Joaquín Mora
University of Seville
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Publication
Featured researches published by Joaquín Mora.
Journal of Intellectual & Developmental Disability | 2013
Climent Giné; Rosa Vilaseca; Marta Gràcia; Joaquín Mora; José Ramón Orcasitas; Cecilia Simón; Ana María Torrecillas; Francesc S. Beltran; Mariona Dalmau; Maria Teresa Pro; Anna Balcells-Balcells; Joana Mas; Ana Luisa Adam-Alcocer; David Simó-Pinatella
Abstract Background Researchers, professionals, and families have shown increasing concern with the family quality of life (FQoL) of people with intellectual disability (ID) and their families. The goals of this research were (a) to explore how Spanish families understand FQoL by developing 2 different measurement tools for families with a member with ID under and over 18 years old, and (b) to provide 2 diagnostic instruments that will be useful for designing action plans. Method The study comprised 4 stages: (a) focus groups, (b) expert assessment, (c) pilot study, and (d) normalisation and standardisation. The data were collected in 5 regions in Spain, and 1,205 families with a member with ID took part in the normalisation and standardisation of the scales. Results Both FQoL scales were consistent and have valid psychometric characteristics. Conclusions The scales have a diagnostic purpose for use in designing action plans aimed at producing significant changes in families’ lives.
ACM Journal on Computing and Cultural Heritage | 2016
Nadine Kroher; José Miguel Díaz-Báñez; Joaquín Mora; Emilia Gómez
Flamenco is a music tradition from Southern Spain that attracts a growing community of enthusiasts around the world. Its unique melodic and rhythmic elements, the typically spontaneous and improvised interpretation, and its diversity regarding styles make this still largely undocumented art form a particularly interesting material for musicological studies. In prior works, it has already been demonstrated that research on computational analysis of flamenco music, despite it being a relatively new field, can provide powerful tools for the discovery and diffusion of this genre. In this article, we present corpusCOFLA, a data framework for the development of such computational tools. The proposed collection of audio recordings and metadata serves as a pool for creating annotated subsets that can be used in development and evaluation of algorithms for specific music information retrieval tasks. First, we describe the design criteria for the corpus creation and then provide various examples of subsets drawn from the corpus. We showcase possible research applications in the context of computational study of flamenco music and give perspectives regarding further development of the corpus.
Journal of New Music Research | 2016
Joaquín Mora; Francisco Gómez; Emilia Gómez; José Miguel Díaz-Báñez
This work focuses on the topic of melodic characterization and similarity in a specific musical repertoire: a cappella flamenco singing, more specifically in debla and martinete styles. We propose the combination of manual and automatic description. First, we use a state-of-the-art automatic transcription method to account for general melodic similarity from music recordings. Second, we define a specific set of representative mid-level melodic features, which are manually labelled by flamenco experts. Both approaches are then contrasted and combined into a global similarity measure. This similarity measure is assessed by inspecting the clusters obtained through phylogenetic algorithms and by relating similarity to categorization in terms of style. Finally, we discuss the advantage of combining automatic and expert annotations as well as the need to include repertoire-specific descriptions for meaningful melodic characterization in traditional music collections.
4th International Workshop On Folk Music Analysis | 2018
Nadine Kroher; Emilia Gómez; Amin Chaachoo; Mohamed Sordo; José Miguel Díaz-Báñez; Francisco Gómez; Joaquín Mora
In this chapter we approach flamenco and Arab-Andalusian vocal music through the analysis of two representative pieces. We apply a hybrid methodology consisting of audio-signal processing to describe and contrast their melodic characteristics followed by musicological analysis. The use of such computational analysis tools complements a musicological-historical study with the aim of supporting the discovery and understanding of the specific characteristics of these musical traditions, their similarities and differences, while offering solutions to more general music information retrieval (MIR) research challenges.
international symposium/conference on music information retrieval | 2012
Aggelos Pikrakis; Francisco Gómez; Sergio Oramas; José Miguel Díaz-Báñez; Joaquín Mora; Francisco J. Escobar-Borrego; Emilia Gómez; Justin Salamon
Proceedings of the 11th International Society for Music Information Retrieval Conference (ISMIR 2010) | 11th International Society for Music Information Retrieval Conference (ISMIR 2010) | 09/08/2010 - 13/08/2010 | Utrecht, Paises Bajos | 2010
Joaquín Mora; Francisco Gomez Martin; Emilia Gómez; Francisco J. Escobar-Borrego; José Miguel Díaz-Báñez
Proceedings of the Fourth Conference on Interdisciplinary Musicology. CIM08 | Fourth Conference on Interdisciplinary Musicology. CIM08 | 02/07/2008-06/07/2008 | Thessaloniki, Greece | 2008
Juan J. Cabrera; José Miguel Díaz-Báñez; Francisco J. Escobar-Borrego; Emilia Gómez; Francisco Gomez Martin; Joaquín Mora
Revista De Psicodidactica | 2012
Juan-José Navarro; Joaquín Mora
Learning and Individual Differences | 2011
Juan-José Navarro; Joaquín Mora
neural information processing systems | 2011
Francisco Gómez; Aggelos Pikrakis; Joaquín Mora; José Miguel Díaz-Báñez; Emilia Gómez