Katie Ellis

Disability and New Media

Disability and New Media examines how digital design is triggering disability when it could be a solution. Video and animation now play a prominent role in the World Wide Web and new types of protocols have been developed to accommodate this increasing complexity. However, as this has happened, the potential for individual users to control how the content is displayed has been diminished. Accessibility choices are often portrayed as merely technical decisions but they are highly political and betray a disturbing trend of ableist assumption that serve to exclude people with disability. It has been argued that the Internet will not be fully accessible until disability is considered a cultural identity in the same way that class, gender and sexuality are. Kent and Ellis build on this notion using more recent Web 2.0 phenomena, social networking sites, virtual worlds and file sharing. Many of the studies on disability and the web have focused on the early web, prior to the development of social networking applications such as Facebook, YouTube and Second Life. This book discusses an array of such applications that have grown within and alongside Web 2.0, and analyzes how they both prevent and embrace the inclusion of people with disability.

Disability and the Media

1. Introduction: Why Does Disability Matter for Media? 2. Understanding Disability and Media 3. Medias Role in Disability 4. The News on Disability 5. Beyond Disabled Broadcasting 6. Disability and Media Work 7. Conclusion: Doing Justice to Disability and Media

Disability and Popular Culture: Focusing Passion, Creating Community and Expressing Defiance

As a response to real or imagined subordination, popular culture reflects the everyday experience of ordinary people and has the capacity to subvert the hegemonic order. Drawing on central theoretical approaches in the field of critical disability studies, this book examines disability across a number of internationally recognised texts and objects from popular culture, including film, television, magazines and advertising campaigns, children’s toys, music videos, sport and online spaces, to attend to the social and cultural construction of disability. While acknowledging that disability features in popular culture in ways that reinforce stereotypes and stigmatise, Disability and Popular Culture celebrates and complicates the increasing visibility of disability in popular culture, showing how popular culture can focus passion, create community and express defiance in the context of disability and social change. Covering a broad range of concerns that lie at the intersection of disability and cultural studies, including media representation, identity, the beauty myth, aesthetics, ableism, new media and sport, this book will appeal to scholars and students interested in the critical analysis of popular culture, across disciplines such as disability studies, sociology and cultural and media studies.

Disability media participation: opportunities, obstacles and politics

This article discusses participatory media from a critical disability perspective. It discusses the relative absence of explicit discussion and research on disability in the literatures on community, citizen and alternative media. By contrast, disability has emerged as an important element of participatory cultures and digital technologies. To explore disability participatory cultures, the article offers analysis of case studies, including disability blogs, ABCs Ramp Up website and crowd-funding platforms (such as Kickstarter).

People with disability and new disaster communications: access and the social media mash-up

This article explores how a lack of access to increasingly complex and overlapping digital communications platforms in times of disaster for people with disabilities has the potential to make already life-threatening situations considerably more dangerous. As we are increasingly coming to rely on a social media mash-up of digital platforms to assist in communications during disaster situations, the issue of accessibility for people with disabilities is as dire as if it was high ground during a tsunami or transport during a typhoon. The contemporary social media environment is characterised by a complex and overlapping network of complementary platforms, populated by user-generated content, where people communicate and exchange ideas. In this environment, YouTube videos are posted to Facebook and embedded in blogs, and Twitter is used to link to these other sites and is itself embedded in other platforms. These networks are increasingly supplementing and supplanting more traditional communication platforms, such as the television and radio, particularly in times of disaster. The concern of this paper is that the elements from which this mash-up of communications channels is made are not always accessible to people with disabilities. This evolving network of social media-based communication exposes the limits of existing Internet-based universal design.

Television's transition to the internet: Disability accessibility and broadband-based TV in Australia

Whereas entertainment has featured negatively in the broader NBN debate currently occurring in Australia, within the disability sector it has been recognised as revolutionary. Government, industry and technical analysts describe digital television, particularly that delivered via broadband, as potentially enabling to people with vision and hearing impairments through the more widespread provision of accessibility features such as audio description and closed captions. This article interrogates the approach to accessibility taken by two case studies of broadband-based television: Netflix and catch-up TV. Netflix, which is not officially available in Australia, is often presented as the future of television, while catch-up services provide an example of the current broadband-based television paradigm in this country. Although accessibility features may be available on broadcast television or DVD release, each of these forms of broadband-based television has either previously (Netflix) or currently (catch-up) stripped accessible functions to stream online. The discussion reflects on both activist interventions of people with disability and the industry standards.

The Voice Australia (2012): disability, social media and collective intelligence

This paper examines themes that emerge in discussion of Season 1 The Voice Australias vision-impaired contestant Rachael Leahcar on The Voice Australias official YouTube channel. The essay uses Pierre Lévys conception of information utopia characterized by collective intelligence as a mechanism to examine the way representations of disability are responded to online. The paper outlines three broad themes that emerged in the available social media discourse about Leahcars performances: first, themes that portray her as an inspirational sweet innocent, second, accusations that she had a competitive edge or ‘sob story’ that others could not compete with and, finally, that people with disabilities are entitled to compensation. Social media also offered Rachael Leahcar the opportunity to respond to criticisms that she was not disabled enough – a critique often levelled at people with disability seeking accommodations. This paper argues that although Rachael was broadly constructed and interpreted as a ‘supercripple’, the affordances available through both reality television and televisions use of social media provide the opportunity to introduce a different type of representation that embraces both incidentalist and non-incidentalist ways of understanding disability.

Digital television flexibility: A survey of Australians with disability

Flexibility for many viewers comes from digital technologies and their interaction with television broadcasting. Significantly, as television is switched to digital transmissions, viewers with disability have the potential to experience flexibility in the form of accessibility features such as audio descriptions, captions, lip-reading avatars, signing avatars, spoken subtitles and clean audio. This flexibility may in fact provide some people with access to television for the first time. This exploratory study reports results from an online survey of Australians with disabilities conducted during the final months of the simulcast period before analogue signals were switched off in 2013. While captioning emerged as the most desired accessibility feature, differences surfaced when the data were broken into specific impairment types. This article highlights the importance of digital flexibility specific to impairment type, and locates people with disability as a significant group to consider as more changes take place around digital television broadcasting via the NBN.

Contours of ableism: The production of disability and abledness

In short, after spending most of his book arguing for a more strategic approach to effect political change and to get beyond neo-liberal hegemony, it is now business as usual and back to the status quo? It is now up to others to come up with whatever they think should be done? This is hardly the call to arms one would expect to come out of the energy of the preceding pages. This makes the book ultimately rather disappointing, because it means that it fails to pick up on the radical potential for which Gilbert has historically admired cultural studies. The above critique of the book is borne out of disappointment with an ultimately undelivered promise, and should be read in that spirit. At the same time, the book has a lot to offer. For those new to cultural studies, it offers a clear historical overview of the genesis and importance of cultural studies, even if this is available elsewhere. However, where the book really delivers is in the chapters that discuss some of the most influential theoretical paradigms associated with cultural studies, from Gramsci to Hardt and Negri with a bit of Žižek thrown in for good measure. Those chapters provide thought-provoking discussions, and, more importantly, they create potentially productive linkages between various theoretical paradigms; and it helps here that Gilbert writes in a highly accessible style. There are other smaller critical points to be made, for example about the rather Anglo-Saxon perspective on an apparently ‘global’ anti-capitalist movement, which Gilbert acknowledges rather than justifies. But overall this book makes for a stimulating read for anyone disillusioned by years of neo-liberal hegemony and anyone who is interested in the role that cultural studies can (or perhaps should) play in effecting real political change.

Reimagining Australia via disability and media: Representation, access and digital integration

It would appear that the effects of sustained overuse of the planet’s resources is straining the natural world to its limits. The consequences of staying on this path may be catastrophic for both planet and humankind. At this time, when the ecosphere which sustains us all is so fragile, it seems imperative that we address the nature of the fundamental relationship between humans and their environment. Hence, we should perhaps undertake to reimagine our relationship with nature, with place and with each other if we are to counteract such malign influences. This paper will argue that localised, direct democratic action offers us one way in which we may begin to redeem these relationships by providing an account of the way in which an assortment of subcultures in the Northern Rivers of New South Wales united to successfully oppose mining for coal seam gas. The Northern Rivers is renowned for its natural endowments and a community which boasts great diversity. A variety of motivations led to an array of groups exerting their collective power and unity at grassroots level to defeat the attempt to introduce unconventional methods of gas extraction. In this process, a sense of place emerged as an important factor for many of those resisting the mining. The movement as it unfolded ‘on the ground’ proposes an alternative way of being and belonging, developed through a different relationship to place, community and the ecosphere.More than 50 years after American feminist Susan Brownmiller (1976, p. 15, original italics) controversially claimed that rape is “nothing more or less than a conscious process of intimidation by which all men keep all women in a state of fear,” Australian girls and women continue to be raped, continue to suffer the consequences of rape in the aftermath, and continue to fear the possibility of being raped. In order to reimagine an Australia where the rape of women and children is socially and culturally unacceptable, we need to understand more fully the long-term and multiple impacts of violence of this nature. This paper reports on Australian research that uses innovative arts-based methodologies to shift the emphasis from the primacy of the psychological impact of childhood rape to the enduring, though less understood, multiple and embodied impact of childhood rape. The research holds important insights for women’s and children’s health professionals, for women who have experienced, and continue to experience the trauma of childhood rape, and for the discursive construction of a country where acts of sexual violence are unthinkable.The history of Perth, Western Australia, has been characterised by the incremental loss of its wetlands. While disputes about wetlands are often framed solely in terms of the environment, they are places of cultural significance too. The extensive wetlands of central Perth, food gathering and meeting places for Noongar people are now expunged from the landscape. Urban dwellers of Perth are largely unaware that the seasonal lakes and wetlands of the centre of the city were the larders, gardens, hideouts, dumps and playgrounds of previous generations; both Noongar and Settler. The loss of social memory of these lost cultural/natural places entails the framing of wetlands as aberrant and continues to influence Perth’s development and the sense of place of its inhabitants. Reimagining Perth’s Lost Wetlands was a project which attempted to reimagine the pre-colonial landscape using archival material. Reimagining the past allows connections to be made to the last remaining wetlands in the wider metropolitan area. The fight to save the Beeliar Wetlands in southern suburban Perth as a cultural/natural place illustrates the changing value of wetlands and the laying down of social memories of place.This paper takes as its starting point, the acknowledgement that the Indigenous nations of the continent of Australia have never ceded their sovereignty and as such the current nation-state of Australia constitutes a nation in occupation of other people’s lands. From a philosophical perspective, the Settler-citizens of the occupied territories of Australia therefore emerge into the world as occupier beings. As the inheritors of a still post-colonising nation, can contemporary Settler Australians find a way to live together ethically with the Indigenous population? This paper uses topologically based philosophical thinking of place in an effort to seek more expansive ways of thinking that might furnish us with productive questions about the meanings of place and identity in a settler-colonial context. I apply topological thinking to reveal the interrelated nature of Settler identity and the key constructs of settler-colonial Australia, the “possessive logics” of the political and legal systems that enact and maintain the occupation. The paper concludes with a call to thinking for place as a mode of acting in attentive awareness of the interests of a place as a whole, and in so doing realising an ethical relationship with both place and all the beings enfolded in it. Through recognising and relinquishing Occupier subjectivity, Settlers might begin to transform and decolonise themselves and engage in a process of becoming other than Occupier.This paper considers the aesthetic and material concepts of the threshold as they figure in contemporary Australian poetry, and examines how the threshold can be a productive and generative space in Australian poetics. The metaphor of the threshold as a point of entry or beginning, place of transition, place of exit, rite of passage, or liminal space, speaks to the writer’s imagination as a location of potent creative power. It is here, on the threshold, that a writer gestates ideas, follows the call of the initial creative impulse, and brings her words forth to be shaped. During this (w)rite of passage something new is made. For a writer, being on the threshold is at once a place where she can thresh out ideas (receptive), and the site of creative acts (generative). Yet the threshold is not only a metaphor for the creative process; it is a liminal space where certain kinds of knowledge can be sensed in passing. The word ‘liminal’ literally means “[to occupy] a position at, or on both sides of, a boundary or threshold” (OED). In an Australian postcolonial context, the threshold as a productive space in literature or art is particularly resonant because of the kinds of terrains that may be crossed and spoken across the threshold—the productive capacity of the middle ground. This paper will discuss the poems of Inside My Mother (2015) by Yankunytjatjara/Kokatha South Australian poet Ali Cobby Eckermann that inhabit the threshold as both an unsettled and productive space in contemporary Australian postcolonial poetics. Writing on the threshold, Cobby Eckermann is engaged in reimagining such poeticsLiving with difference is an unavoidable part of living in Australia. How we live with difference, therefore, impacts how people imagine and reimagine Australia. This paper considers the matter of reimagining Australia as a phenomenon that is located within the microecology of our everyday urban spaces. It is interested in knowing about these spaces and how they can contribute to the reimagining of Australia at the microlevel of society. It considers two examples of spaces that engage people in this task and advances the notion of the cosmopolitan intersection, framing reimagining within Anthony Kwame Appiah’s vision of cosmopolitanism and Jean-Luc Nancy’s vision of coexistence.This special double issue of Coolabah, numbers 24&25, was developed from selected presentations at Reimagining Australia: Encounter, Recognition, Responsibility , the International Australian Studies Association (InASA) Conference 2016, hosted by the Centre for Human Rights Education, Curtin University, and held in Fremantle, Western Australia, on 7-9 December. The double issue addresses the urgent need for Australia to be reimagined as inclusive, conscious of its landscape and contexts, locale, history, myths and memory, amnesia, politics, cultures and futures; reimagined via intense conversations and inter-epistemic dialogue; reimagined through different ways of knowing, belonging and doing. Key agendas, polemics and contestations at stake in this two-part publication project are raised in Tony Birch’s thought-provoking article that serves equally as an introductory essay.