Josefina Pérez-Arantegui

Detection, characterization and quantification of inorganic engineered nanomaterials: A review of techniques and methodological approaches for the analysis of complex samples

The increasing demand of analytical information related to inorganic engineered nanomaterials requires the adaptation of existing techniques and methods, or the development of new ones. The challenge for the analytical sciences has been to consider the nanoparticles as a new sort of analytes, involving both chemical (composition, mass and number concentration) and physical information (e.g. size, shape, aggregation). Moreover, information about the species derived from the nanoparticles themselves and their transformations must also be supplied. Whereas techniques commonly used for nanoparticle characterization, such as light scattering techniques, show serious limitations when applied to complex samples, other well-established techniques, like electron microscopy and atomic spectrometry, can provide useful information in most cases. Furthermore, separation techniques, including flow field flow fractionation, capillary electrophoresis and hydrodynamic chromatography, are moving to the nano domain, mostly hyphenated to inductively coupled plasma mass spectrometry as element specific detector. Emerging techniques based on the detection of single nanoparticles by using ICP-MS, but also coulometry, are in their way to gain a position. Chemical sensors selective to nanoparticles are in their early stages, but they are very promising considering their portability and simplicity. Although the field is in continuous evolution, at this moment it is moving from proofs-of-concept in simple matrices to methods dealing with matrices of higher complexity and relevant analyte concentrations. To achieve this goal, sample preparation methods are essential to manage such complex situations. Apart from size fractionation methods, matrix digestion, extraction and concentration methods capable of preserving the nature of the nanoparticles are being developed. This review presents and discusses the state-of-the-art analytical techniques and sample preparation methods suitable for dealing with complex samples. Single- and multi-method approaches applied to solve the nanometrological challenges posed by a variety of stakeholders are also presented.

Lustre Recipes from A Medieval Workshop in Paterna

The discovery of the workshop ‘Les Olleries Xiques’ in Paterna has provided a unique opportunity to analyse the raw materials, and in particular the recipes used in the production of the lustre decorations. Chemical and phase analyses of lustre raw materials and of lustre decorations belonging to the workshop pottery are shown. A comparison with existing ancient documentation on lustre recipes is also presented.

The secret of early nanomaterials is revealed, thanks to transmission electron microscopy

Lustre ceramic decoration was revealed by analytical electron microscopy to have been the first nanostructured metallic thin film made by man. Considering this type of decoration in the context of cultural heritage, this is a remarkable discovery in the history of technology, because nanocrystal films have been produced empirically since medieval times. This meant that a high level of technological knowledge of materials science was required to obtain and to reproduce lustre layers. An analytical approach by means of transmission electron microscopy (TEM), with energy-dispersive X-ray spectroscopy (EDS) and electron diffraction (ED) facilities, allowed us to resolve the microstructure and chemical composition of the lustre.

Gas chromatography/mass spectrometry and pyrolysis-gas chromatography/mass spectrometry for the chemical characterisation of modern and archaeological figs (Ficus carica)

Gas chromatography/mass spectrometry (GC/MS) after alkaline hydrolysis, solvent extraction and trimethylsilylation, and analytical pyrolysis using hexamethyldisilazane (HMDS) for in situ derivatisation followed by gas chromatographic/mass spectrometric analysis (Pyrolysis-silylation-GC/MS) were used to investigate the hydrolysable and soluble constituents, and the polymerised macromolecules of an archaeological fig (Ficus carica) recovered in Zaragoza (Spain), as well as of modern figs. The main aim was to study the compositional alterations undergone by the fig tissues in a particular archaeological environment: the fig was in a vessel and covered by a layer of a mixture of orpiment and gypsum. A comparison between the GC/MS results from modern and archaeological figs revealed that degradative reactions took place, leading to the disappearance/depletion of reactive (unsaturated fatty acids) and sensitive compounds (phytosterols and triterpenes). Py-silylation-GC/MS data provided evidence of a significant degradation of the saccharide and lipid components of the fig tissue, which left a residue enriched in polyphenols and polyesters.

Electrochemical Behavior of Silver-Copper Alloys in Voltammetry of Microparticles: A Simple Method for Screening Purposes

Voltammetry of microparticles (VMP) is used as a tool to identify Ag/Cu alloys. The identification process is based on the position of the voltammetric peaks obtained in different media: ammonia buffer 0.1 M, oxalic acid 0.4 M and thiocyanate 0.4 M, for samples of Ag, Cu and Ag/Cu alloys, immobilized on a graphite electrode. The phases and structure of four Ag/Cu alloys (91 : 9, 70 : 30, 40 : 60, 10 : 90) were studied by scanning electron microscopy (SEM) and then related to the voltammograms to establish a relationship between structure and peak shape and position.

Identification of iron(III) oxides and hydroxy-oxides by voltammetry of immobilised microparticles

In this paper, we propose the use of an electroanalytical technique based on the direct oxidation or reduction of the electroactive components of the sample on the surface of the working electrode, called voltammetry of immobilised microparticles (VMPs). The sample is easily deposited on the electrode by abrasion and then the electrode is transferred to the electrochemical cell where the square wave potential scan is performed. Electroactive species showed peaks whose peak potential is related to the standard formal potentials. We applied this technique to the identification of iron oxides and hydroxy-oxides in cosmetics. To characterise and identify the iron(III) oxides and hydroxy-oxides VMP was performed in two different media: oxalic acid and hydrochloric acid, that is, a complexing and a slightly complexing media. Two electrode processes were observed. They were influenced by the media and the synthesis procedure of the oxides. The reduction peak at negative potentials ( −0.50 V in hydrochloric acid and −0.60 V in oxalic acid) is related to the direct reduction of the iron(III) oxide and it does not appear in the case of the more reactive phases (hydroxy-oxides). The peak at positive potentials (0.90 V in hydrochloric acid and 0.60 V in oxalic acid) involves the reduction of iron(III) in solution. The same electrode process were observed for binary mixtures but the peak potentials are shifted from the pure components peak potentials. This allowed us to distinguish between their mixtures. Finally, VMP was used to characterise iron oxides in cosmetic powders.

Voltammetry of immobilised microparticles: a powerful analytical technique to study the physical and chemical composition of brass

Voltammetry of immobilised microparticles with a square wave potential scan (SQW) is used to study the phases composition of brass. Several electrolytes are considered in order to obtain peaks representing all the brass phases as well as to achieve the best resolution between peaks. Cyclic voltammetry was also used to characterise the electrode processes and the results obtained were in agreement with those from SQW voltammetry. The position and shape of the peaks changed with the media and concentration used to perform the experiment. Thiocyanate medium offered the richest information.

Field-emission scanning electron microscopy and energy-dispersive x-ray analysis to understand the role of tannin-based dyes in the degradation of historical wool textiles.

An innovative approach, combining field-emission scanning electron microscopy (FESEM) with energy dispersive X-ray spectroscopy (EDX) analysis, is presented to investigate the degradation mechanisms affecting tannin-dyed wool. In fact, tannin-dyed textiles are more sensitive to degradation then those dyed with other dyestuffs, even in the same conservation conditions. FESEM-EDX was first used to study a set of 48 wool specimens (artificially aged) dyed with several raw materials and mordants, and prepared according to historical dyeing recipes. EDX analysis was performed on the surface of wool threads and on their cross-sections. In addition, in order to validate the model formulated by the analysis of reference materials, several samples collected from historical and archaeological textiles were subjected to FESEM-EDX analysis. FESEM-EDX investigations enabled us to reveal the correlation between elemental composition and morphological changes. In addition, aging processes were clarified by studying changes in the elemental composition of wool from the protective cuticle to the fiber core in cross-sections. Morphological and elemental analysis of wool specimens and of archaeological and historical textiles showed that the presence of tannins increases wool damage, primarily by causing a sulfur decrease and fiber oxidation.

Chemical investigation on black pigments in the carved decoration of sixteenth century alabaster tombs from Zaragoza (Spain)

AbstractAn analytical protocol based on optical microscopy (OM), scanning electron microscopy (SEM) observation, energy-dispersive X-ray (EDX) analyses, analytical pyrolysis in the presence of hexamethyldisilazane followed by gas chromatographic/mass spectrometric analysis (Py-silylation-GC/MS) and gas chromatography/mass spectrometry (GC/MS) after alkaline hydrolysis, solvent extraction and trimethylsilylation was used to study the origin and nature of black pigments from the carved inscriptions of several panels of two alabaster tombs dated from the mid-sixteenth century. Optical microscopy and SEM observation showed the presence of an amorphous very dark-brown substance, from translucent to opaque. EDX analyses revealed that the samples were mainly made up of C and O, thus highlighting the organic nature of the material used in the inscriptions. Py-silylation-GC/MS and GC/MS analyses provided detailed molecular compositions, highlighting the presence of a wide range of compound classes including diterpenoid acids, tricyclic abietanes, mid- and long-chain monocarboxylic fatty acids, n-alkanols and n-alkanes. The pyrograms, the chromatographic profiles and the presence of characteristic biomarkers indicated that a mixture of pine pitch and beeswax had been used to make the black inscriptions. Chemical characterization of Renaissance black pigments

Microcharacterization of a Natural Blue Pigment Used in Wall Paintings During the Romanesque Period in Northern Spain

In Romanesque wall paintings in Aragon (Spain), the pigment used for creating blue was a very characteristic mineral, aerinite, which came from local ores in the southern Pyrenees. Optical and scanning electron microscopy (SEM), with energy-dispersive X-ray (EDX) analysis, X-ray diffraction, and reflectance spectroscopy were used to make a detailed microcharacterization of this rare blue pigment in order to improve the knowledge of its composition and possible variability, from samples of medieval paintings and some mineral ores. New analytical data on the chemical composition of the blue pigment are reported here, together with the characterization of its microstructure, and the heterogeneity of the natural pigment made by the features of the ore itself. X-ray diffraction pattern and color parameters of the mineral ores are also included. The data obtained by SEM-EDX will assist identification of this pigment by electron microscopy. The natural variability in composition observed in the samples may be used to explain formation of the extracted mineral and to compare several ore sources. Connection of the ore composition with the pigments used in Romanesque wall paintings will help both provenance and attribution studies.