Julien Danero Iglesias

Constructing national history in political discourse: Coherence and contradiction (Moldova, 2001–2009)

History is one of the many instruments available for the persuasive construction of a nation. In Moldova, the Party of the Communists of the Republic of Moldova (PCRM), in office from 2001 to 2009, advocated for a Soviet-based version of the Moldovan nation. This “Moldovanism” boasted of the existence of a “Moldovan People” and was relied upon to justify the independence of the former Romanian province. Vladimir Voronin, the partys leader and president of the Republic during this period, promoted this “civic” Moldovan nation and created what seemed to be a coherent and ad hoc construction of an independent Moldovan nation. This paper focuses on communist political discourse during this eight year period. Through the use of Critical Discourse Analysis, this paper focuses on the discursive construction of the Moldovan nation. It is based on Voronins official speeches and messages from key occasions such as Independence Day and Victory Day. This paper demonstrates the varied use of history in these speeches which improves understanding of the process of the construction of a nation. Moreover, it demonstrates that this construction, far from being coherent, was also sometimes contradictory. Indeed, discourse was adapted to the immediate context and audience. Finally, the paper explains how an explicitly “civic” discourse can be implicitly and, sometimes even explicitly, “ethnic” and “exclusive”.

The Making of an Empty Moldovan Category within a Multiethnic Transnistrian Nation

To legitimize separation from Moldova, Transnistrian elites have been constructing a civic Transnistrian nation, subsuming local ethnic Russian, Ukrainian, and Moldovan identities. This article first identifies changes to the Transnistrian nation-building strategy: from an emphasis on Moldovan nationhood in the early 1990s to oppose “Romanianization” in Chisinau, to Transnistrian nationhood mainly after Moldovanism was adopted in Chisinau in 2001. It then shows how this multiethnic nation is being constructed, with a particular emphasis on the place of Transnistrian Moldovans. While the Moldovan identity category is being institutionalized as a part of the Transnistrian civic nation, its ecological niches are being emptied of Romanian/Bessarabian attributes and invested with Russianness. As a result, “Moldovan” now seems an empty identity category in Transnistria.

Eurovision Song Contest and Crisis Identity in Moldova

The Eurovision Song Contest (ESC) was created for strengthening the development of a European soul. But generally speaking, one can say it has been used as a tool for nation-branding, and as a means for Central and Eastern countries to “return” to Europe, in particular after the fall of their Communist regimes. In the difficult social, economic, political, and historical context of the Republic of Moldova nowadays, the ESC furthermore allows the discursive construction of the nation and the building of a particular self. Accordingly, based on a method inspired by the Critical Discourse Analysis methodology applied to three local newspapers, the research demonstrates how the ESC acts as a sound box when building the Moldovan self. The Moldovan identity that emerges from the articles seems to be an identity in crisis which proves much different from the usual political constructions of the nation. This bottom-up identity put forward by journalists has indeed to be related to the twofold crisis in which Moldova is at the moment: social and economic, on the one hand, and linked to a permanent struggle between a separate Moldovan or an integrated Romanian identity, on the other.The Eurovision Song Contest (ESC) was created for strengthening the development of a European soul. But generally speaking, one can say it has been used as a tool for nation-branding, and as a means for Central and Eastern countries to “return” to Europe, in particular after the fall of their Communist regimes. In the difficult social, economic, political, and historical context of the Republic of Moldova nowadays, the ESC furthermore allows the discursive construction of the nation and the building of a particular self. Accordingly, based on a method inspired by the Critical Discourse Analysis methodology applied to three local newspapers, the research demonstrates how the ESC acts as a sound box when building the Moldovan self. The Moldovan identity that emerges from the articles seems to be an identity in crisis which proves much different from the usual political constructions of the nation. This bottom-up identity put forward by journalists has indeed to be related to the twofold crisis in which Moldova is at the moment: social and economic, on the one hand, and linked to a permanent struggle between a separate Moldovan or an integrated Romanian identity, on the other.

An Ad Hoc Nation An Analysis of Moldovan Election Campaign Clips

Since independence, nationalism has been at the front of politics in the Republic of Moldova in the context of a persisting political struggle about the very definition of the Moldovan nation. Looking at campaign video clips produced in 2009 by Moldovan political parties and using a methodology inspired by Critical Discourse Analysis, the article gives a better understanding of nationalism in Moldova nowadays. The article demonstrates that the focus of political parties on the nation is purely symbolic. They adapt their discourse to the context in which they evolve (audience of the videos and targeted voters). Pursuing the objective of gaining or holding on to power, parties construct an ad hoc nation whose content they fill with the needs of the moment, using mirroring arguments to win the elections over competing parties seen as enemies of an endangered country.Since independence, nationalism has been at the front of politics in the Republic of Moldova in the context of a persisting political struggle about the very definition of the Moldovan nation. Looking at campaign video clips produced in 2009 by Moldovan political parties and using a methodology inspired by Critical Discourse Analysis, the article gives a better understanding of nationalism in Moldova nowadays. The article demonstrates that the focus of political parties on the nation is purely symbolic. They adapt their discourse to the context in which they evolve (audience of the videos and targeted voters). Pursuing the objective of gaining or holding on to power, parties construct an ad hoc nation whose content they fill with the needs of the moment, using mirroring arguments to win the elections over competing parties seen as enemies of an endangered country.