John E. Bowlt

Über das Vorgestern ins Übermorgen: Neoprimitivismus in Wort- und Bildkunst der russischen Moderne. By Aage A. Hansen-Löve. Paderborn: Wilhelm Fink, 2016. 506 pp. Notes. Bibliography. Chronology. Index. Illustrations. Photographs. Figures. €59.00, hard cover.

Vladimir Markov and Russian Primitivism: A Charter for the Avant-Garde. By Jeremy Howard, Irēna Bužinska, and Z. S. Strother. Burlington: Ashgate, 2015. xxvi, 294 pp. Notes. Bibliography. Index. Illustrations. Plates. Photographs. Figures.

119.95, hard bound.

The Avant-Garde Icon: Russian Avant-Garde Art and the Icon Painting Tradition. By Andrew Spira. Burlington, Vt.: Lund Humphries and the Ashgate Publishing Company, 2008. 224 pp. Notes. Bibliography. Index. Illustrations. Plates. Photographs.

80.00, hard bound.

Visions of a New Land: Soviet Film from the Revolution to the Second World War. By Emma Widdis. New Haven: Yale University Press, 2003. xi, 258 pp. Notes. Bibliography. Glossary. Index. Filmography. Figures.

35.00, hard bound.

Von der Ikone zur Utopie: Kunstkonzepte der Russischen Avantgarde. By Verena Krieger. Cologne: Böhlau Verlag, 1998. 260 pp. Notes. Bibliography. Illustrations. Plates. Hard bound.

O Tatline. By Nikolai Punin. Ed. I. N. Punina and V. I. Rakitin. Archive of the Russian Avant-Garde Series. Moscow: Literaturno-khudozhestvennoe Agenstvo "R. A.," 1994. Index. Illustrations. Paper.

Russian Narrative and Visual Art: Varieties of Seeing. Eds. Roger Anderson and Paul Debreczeny. Gainesville: University Press of Florida, 1994. 211 pp. Illustrated Index.