José Lino Oliveira Bueno

Time changes with the embodiment of another's body posture.

The aim of the present study was to investigate whether the perception of presentation durations of pictures of different body postures was distorted as function of the embodied movement that originally produced these postures. Participants were presented with two pictures, one with a low-arousal body posture judged to require no movement and the other with a high-arousal body posture judged to require considerable movement. In a temporal bisection task with two ranges of standard durations (0.4/1.6 s and 2/8 s), the participants had to judge whether the presentation duration of each of the pictures was more similar to the short or to the long standard duration. The results showed that the duration was judged longer for the posture requiring more movement than for the posture requiring less movement. However the magnitude of this overestimation was relatively greater for the range of short durations than for that of longer durations. Further analyses suggest that this lengthening effect was mediated by an arousal effect of limited duration on the speed of the internal clock system.

Avaliação de periódicos científicos brasileiros da área da psicologia

The present paper reports the second evaluation of Brazilian psychology journals carried out by the Editorial Committee CAPES-ANPEPP. The objectives of this evaluation, which started in 1999, were (a) to assess the journals Brazilian in which researchers affiliated to graduate courses in psychology usually publish, (b) to develop ways to support the best journals and (c) to establish parameters for the improvement of these journals. In the present assessment, 51 journals cited by the graduate programs reports in the period of 1999-2000 were evaluated. We used an Evaluation Form that consists of five sets of items (Normalization, Publication, Circulation, Authorship and Contents, and Editorial Management). The forms were completed by the editors and checked by the Committee. This instrument allowed to establish a ranking by circulation (National/Local) and quality (A/B/C) criteria. The main results showed that there was a remarkable improvement in the Brazilian journals compared to the first evaluation. Some questions related to the evaluation process itself and the challenges for the next steps are discussed.

Music, emotion, and time perception: the influence of subjective emotional valence and arousal?

The present study used a temporal bisection task with short (<2 s) and long (>2 s) stimulus durations to investigate the effect on time estimation of several musical parameters associated with emotional changes in affective valence and arousal. In order to manipulate the positive and negative valence of music, Experiments 1 and 2 contrasted the effect of musical structure with pieces played normally and backwards, which were judged to be pleasant and unpleasant, respectively. This effect of valence was combined with a subjective arousal effect by changing the tempo of the musical pieces (fast vs. slow) (Experiment 1) or their instrumentation (orchestral vs. piano pieces). The musical pieces were indeed judged more arousing with a fast than with a slow tempo and with an orchestral than with a piano timbre. In Experiment 3, affective valence was also tested by contrasting the effect of tonal (pleasant) vs. atonal (unpleasant) versions of the same musical pieces. The results showed that the effect of tempo in music, associated with a subjective arousal effect, was the major factor that produced time distortions with time being judged longer for fast than for slow tempi. When the tempo was held constant, no significant effect of timbre on the time judgment was found although the orchestral music was judged to be more arousing than the piano music. Nevertheless, emotional valence did modulate the tempo effect on time perception, the pleasant music being judged shorter than the unpleasant music.

Occasion Setting and Drug Tolerance

There is considerable evidence that drug-paired cues become associated with drug effects. It has been hypothesized that these cues act as Pavlovian conditional stimuli (CSs), and elicit conditional compensatory responses that contribute to tolerance. On the basis of a conditioning analysis of tolerance, we would expect that is should be possible to establish drug-paired cues as occasion setters, as well as conditional stimuli. Using feature-positive discrimination training, we evaluated the contribution of occasion-setting stimuli (as well as CSs) to tolerance to the hypothermic effect of ethanol in rats. The results indicated that a complete associative analysis of drug tolerance should incorporate not only the CS properties of predrug cues, but also the occasion-setting properties of such cues. The findings have implications for interpreting conflicting findings concerning extinction of tolerance and for cue-exposure treatments of addiction.

Hippocampal lesions induced by ionizing radiation: a parametric study

The selective lesion of granule cell populations in the dentate gyrus induced by ionizing radiation has been proposed as a useful method for evaluating the effects of hippocampal lesions on behavioral tasks. In the first part of the present study we confirmed the induction of the selective lesion of hippocampal dentate gyrus by ionizing radiation in infant Wistar rats, reported previously, but to a smaller extent with less cell loss. A parametric study was thus performed to assess the effect of modification of the parameters previously tested, comprising three further steps: an increase in the total dose of X-rays and modification of the fractionating schedule; use of three radiation types, X-ray, gamma-ray, and electrons (at two energy levels, 3 and 7 mev); use of three X-ray energy levels, 180, 200 and 250 kVp; and assessment of the effect of five total X-ray doses, at 200 kVp, 10, 14, 16, 18 and 20 gy (grays). The data suggests that X-ray radiation, in a total dose of 14 gy, at the 200 kVp energy level, fractionated into seven consecutive exposures of 2 gy each and produces a lesion of about 85% of the dentate gyrus granule cells.

Static Images with Different Induced Intensities of Human Body Movements Affect Subjective Time

Modulation of subjective time was examined using static images eliciting perceptions of different intensities of body movement. Undergraduate students were exposed to photographs of dancer sculptures in different dance positions for 36 sec. and asked to estimate the exposure duration. Lower movement intensities were related to shorter estimated durations. Mean durations for images of unmoving dancers were underestimated and for dancers taking a ballet step were overestimated. Temporal estimations were also related to the order of presentation of the stimuli, which suggested that subjective time estimations were influenced by the experimental context. Subjective time is related not only to the visual perception of moving images, but also of elicited perceptions of movement in static images, suggesting an embodiment effect on subjective time estimation.

Manipulating Greek musical modes and tempo affects perceived musical emotion in musicians and nonmusicians

The combined influence of tempo and mode on emotional responses to music was studied by crossing 7 changes in mode with 3 changes in tempo. Twenty-four musicians aged 19 to 25 years (12 males and 12 females) and 24 nonmusicians aged 17 to 25 years (12 males and 12 females) were required to perform two tasks: 1) listening to different musical excerpts, and 2) associating an emotion to them such as happiness, serenity, fear, anger, or sadness. ANOVA showed that increasing the tempo strongly affected the arousal (F(2,116) = 268.62, mean square error (MSE) = 0.6676, P < 0.001) and, to a lesser extent, the valence of emotional responses (F(6,348) = 8.71, MSE = 0.6196, P < 0.001). Changes in modes modulated the affective valence of the perceived emotions (F(6,348) = 4.24, MSE = 0.6764, P < 0.001). Some interactive effects were found between tempo and mode (F (1,58) = 115.6, MSE = 0.6428, P < 0.001), but, in most cases, the two parameters had additive effects. This finding demonstrates that small changes in the pitch structures of modes modulate the emotions associated with the pieces, confirming the cognitive foundation of emotional responses to music.

Occasion setting in Pavlovian ambiguous target discriminations

Rats were trained in a Pavlovian serial ambiguous target discrimination, in which a target cue was reinforced if it was preceded by one stimulus (P-->T+) but was not reinforced if it was preceded by another stimulus (N-->T-). Test performance indicated that stimulus control by these features was weaker than that acquired by features trained within separate serial feature positive (P-->T+, T-) and serial feature negative (N-->W-, W+) discriminations. The form of conditioned responding and the patterns of transfer observed suggested that the serial ambiguous target discrimination was solved by occasion setting. The data are discussed in terms of the use of retrospective coding strategies when solving Pavlovian serial conditional discriminations, and the acquisition of special properties by both feature and target stimuli.

INFLUENCE OF GENERALIZED COMPLEXITY OF A MUSICAL EVENT ON SUBJECTIVE TIME ESTIMATION

This study examined the variations in the apparent duration of music events produced by differences in their generalized compositional complexity. Stimuli were the first 90 sec. of Gustav Mahlers 3rd Movement of Symphony No. 2 (low complexity) and the first 90 sec. of Luciano Bérios 3rd Movement of Symphony for Eight Voices and Orchestra (high complexity). Bérios symphony is another “reading” of Mahlers. On the compositional base of Mahlers symphony, Bério explored complexity in several musical elements—temporal (i.e., rhythm), nontemporal (i.e., pitch, orchestral and vocal timbre, texture, density), and verbal (i.e., text, words, phonemes). These two somewhat differently filled durations were reproduced by 10 women and 6 men with a stopwatch under the prospective paradigm. Analysis showed that the more generalized complexity of the musical event was followed by greater subjective estimation of the duration of this 90-sec. symphonic excerpt.

Efeitos de imagens estáticas com diferentes representações de movimento sobre a percepção subjetiva de tempo

The study of the perception of movement and subjective time can be expanded with the utilization of images as visual stimuli. The aim of this work was to verify if two static images with different representations of movement would affect distinctly temporal perception. University students not trained in visual arts submitted to images with different suggestions of movement reproduced the time of presentation of the stimuli under the prospective paradigm. The results showed that the picture with the lesser suggestion of movement (Stimulus A) was judged shorter than the one with more suggestion of movement (Stimulus B), although both have been underestimated in relation to real duration. The analysis of the data of semantic differential scales, referred to 4 criteria of movement of judgment in static images, showed that stimulus A was judged having less movement than stimulus B. The conclusion was that the suggestion of movement in a static image extends the temporal experience.