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French Cultural Studies | 2012

Eighteen Forty-Eight, or the History of Death

Jonathan Strauss

This article offers a metahistorical examination of the concept of history through readings of contemporary and subsequent accounts of the 1848 Revolution in France. The year 1848 has persistently thrown the category of history into question – not historical events, but the very notion of history itself. I would argue, however, that the Revolution’s historical significance lies, paradoxically, in the very possibility that it was not a historical event, or, more precisely, in the ambiguity of its historical status. Through readings of contemporary accounts of the February 1848 events in Paris and theoretical texts by Kant, Michelet, Marx and Derrida, this article argues that the possibility of historical meaning is conceptually rooted in the finitude of human mortality. This finitude – and its attendant meanings – are, however, troubled by the notion of ghosts and the troubling materiality of corpses, both of which played important psychological roles in reactions to the 1848 Revolution in Paris.


Yale French Studies | 1990

Hegel, Death and Sacrifice

Georges Bataille; Jonathan Strauss


Archive | 1998

Subjects of Terror: Nerval, Hegel, and the Modern Self

Jonathan Strauss


Mln | 2002

Political Force and the Grounds of Identity from Rousseau to Flaubert

Jonathan Strauss


Yale French Studies | 1990

The Inverted Icarus

Jonathan Strauss


Archive | 2016

An Endless Person

Jonathan Strauss


Archive | 2013

Private Lives, Public Deaths

Jonathan Strauss


A Companion to European Romanticism | 2007

The Poetry of Loss: Lamartine, Musset, and Nerval

Jonathan Strauss


Mosaic (Winnipeg) | 2000

Paul Eluard and the Origins of Visual Subjectivity

Jonathan Strauss


The Romanic Review | 1997

Nerval's "Le Christ Aux Oliviers": The Subject Writes after Its Own Death

Jonathan Strauss

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