with faster acquisition; veterans with PTSS showed delayed extinction, under some conditions. These data demonstrate a relationship between current BI and PTSS, and indicate that the facilitated conditioning sometimes observed in patients with PTSD may partially reflect personality traits such as childhood BI that pre-date and contribute to vulnerability for PTSD.

When What You Hear Influences When You See Listening to an Auditory Rhythm Influences the Temporal Allocation of Visual Attention

The three experiments reported here demonstrated a cross-modal influence of an auditory rhythm on the temporal allocation of visual attention. In Experiment 1, participants moved their eyes to a test dot with a temporal onset that was either synchronous or asynchronous with a preceding auditory rhythm. Saccadic latencies were faster for the synchronous condition than for the asynchronous conditions. In Experiment 2, the effect was replicated in a condition in which the auditory context stopped prior to the onset of the test dot, and the effect did not occur in a condition in which auditory tones were presented at irregular intervals. Experiment 3 replicated the effect using an accuracy measure within a nontimed visual task. Together, the experiments’ findings support a general entrainment perspective on attention to events over time.

Tempo and Rhythm

It is a remarkable feat that listeners develop stable representations for auditory events, given the varied, and often ambiguous, temporal patterning of acoustic energy received by the ears. The focus of this chapter is on empirical and theoretical approaches to tempo and rhythm, two aspects of the temporal patterning of sound that are fundamental to musical communication.

Musical rhythm discrimination explains individual differences in grammar skills in children

This study considered a relation between rhythm perception skills and individual differences in phonological awareness and grammar abilities, which are two language skills crucial for academic achievement. Twenty-five typically developing 6-year-old children were given standardized assessments of rhythm perception, phonological awareness, morpho-syntactic competence, and non-verbal cognitive ability. Rhythm perception accounted for 48% of the variance in morpho-syntactic competence after controlling for non-verbal IQ, socioeconomic status, and prior musical activities. Children with higher phonological awareness scores were better able to discriminate complex rhythms than children with lower scores, but not after controlling for IQ. This study is the first to show a relation between rhythm perception skills and morpho-syntactic production in children with typical language development. These findings extend the literature showing substantial overlap of neurocognitive resources for processing music and language. A video abstract of this article can be viewed at: http://youtu.be/_lO692qHDNg.