Kazutoshi Kudo

Music performance anxiety in skilled pianists: effects of social-evaluative performance situation on subjective, autonomic, and electromyographic reactions

Music performance anxiety (MPA), or stage fright in music performance, is a serious problem for many musicians, because performance impairment accompanied by MPA can threaten their career. The present study sought to clarify on how a social-evaluative performance situation affects subjective, autonomic, and motor stress responses in pianists. Measurements of subjective state anxiety, heart rate (HR), sweat rate (SR), and electromyographic (EMG) activity of upper extremity muscles were obtained while 18 skilled pianists performed a solo piano piece(s) of their choice under stressful (competition) and non-stressful (rehearsal) conditions. Participants reported greater anxiety in the competition condition, which confirmed the effectiveness of stress manipulation. The HR and SR considerably increased from the rehearsal to competition condition reflecting the activation of sympathetic division of the autonomic nervous system. Furthermore, participants showed higher levels of the EMG magnitude of proximal muscles (biceps brachii and upper trapezius) and the co-contraction of antagonistic muscles in the forearm (extensor digitorum communis and flexor digitorum superficialis) in the competition condition. Although these responses can be interpreted as integral components of an adaptive biological system that creates a state of motor readiness in an unstable or unpredictable environment, they can adversely influence pianists by disrupting their fine motor control on stage and by increasing the risk of playing-related musculoskeletal disorders.

Compensatory Coordination of Release Parameters in a Throwing Task

Abstract The consistency and coordination of release parameters in ball-throwing movements were investigated. The authors used a newly developed index of coordination for release parameters (ICRP) that quantifies the degree of improvement of performance consistency caused by compensatory relationships among parameters (i.e., not caused by consistency of parameters). Eight participants practiced for 150 trials, with the nondominant hand, a ball-throwing task aimed at a stationary target. The magnitude of the ball-release velocity vector, among release parameters, as well as the performance was found to become consistent with practice. The ICRP score suggested that the release parameters were complementarily coordinated with one another, and that the coordination improved with practice. Those results indicate that compensatory relationships among varying release parameters contribute to reducing the variability of performance in a ball-throwing task whose goal is accuracy.

Tapping performance and underlying wrist muscle activity of non-drummers, drummers, and the world's fastest drummer

Studies of rapid unimanual tapping have assumed that the human rate limit for voluntary rhythmic movement is 5-7 Hz, which corresponds to an inter-tap interval (ITI) of 150-200ms. In fact, the winner of a recent contest to find the worlds fastest drummer (WFD) can perform such movements using a handheld drumstick at 10 Hz, which corresponds to an ITI of 100 ms. Because the contest measured only the number of taps by the WFD, we examined the stability of the ITI and the underlying wrist muscle activity of the WFD. By comparing the performance and wrist muscle activity of the WFD with those of two control groups (non-drummers (NDs) and ordinary skilled drummers (ODs)), we found that the WFD had a relatively stable ITI and more pronounced reciprocal wrist muscle activity during the 10-Hz performance. Our result indicates that very fast, stable tapping performance can be achieved by keeping the wrist joint compliant rather than stiff.

Variability and fluctuation in running gait cycle of trained runners and non-runners

The current study examined variability and fluctuation in the running gait cycle, focusing on differences between trained distance runners and non-runners. The two groups of participants performed treadmill running at 80%, 100%, and 120% of their preferred speed for 10 min. Stride-interval time-series were recorded during running using footswitches. The average preferred speed was significantly higher for the trained runners than for the non-runners. The trained runners showed significantly smaller variability of stride interval than did the non-runners, and at the same time the scaling exponent alpha evaluated by detrended fluctuation analysis tended to be smaller for the trained runners. These results suggest that expert runners can reduce variability in the trained movement without loosing dynamical degrees of freedom for spatiotemporal organization of the gait pattern.

Environmental coupling modulates the attractors of rhythmic coordination

A simple instance of coupling behavior to the environment is oscillating the hands in pace with metronome beats. This environmental coupling can be weaker (1 beat per cycle) or stronger (2 beats per cycle). The authors examined whether strength of environmental coupling enhanced the stability of in-phase bimanual coordination. Detuning by manipulanda that produced different left and right eigenfrequencies shifted the relative phase angle from 0 degrees, with the size of the shift larger for higher movement frequencies. Stronger environmental coupling was found to decrease this relative-phase shift, with accompanying increase and reduction, respectively, in recurrence quantification measures related to coordination stability and coordination noise. Stronger environmental coupling also increased oscillation amplitude. Results are considered from the perspective of parametric stabilization.

Functional modification of agonist-antagonist electromyographic activity for rapid movement inhibition

Abstract Subjects made a fast elbow extension movement to designated target in response to a go signal. In 45% of trials a stop signal was presented after the go signal, to which subjects were asked to stop the movement as rapidly as possible. The interstimulus interval (ISI), or time interval between the go and stop signals, was randomly varied between 0 and 200 ms. Electromyographic (EMG) activity was recorded from biceps brachii and triceps brachii. Subjects could sometimes completely inhibit initiation of the movements when the ISI was 0 ms, but could rarely do so when the ISI exceeded 100 ms. For responses that were initiated but stopped on the way, the amplitude of the movement decreased linearly as the time interval (=modification time) from the stop signal to EMG onset increased. The peak velocity increased linearly as the movement amplitude increased. This tendency was similar to those previously reported in step-tracking movements with various amplitudes. In spite of the similarity in the kinematics of the movement, the EMG pattern was different from that of step-tracking movement. While the initial agonist burst (AG1) decreased linearly after the modification time exceeded 100 ms, the antagonist burst (ANT) increased compared with the go trial for the modification time from 0 to 200 ms and decreased after the modification time exceeded 300 ms. This change of activation is analogous to functional modification of middle-latency reflex EMG response to load, or cutaneous perturbation. In conclusion, it is suggested that adaptive mechanisms, which would functionally modify the reflex responses, are also continuously working during voluntary movements in response to sudden changes in environmental information.

Coordination modes in sensorimotor synchronization of whole-body movement: a study of street dancers and non-dancers.

This study investigated whole-body sensorimotor synchronization (SMS) in street dancers and non-dancers. Two kinds of knee bending movement in a standing position to a metronome beat were explored in terms of stability under different movement frequencies: down-movement condition (knee flexion on the beat) and up-movement condition (knee extension on the beat). Analyses of phase relation between movement and beat revealed several distinct differences between the down- and up-movement conditions, and between dancers and non-dancers. In both groups under the up-movement condition, deviation from intended phase relation at higher beat rates, and enhanced fluctuations were observed. The deviation from intended phase relation under up-movement condition, and movement fluctuations were greater in non-dancers than in dancers. Moreover, subjective difficulty rating revealed that both groups felt that the up-movement condition was more difficult at higher beat rates. These findings suggest that down and up movements are two distinguishable coordination modes in whole-body coordination, and that street dancers have superior whole-body SMS ability.

Selective activation and deactivation of the human brain structures between speeded and precisely timed tapping responses to identical visual stimulus: an fMRI study.

We investigated the difference between brain activities in speeded and precisely timed responses to identical visual stimulus using fMRI. Stimulus used was a row of seven light-emitting diodes (LEDs) lightened up one after another with constant speed within a trial but with various speeds between trials. Subjects were asked to execute finger-thumb tapping with the right hand in response to the onset of the first LED light in the reaction time (RT) task and in anticipation of the onset of the last (i.e., seventh) LED light in the timing task. In control condition, they were asked to passively view the stimulus without motor response. Results showed that various movement-related areas including contralateral cingulate motor cortex were commonly activated for both tasks relative to the control condition, suggesting these structures are involved in general perception and response execution rather than specific function for speeded or precisely timed responses. In the RT task, the presupplementary motor area extending to the cingulate sulcus was activated more strongly than in the timing task probably to focus attention to the onset of the first LED light unpredictably presented after random foreperiods. The lateral occipital area extending to the temporo-parieto-occipital junction was activated more strongly in the timing task than in the RT task; the same area was deactivated in the RT task relative to the control condition. Auditory-related areas were also deactivated in the both tasks. This inter- and intramodal task-specific modification including deactivation underscores significance of the context for perception and action and can have an important role in dexterous or skilled performance.

Traits and cognitions of perfectionism and their relation with coping style, effort, achievement, and performance anxiety in Japanese musicians

Research has shown that 2 major facets of perfectionism can be differentiated: perfectionistic strivings and perfectionistic concerns. In order to investigate how these different facets of perfectionism are related to coping, effort, achievement, and performance anxiety in musicians, we asked 275 professional and amateur Japanese musicians to complete measures of perfectionism traits, perfectionism cognitions, coping style, effort, achievement, and performance anxiety. While both facets of perfectionism showed a similar pattern of correlation with coping measures, they were differently associated with effort, achievement, and performance anxiety. In addition, results of hierarchical regression analysis showed the incremental validity of perfectionism cognitions in explaining variance in performance anxiety above the variance explained by other variables, such as trait perfectionism. These findings demonstrate that perfectionism in musicians has both positive and negative elements.

Effects of State Anxiety on Music Performance: Relationship between the Revised Competitive State Anxiety Inventory-2 Subscales and Piano Performance

This study investigated the relationship between the Revised Competitive State Anxiety Inventory-2 (CSAI-2R, Cox, Martens, & Russell, 2003; Jones & Swain, 1992; Martens, Vealey, & Burton, 1990) subscales and the quality of music performance to compare the anxiety-performance relationship in pianists with that in athletes and to gain insights into the effective coping strategies for music performance anxiety (MPA). Fifty one students (15 women and 36 men) aged 18–26 years (M = 20.6, SD = 2.3) completed the CSAI-2R just prior to their individual piano performances in a concert, followed by the self-evaluation of performance quality. The CSAI-2R demonstrated adequate psychometric properties when applied to MPA. Consistent with the previous findings in sport psychology, correlation analyses and multiple regression analyses showed that self-confidence intensity positively predicted global performance (p < .001). Cognitive anxiety intensity negatively predicted technical accuracy (p < .05), while cognitive anxiety direction positively predicted global performance (p < .05). On the other hand, the correlation between somatic anxiety and performance was non-significant. We conclude that acquiring self-confidence, reducing pre-performance cognitive anxiety, and interpreting the symptoms of cognitive anxiety as being facilitative to the subsequent performance will improve performance quality. Based on the present findings, the effectiveness of mental skills training for athletes and some educational methods in treating MPA is discussed.