Jin Yong Jeon

Perceptual assessment of quality of urban soundscapes with combined noise sources and water sounds

In this study, urban soundscapes containing combined noise sources were evaluated through field surveys and laboratory experiments. The effect of water sounds on masking urban noises was then examined in order to enhance the soundscape perception. Field surveys in 16 urban spaces were conducted through soundwalking to evaluate the annoyance of combined noise sources. Synthesis curves were derived for the relationships between noise levels and the percentage of highly annoyed (%HA) and the percentage of annoyed (%A) for the combined noise sources. Qualitative analysis was also made using semantic scales for evaluating the quality of the soundscape, and it was shown that the perception of acoustic comfort and loudness was strongly related to the annoyance. A laboratory auditory experiment was then conducted in order to quantify the total annoyance caused by road traffic noise and four types of construction noise. It was shown that the annoyance ratings were related to the types of construction noise in combination with road traffic noise and the level of the road traffic noise. Finally, water sounds were determined to be the best sounds to use for enhancing the urban soundscape. The level of the water sounds should be similar to or not less than 3 dB below the level of the urban noises.

Designing sound and visual components for enhancement of urban soundscapes

The aim of this study is to investigate the effect of audio-visual components on environmental quality to improve soundscape. Natural sounds with road traffic noise and visual components in urban streets were evaluated through laboratory experiments. Waterfall and stream water sounds, as well as bird sounds, were selected to enhance the soundscape. Sixteen photomontages of a streetscape were constructed in combination with two types of water features and three types of vegetation which were chosen as positive visual components. The experiments consisted of audio-only, visual-only, and audio-visual conditions. The preferences and environmental qualities of the stimuli were evaluated by a numerical scale and 12 pairs of adjectives, respectively. The results showed that bird sounds were the most preferred among the natural sounds, while the sound of falling water was found to degrade the soundscape quality when the road traffic noise level was high. The visual effects of vegetation on aesthetic preference were significant, but those of water features relatively small. It was revealed that the perceptual dimensions of the environment were different from the noise levels. Particularly, the acoustic comfort factor related to soundscape quality considerably influenced preference for the overall environment at a higher level of road traffic noise.

Acoustical characteristics of water sounds for soundscape enhancement in urban open spaces

The goal of the present study is to characterize water sounds that can be used in urban open spaces to mask road traffic noise. Sounds and visual images of a number of water features located in urban open places were obtained and subsequently analyzed in terms of psychoacoustical metrics and acoustical measures. Laboratory experiments were then conducted to investigate which water sound is appropriate for masking urban noise. The experiments consisted of two sessions: (1) Audio-only condition and (2) combined audio-visual condition. Subjective responses to stimuli were rated through the use of preference scores and 15 adjectives. The results of the experiments revealed that preference scores for the urban soundscape were affected by the acoustical characteristics of water sounds and visual images of water features; Sharpness that was used to explain the spectral envelopes of water sounds was proved to be a dominant factor for urban soundscape perception; and preferences regarding the urban soundscape were significantly related to adjectives describing freshness and calmness.

Non-auditory factors affecting urban soundscape evaluation

The aim of this study is to characterize urban spaces, which combine landscape, acoustics, and lighting, and to investigate peoples perceptions of urban soundscapes through quantitative and qualitative analyses. A general questionnaire survey and soundwalk were performed to investigate soundscape perception in urban spaces. Non-auditory factors (visual image, day lighting, and olfactory perceptions), as well as acoustic comfort, were selected as the main contexts that affect soundscape perception, and context preferences and overall impressions were evaluated using an 11-point numerical scale. For qualitative analysis, a semantic differential test was performed in the form of a social survey, and subjects were also asked to describe their impressions during a soundwalk. The results showed that urban soundscapes can be characterized by soundmarks, and soundscape perceptions are dominated by acoustic comfort, visual images, and day lighting, whereas reverberance in urban spaces does not yield consistent preference judgments. It is posited that the subjective evaluation of reverberance can be replaced by physical measurements. The categories extracted from the qualitative analysis revealed that spatial impressions such as openness and density emerged as some of the contexts of soundscape perception.

Soundwalk approach to identify urban soundscapes individually

This study proposes a soundwalk procedure for evaluating urban soundscapes. Previous studies, which adopted soundwalk methodologies for investigating participants responses to visual and acoustic environments, were analyzed considering type, evaluation position, measurement, and subjective assessment. An individual soundwalk procedure was then developed based on asking individual subjects to walk and select evaluation positions where they perceived any positive or negative characteristics of the urban soundscape. A case study was performed in urban spaces and the results were compared with those of the group soundwalk to validate the individual soundwalk procedure. Thirty subjects (15 architects and 15 acousticians) participated in the soundwalk. During the soundwalk, the subjects selected a total of 196 positions, and those were classified into 4 groups. It was found that soundscape perceptions were dominated by acoustic comfort, visual images, and openness. It was also revealed that perceived elements of the acoustic environment and visual image differed across classified soundscape groups, and there was a difference between architects and acousticians in terms of how they described their impressions of the soundscape elements. The results show that the individual soundwalk procedure has advantages for measuring diverse subjective responses and for obtaining the perceived elements of the urban soundscape.

Evaluating water sounds to improve the soundscape of urban areas affected by traffic noise

The acoustic characteristics of various kinds of water sounds were investigated to evaluate their suitability for improving the soundscape with road traffic in urban spaces. Audio recordings were made in urban spaces with water features such as fountains, streams, water sculptures, or waterfalls. The temporal and spectral aspects of the sounds were clarified, and subjective evaluations were performed to find the proper level difference between water sounds and road traffic noise for making urban soundscape more subjectively pleasant. The results indicated that the perceptual difference of the water sound level was around 3 dB with noises from road traffic in the background. The water sound, which had 3 dB less sound pressure level, was evaluated as preferable when the levels of road traffic noise were 55 or 75 dBA. It was also found that water sounds with relatively greater energy in low-frequency ranges were effective for masking noise caused by road traffic. The results of the present study will be valuable to urban designers and planners by providing guidelines for improving design solutions for water features in urban soundscape

Subjective and objective evaluations of a scattered sound field in a scale model opera house

Scattered sound fields in an opera house were objectively and subjectively evaluated through acoustical measurements in a 1:10 scale model and through auditory preference tests. Acoustical characteristics were measured in the stalls area with and without diffusers, both on the sidewalls close to the proscenium and in the soffit of the side balcony. Installed diffusers reduced the initial time delay gap and amplitude of the first reflected sound, and decreased sound pressure level (SPL), reverberation time (RT), and early decay time (EDT) at most seats due to the increased scattering and absorption. After diffuser installation, C(80) and 1-IACC(E3) increased at the front seats and decreased at the rear seats. Subjective evaluations showed that the preference of scattered sound fields correlates highly with loudness and reverberance. It was also found that EDT and SPL are dominant parameters describing subjective preference for scattered sounds in this experimental condition.

Sound quality characteristics of refrigerator noise in real living environments with relation to psychoacoustical and autocorrelation function parameters

Psychoacoustical and autocorrelation function (ACF) parameters were employed to describe the temporal fluctuations of refrigerator noise during starting, transition into/from the stationary phase and termination of operation. The temporal fluctuations of refrigerator noise include a click at start-up, followed by a rapid increase in volume, a change of pitch, and termination of the operation. Subjective evaluations of the noise of 24 different refrigerators were conducted in a real living environment. The relationship between objective measures and perceived noisiness was examined by multiple regression analysis. Sound quality indices were developed based on psychoacoustical and ACF parameters. The psychoacoustical parameters found to be important for evaluating noisiness in the stationary phase were loudness and roughness. The relationship between noisiness and ACF parameters shows that sound energy and its fluctuations are important for evaluating noisiness. Also, refrigerator sounds that had a fluctuat...

Subjective evaluation of heavy-weight floor impact sounds in relation to spatial characteristics

This study investigated the effect of a spatial factor, the magnitude of interaural cross-correlation (IACC) function, on subjective responses to heavy-weight floor impact sounds. Heavy-weight impact sounds were generated by a heavy/soft impact source (impact ball) in real apartments, so that impact sound pressure levels (SPLs) (L(Amax)) and IACC could be analyzed. Just noticeable differences (JNDs) of impact SPL and IACC were investigated through the use of impact ball sounds. JNDs were determined by the criteria of 75% correct answers by participants, and it was found that JNDs of impact SPL and IACC were around 1.5 dB and 0.12-0.13, respectively. In addition, the annoyance caused by an impact ball was evaluated by changes in these two parameters. The results show that annoyance increased with increasing impact SPL and with decreasing IACC; the contributions of the two parameters to the scale value of annoyance were 79.3% and 20.4%, respectively. This indicates that the effects of IACC should be considered for the evaluation of annoyance, and the subjective response to impact ball sounds can be improved by controlling IACC, as well as impact SPL.

Evaluation of stage acoustics in Seoul Arts Center Concert Hall by measuring stage support

Stage acoustics is an important characteristic for concert halls, both for the acoustic quality on stage and for the audience. However, relatively little research has been conducted into the question. This study was based on the investigation of an actual concert hall stage, that of the Seoul Arts Center Concert Hall in Korea. The stage acoustics was evaluated in the actual hall, and with two models: a 1:25 scale model and a computer model. The study was based on the stage support parameter ST1 proposed by Gade as a measure of support for individual performers [Acustica 65, 193-203 (1989)]. The variation of support was measured on the empty stage of the actual hall and in the two models. The effect of musicians on stage, the effect of moving the orchestra, the effect of ceiling height and of stage-wall profile were also investigated. Conclusions are drawn both relating to the Seoul Concert Hall stage and stages in general.