Jo Langdon

Shifting the “Vantage Point” to Women: Reconceptualizing Magical Realism and Trauma

ABSTRACT Magical realist literature and trauma are often understood in terms of nationalist and historical paradigms in ways that expose a phallocentric bias. With the convergence of magical realist scholarship and trauma studies—in response to the centrality of trauma to magical realist fiction—this phallocentric bias has in many cases been consolidated. This article attends to magical realist trauma narratives by women, undertaking case studies of the UK writer Ali Smith’s Hotel World and the Filipino-Australian writer Merlinda Bobis’s Fish-Hair Woman. Following the groundbreaking work of the feminist historian Joan Kelly, who demonstrated that adopting a woman’s “vantage point” revolutionizes our understanding of history, this article argues that investigating magical realism and trauma from the “vantage point” of women writers leads to a reconceptualization of what constitutes trauma and a redefinition of magical realist fiction.

‘A Thing May Happen and be a Total Lie’: Artifice and Trauma in Tim O’Brien’s Magical Realist Life Writing

ABSTRACT Depicting patently fantastic episodes alongside the traumatic events of the Vietnam War, Tim O’Brien’s autobiographical magical-realist writing problematises pictures of the past and challenges conventional generic distinctions. Despite the often impossible and outrageous occurrences that punctuate his otherwise realistic narratives, and indeed the pointed and provocative revisions and contradictions of his self-reflexive texts themselves, O’Brien insists on his work’s authenticity. In line with critics such as Eugene L. Arva, O’Brien contends that his writing is true to the ‘felt’ experience of trauma—which trauma theorists largely characterise according to intensity, non-linearity and confusion. Nonetheless, rather than being pure outpourings of trauma, his works are clearly—and self-consciously—literary artefacts that often resonate with popular culture narratives. Undertaking case studies of the autobiographically informed magical realist novel Going After Cacciato and the short-story collection The Things They Carried, a text that suggestively functions as both fiction and autobiography, this article attends to the paradoxes of fantasy-filled ‘life writing’, revealing a convergence between magical realism and testimony when it comes to the representation of trauma.