Kimberly Sena Moore
University of Miami
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Featured researches published by Kimberly Sena Moore.
Journal of Music Therapy | 2014
Deanna Hanson-Abromeit; Kimberly Sena Moore
BACKGROUND Music therapists are challenged to present evidence on the efficacy of music therapy treatment and incorporate the best available research evidence to make informed healthcare and treatment decisions. Higher standards of evidence can come from a variety of sources including systematic reviews. OBJECTIVE To define and describe a range of research review methods using examples from music therapy and related literature, with emphasis on the systematic review. In addition, the authors provide a detailed overview of methodological processes for conducting and reporting systematic reviews in music therapy. METHODS The systematic review process is described in five steps. Step 1 identifies the research plan and operationalized research question(s). Step 2 illustrates the identification and organization of the existing literature related to the question(s). Step 3 details coding of data extracted from the literature. Step 4 explains the synthesis of coded findings and analysis to answer the research question(s). Step 5 describes the strength of evidence evaluation and results presentation for practice recommendations. RESULTS Music therapists are encouraged to develop and conduct systematic reviews. This methodology contributes to review outcome credibility and can determine how information is interpreted and used by clinicians, clients or patients, and policy makers. CONCLUSIONS A systematic review is a methodologically rigorous research method used to organize and evaluate extant literature related to a clinical problem. Systematic reviews can assist music therapists in managing the ever-increasing literature, making well-informed evidence based practice and research decisions, and translating existing music-based and nonmusic based literature to clinical practice and research development.
Frontiers in Human Neuroscience | 2015
Kimberly Sena Moore; Deanna Hanson-Abromeit
Emotion regulation (ER) is an umbrella term to describe interactive, goal-dependent explicit, and implicit processes that are intended to help an individual manage and shift an emotional experience. The primary window for appropriate ER development occurs during the infant, toddler, and preschool years. Atypical ER development is considered a risk factor for mental health problems and has been implicated as a primary mechanism underlying childhood pathologies. Current treatments are predominantly verbal- and behavioral-based and lack the opportunity to practice in-the-moment management of emotionally charged situations. There is also an absence of caregiver–child interaction in these treatment strategies. Based on behavioral and neural support for music as a therapeutic mechanism, the incorporation of intentional music experiences, facilitated by a music therapist, may be one way to address these limitations. Musical Contour Regulation Facilitation (MCRF) is an interactive therapist-child music-based intervention for ER development practice in preschoolers. The MCRF intervention uses the deliberate contour and temporal structure of a music therapy session to mirror the changing flow of the caregiver–child interaction through the alternation of high arousal and low arousal music experiences. The purpose of this paper is to describe the Therapeutic Function of Music (TFM), a theory-based description of the structural characteristics for a music-based stimulus to musically facilitate developmentally appropriate high arousal and low arousal in-the-moment ER experiences. The TFM analysis is based on a review of the music theory, music neuroscience, and music development literature and provides a preliminary model of the structural characteristics of the music as a core component of the MCRF intervention.
Archive | 2018
Kimberly Sena Moore
Research and clinical experience leave little doubt that music influences neural processing. Trained music therapists harness this ability to effect therapeutic change across multiple treatment domains. This chapter provides an overview of music perception, reviews general principles pertinent to understanding the influence of music on brain functions, and explores neurologic foundations underlying music-based interventions in the motor, emotional, cognitive, communicative, and social domains. Implications are discussed for how these connections between music and non-music neural processing support and inform music therapy practice.
Journal of Music Therapy | 2018
Kimberly Sena Moore; Deanna Hanson-Abromeit
Emotion regulation (ER) describes the goal-directed ability to manage and shape the dynamics and timing of ones emotional experiences and expressions, an ability that develops early in life. Though development of maladaptive ER skills can significantly impact developmental outcomes, interventions for at-risk children are limited. The purpose of this mixed methods study was to examine feasibility and preliminary efficacy of the Musical Contour Regulation Facilitation (MCRF) intervention, a multi-session strategy for promoting ER development in preschoolers, with a focus on typically developing preschoolers as a preliminary exploration of a novel intervention. Eight typically developing children (M = 3.88 years) participated in the 11-session MCRF intervention across four weeks. ER-related behaviors were assessed pre- and post-intervention, and teacher interviews were conducted post-intervention. Teachers noted positive change in childrens behavior following the intervention in terms of their emotion skills and peer interactions. Furthermore, they believed in the importance of music for developmental outcomes. Large and medium effects sizes in ER-related abilities were noted, and acceptability and integration of the intervention into the regular daycare environment was supported by interview data. Findings support further refinement and examination of the MCRF intervention in children who are at risk.
Journal of Music Therapy | 2013
Kimberly Sena Moore
Journal of Music Therapy | 2008
Kimberly Sena Moore; David A. Peterson; Geoffrey O'Shea; Gerald C. McIntosh; Michael H. Thaut
Music Therapy Perspectives | 2015
Kimberly Sena Moore
Music Therapy Perspectives | 2018
Kimberly Sena Moore; A. Blythe LaGasse
Journal of Music Therapy | 2017
Hilary Yip; Kimberly Sena Moore
Music Therapy Perspectives | 2016
Kimberly Sena Moore