Jane Draycott

Prostheses in Antiquity

Today, a prosthesis is an artificial device that replaces a missing body part, generally designed and assembled according to the individual’s appearance and functional needs with a view to being both as unobtrusive and as useful as possible. In classical antiquity, however, this was not necessarily the case. The ancient literary and documentary evidence for prostheses and prosthesis use is contradictory, and the bioarchaeological and archaeological evidence is enigmatic, but discretion and utility were not necessarily priorities. So, when, howand why did individuals utilise them? This volume, the first to explore prostheses and prosthesis use in classical antiquity, seeks to answer these questions, and will be of interest to academics and students with specialistinterests in classical archaeology, ancient history and history, especially those engaged in studies of healing, medical and surgical practices, or impairment and disability in past societies.

Literary and Documentary Evidence for Lay Medical Practice in the Roman Republic and Empire.

The majority of surviving ancient medical literature was written by medical practitioners and produced for the purpose of ensuring the effective diagnosis and treatment of their patients, suggesting an audience of medical professionals ranging from instructors to students. This has led historians to concentrate on the professional medical practitioner and their theories, methods and practices, rather than on lay medical practitioners, or even patients themselves. This chapter seeks to redress this imbalance, and examine the ancient literary and documentary evidence for lay medical theories, methods and practices in the Roman Republic and Empire in an attempt to reconstruct the experiences of lay medical practitioners and their patients. The Roman agricultural treatises of Cato, Varro and Columella, papyri and ostraca from Egypt, and tablets from Britain are investigated, and it is established that the individuals personal acquisition of knowledge and expertise, not only from medical professionals and works of medical literature, but also from family members and friends, and through trial and error, was considered fundamental to domestic medical practice.

RECONSTRUCTING THE LIVED EXPERIENCE OF DISABILITY IN ANTIQUITY: A CASE STUDY FROM ROMAN EGYPT

Over the last thirty years, the development of disability studies as an academic discipline has in turn ensured that interest in disability in historical periods has steadily increased. Initially, scholars presented an overwhelmingly negative view of disability in antiquity, proceeding under the assumption that babies born displaying visible signs of deformity or disability were subjected either to infanticide or exposure, and that individuals who were subsequently identified as suffering from a deformity or disability, or developed either one later in life, were ostracized and unable to make any meaningful contribution to society. It is only over the last decade that this reductive approach has been gradually discredited, and the understanding of disability in antiquity has become increasingly nuanced. To date, one monograph has been published on deformity and disability in the Graeco-Roman world, one monograph on disability in the Greek world and one on disability in the Roman world, and one edited volume on disability in antiquity and another on disability in the Roman world. These have been complemented by investigations into disability in Judaism, Christianity and the Bible.

Dynastic politics, defeat, decadence and dining: Cleopatra Selene on the so-called ‘Africa’ dish from the Villa Della Pisanella at Boscoreale

This article examines the so-called ‘Africa’ dish, part of a treasure trove of silver table-ware discovered in a cistern at the Villa della Pisanella, a villa rustica destroyed in the eruption of Vesuvius in ad 79. It proposes a new interpretation of the dishs iconography and argues that the woman in the centre of the emblema is Cleopatra Selene, while the attributes surrounding her reference her parents Cleopatra VII and Marcus Antonius, her brothers Alexander Helios and Ptolemy Philadelphus, her husband Juba II of Mauretania, and their mythological ancestor the demi-god Heracles. Thus the emblema serves as a meditation on the fates of Antony and Cleopatra VII, descendants of Heracles who chose the path of vice, a choice that resulted in their defeat by Octavian at the Battle of Actium. Octavians virtue, victory and clemency, combined with his guardianship of their children, ensured the subsequent promotion of their daughter Cleopatra Selene as a key figure in his dynastic and political strategy, through her marriage to Juba II and the couples appointment as client rulers of Mauretania. Also supposedly descended from Heracles, Juba II and Cleopatra Selene chose to follow in their illustrious ancestors footsteps along the path of virtue. In common with other pieces from the treasure trove, the ‘Africa’ dish alludes to recent historical events and personages, utilizes death as a means of promoting the enjoyment of life, and incorporates popular elements of Greek mythology, all the while offering banqueters an erudite puzzle to solve during the course of their banquet.