Kazutoshi Sasahara

Stepwise acquisition of vocal combinatorial capacity in songbirds and human infants

Human language, as well as birdsong, relies on the ability to arrange vocal elements in new sequences. However, little is known about the ontogenetic origin of this capacity. Here we track the development of vocal combinatorial capacity in three species of vocal learners, combining an experimental approach in zebra finches (Taeniopygia guttata) with an analysis of natural development of vocal transitions in Bengalese finches (Lonchura striata domestica) and pre-lingual human infants. We find a common, stepwise pattern of acquiring vocal transitions across species. In our first study, juvenile zebra finches were trained to perform one song and then the training target was altered, prompting the birds to swap syllable order, or insert a new syllable into a string. All birds solved these permutation tasks in a series of steps, gradually approximating the target sequence by acquiring new pairwise syllable transitions, sometimes too slowly to accomplish the task fully. Similarly, in the more complex songs of Bengalese finches, branching points and bidirectional transitions in song syntax were acquired in a stepwise fashion, starting from a more restrictive set of vocal transitions. The babbling of pre-lingual human infants showed a similar pattern: instead of a single developmental shift from reduplicated to variegated babbling (that is, from repetitive to diverse sequences), we observed multiple shifts, where each new syllable type slowly acquired a diversity of pairwise transitions, asynchronously over development. Collectively, these results point to a common generative process that is conserved across species, suggesting that the long-noted gap between perceptual versus motor combinatorial capabilities in human infants may arise partly from the challenges in constructing new pairwise vocal transitions.

Acoustic sequences in non-human animals: a tutorial review and prospectus

Animal acoustic communication often takes the form of complex sequences, made up of multiple distinct acoustic units. Apart from the well‐known example of birdsong, other animals such as insects, amphibians, and mammals (including bats, rodents, primates, and cetaceans) also generate complex acoustic sequences. Occasionally, such as with birdsong, the adaptive role of these sequences seems clear (e.g. mate attraction and territorial defence). More often however, researchers have only begun to characterise – let alone understand – the significance and meaning of acoustic sequences. Hypotheses abound, but there is little agreement as to how sequences should be defined and analysed. Our review aims to outline suitable methods for testing these hypotheses, and to describe the major limitations to our current and near‐future knowledge on questions of acoustic sequences. This review and prospectus is the result of a collaborative effort between 43 scientists from the fields of animal behaviour, ecology and evolution, signal processing, machine learning, quantitative linguistics, and information theory, who gathered for a 2013 workshop entitled, ‘Analysing vocal sequences in animals’. Our goal is to present not just a review of the state of the art, but to propose a methodological framework that summarises what we suggest are the best practices for research in this field, across taxa and across disciplines. We also provide a tutorial‐style introduction to some of the most promising algorithmic approaches for analysing sequences. We divide our review into three sections: identifying the distinct units of an acoustic sequence, describing the different ways that information can be contained within a sequence, and analysing the structure of that sequence. Each of these sections is further subdivided to address the key questions and approaches in that area. We propose a uniform, systematic, and comprehensive approach to studying sequences, with the goal of clarifying research terms used in different fields, and facilitating collaboration and comparative studies. Allowing greater interdisciplinary collaboration will facilitate the investigation of many important questions in the evolution of communication and sociality.

Quantifying Collective Attention from Tweet Stream

Online social media are increasingly facilitating our social interactions, thereby making available a massive “digital fossil” of human behavior. Discovering and quantifying distinct patterns using these data is important for studying social behavior, although the rapid time-variant nature and large volumes of these data make this task difficult and challenging. In this study, we focused on the emergence of “collective attention” on Twitter, a popular social networking service. We propose a simple method for detecting and measuring the collective attention evoked by various types of events. This method exploits the fact that tweeting activity exhibits a burst-like increase and an irregular oscillation when a particular real-world event occurs; otherwise, it follows regular circadian rhythms. The difference between regular and irregular states in the tweet stream was measured using the Jensen-Shannon divergence, which corresponds to the intensity of collective attention. We then associated irregular incidents with their corresponding events that attracted the attention and elicited responses from large numbers of people, based on the popularity and the enhancement of key terms in posted messages or “tweets.” Next, we demonstrate the effectiveness of this method using a large dataset that contained approximately 490 million Japanese tweets by over 400,000 users, in which we identified 60 cases of collective attentions, including one related to the Tohoku-oki earthquake. “Retweet” networks were also investigated to understand collective attention in terms of social interactions. This simple method provides a retrospective summary of collective attention, thereby contributing to the fundamental understanding of social behavior in the digital era.

Structural design principles of complex bird songs: a network-based approach.

Bird songs are acoustic communication signals primarily used in male-male aggression and in male-female attraction. These are often monotonous patterns composed of a few phrases, yet some birds have extremely complex songs with a large phrase repertoire, organized in non-random fashion with discernible patterns. Since structure is typically associated with function, the structures of complex bird songs provide important clues to the evolution of animal communication systems. Here we propose an efficient network-based approach to explore structural design principles of complex bird songs, in which the song networks–transition relationships among different phrases and the related structural measures–are employed. We demonstrate how this approach works with an example using California Thrasher songs, which are sequences of highly varied phrases delivered in succession over several minutes. These songs display two distinct features: a large phrase repertoire with a ‘small-world’ architecture, in which subsets of phrases are highly grouped and linked with a short average path length; and a balanced transition diversity amongst phrases, in which deterministic and non-deterministic transition patterns are moderately mixed. We explore the robustness of this approach with variations in sample size and the amount of noise. Our approach enables a more quantitative study of global and local structural properties of complex bird songs than has been possible to date.

A rhythm landscape approach to the developmental dynamics of birdsong

Unlike simple biological rhythms, the rhythm of the oscine bird song is a learned time series of diverse sounds that change dynamically during vocal ontogeny. How to quantify rhythm development is one of the most important challenges in behavioural biology. Here, we propose a simple method, called ‘rhythm landscape’, to visualize and quantify how rhythm structure, which is measured as durational patterns of sounds and silences, emerges and changes over development. Applying this method to the development of Bengalese finch songs, we show that the rhythm structure begins with a broadband rhythm that develops into diverse rhythms largely through branching from precursors. Furthermore, an information-theoretic measure, the Jensen–Shannon divergence, was used to characterize the crystallization process of birdsong rhythm, which started with a high rate of rhythm change and progressed to a stage of slow refinement. This simple method provides a useful description of rhythm development, thereby helping to reveal key temporal constraints on complex biological rhythms.

Evolution of Birdsong Syntax by Interjection Communication

Animals use diverse forms of communication, from sound signals to body postures. Recent ethological studies have reported a unique syntactic communication of a songbird, the Bengalese finch (Lonchura striata var. domestica). Male Bengalese finches sing complex courtship songs, which can be reconstructed by finite automata, and female Bengalese finches prefer complex songs, as opposed to monotonous or random ones. These facts suggest that the song syntaxes of male birds may have evolved as a result of sexual selection by female birds. Inspired by this hypothesis, we developed a communication model that is a system coupling different types of automaton, one for song production by males and another for song evaluation by females. We applied this model to study the evolution of syntactic animal communication in terms of the self-organization of coevolving automata. Three types of courting strategies as well as a relationship between the song syntax and female preference emerged. We argue that despite the simple communication involved, the complexity and diversity of song syntaxes can evolve via diverse female preferences.

Coevolution of Birdsong Grammar without Imitation

The mating song of the male Bengalese finch can be described by a finite-state grammar and has the feature that more complex songs are preferred by females [1]-[3]. These facts suggest that complex song grammars may have evolved via sexual selection. How, then, do the female birds gauge a song’s complexity? Assuming that they can measure the complexity of a song while communicating with a male, but without making a model of the song, we studied the evolution of song grammars. In our simulation, it was demonstrated that song grammars became more complex through communication between coevolving males and females. Furthermore, when singing and listening were subject to fluctuations, peculiar features were observed in communication and evolution.

A Reversible Automata Approach to Modeling Birdsongs

We propose a new automata-based approach to modeling birdsongs on the basis of Angluins induction algorithm, which ensures that k-reversible languages can be learned from positive samples with polynomial time. There are similarities between Angluins algorithm and the vocal learning of songbirds; for example, during a critical period, songbirds also learn songs from positive samples of conspecific birds. Using the proposed method, we demonstrate that the song syntaxes of the Bengalese finch can be represented as reversible automata with lower k-reversibility and that juvenile song syntaxes have two types of development. Our approach provides an effective way to understand the vocal learning of songbirds in terms of computational learning

Visualizing Collective Attention Using Association Networks

The socialization of the Web changes the ways we behave both online and offline, leading to a novel emergent phenomenon called “collective attention” in which people’s attention is suddenly concentrated on a particular real-life event. Visualizing collective attention is fundamental to understand human behavior in the digital age. Here we propose “association networks” to visualize usage-based, term-association patterns in a large dataset of tweets (short text messages) during collective attention events. First, we train the word2vec model to obtain vector representations of terms (words) based on semantic similarities, and then construct association networks: given some terms as seeds, the associated terms are linked with each other using the trained word2vec model, and considering the resulting terms as new seeds, the same procedure is repeated. Using two sets of Twitter data—the 2011 Japan earthquake and the 2011 FIFA Women’s World Cup—we demonstrate how association networks visualize collective attention on these events. Provided the Japan earthquake dataset, the association networks that emerged from the most frequently used terms exhibit distinct network structure related to people’s attention during the earthquake, whereas one that emerged from emotion-related terms, such as great and terrible, shows a large connected cluster of negative terms and small clusters of positive terms. Furthermore, we compare association networks in different datasets, using the same seed terms. These results indicate the proposed method to be a useful tool for visualizing the implicit nature of collective attention that is otherwise invisible.

Evolution of song culture in the zebra finch

Similar to humans, juvenile songbirds learn their vocal repertoire by imitating adult individuals. When raised in social and acoustic isolation, birds can still sing, but they produce a highly abnormal song. What happens when such an abnormal song is culturally transmitted over generations? To examine this question we placed an isolate (non-tutored) adult bird in a large sound box together with females (who do not sing) and allowed them to breed for a few generations, while recording audio and video so as to track the social interactions and singing behavior. We found that the juveniles readily imitated the isolate song of their father, and yet, small but systematic variations in vocal performance accumulated over generations such that the third generation of learners already sang normal zebra finch song. Here we investigate this cultural evolution process.