Lars Hertel

Robust Audio Event Recognition with 1-Max Pooling Convolutional Neural Networks.

We present in this paper a simple, yet efficient convolutional neural network (CNN) architecture for robust audio event recognition. Opposing to deep CNN architectures with multiple convolutional and pooling layers topped up with multiple fully connected layers, the proposed network consists of only three layers: convolutional, pooling, and softmax layer. Two further features distinguish it from the deep architectures that have been proposed for the task: varying-size convolutional filters at the convolutional layer and 1-max pooling scheme at the pooling layer. In intuition, the network tends to select the most discriminative features from the whole audio signals for recognition. Our proposed CNN not only shows state-of-the-art performance on the standard task of robust audio event recognition but also outperforms other deep architectures up to 4.5% in terms of recognition accuracy, which is equivalent to 76.3% relative error reduction.

Deep convolutional neural networks as generic feature extractors

Recognizing objects in natural images is an intricate problem involving multiple conflicting objectives. Deep convolutional neural networks, trained on large datasets, achieve convincing results and are currently the state-of-the-art approach for this task. However, the long time needed to train such deep networks is a major drawback. We tackled this problem by reusing a previously trained network. For this purpose, we first trained a deep convolutional network on the ILSVRC-12 dataset. We then maintained the learned convolution kernels and only retrained the classification part on different datasets. Using this approach, we achieved an accuracy of 67.68% on CIFAR-100, compared to the previous state-of-the-art result of 65.43%. Furthermore, our findings indicate that convolutional networks are able to learn generic feature extractors that can be used for different tasks.

Comparing time and frequency domain for audio event recognition using deep learning

Recognizing acoustic events is an intricate problem for a machine and an emerging field of research. Deep neural networks achieve convincing results and are currently the state-of-the-art approach for many tasks. One advantage is their implicit feature learning, opposite to an explicit feature extraction of the input signal. In this work, we analyzed whether more discriminative features can be learned from either the time-domain or the frequency-domain representation of the audio signal. For this purpose, we trained multiple deep networks with different architectures on the Freiburg-106 and ESC-10 datasets. Our results show that feature learning from the frequency domain is superior to the time domain. Moreover, additionally using convolution and pooling layers, to explore local structures of the audio signal, significantly improves the recognition performance and achieves state-of-the-art results.

A multi-channel fusion framework for audio event detection

We propose in this paper a simple, yet efficient multi-channel fusion framework for joint acoustic event detection and classification. The joint problem on individual channels is posed as a regression problem to estimate event onset and offset positions. As an intermediate result, we also obtain the posterior probabilities which measure the confidence that event onsets and offsets are present at a temporal position. It facilitates the fusion problem by accumulating the posterior probabilities of different channels. The detection hypotheses are then determined based on the summed posterior probabilities. While the proposed fusion framework appears to be simple and natural, it significantly outperforms all the single-channel baseline systems on the ITC-Irst database. We also show that adding channels one by one into the fusion system yields performance improvements, and the performance of the fusion system is always better than those of the individual-channel counterparts.

Label Tree Embeddings for Acoustic Scene Classification

We present in this paper an efficient approach for acoustic scene classification by exploring the structure of class labels. Given a set of class labels, a category taxonomy is automatically learned by collectively optimizing a clustering of the labels into multiple meta-classes in a tree structure. An acoustic scene instance is then embedded into a low-dimensional feature representation which consists of the likelihoods that it belongs to the meta-classes. We demonstrate state-of-the-art results on two different datasets for the acoustic scene classification task, including the DCASE 2013 and LITIS Rouen datasets.

Learning representations for nonspeech audio events through their similarities to speech patterns

The human auditory system is very well matched to both human speech and environmental sounds. Therefore, the question arises whether human speech material may provide useful information for training systems for analyzing nonspeech audio signals, e.g., in a classification task. In order to answer this question, we consider speech patterns as basic acoustic concepts, which embody and represent the target nonspeech signal. To find out how similar the nonspeech signal is to speech, we classify it with a classifier trained on the speech patterns and use the classification posteriors to represent the closeness to the speech bases. The speech similarities are finally employed as a descriptor to represent the target signal. We further show that a better descriptor can be obtained by learning to organize the speech categories hierarchically with a tree structure. Furthermore, these descriptors are generic. That is, once the speech classifier has been learned, it can be employed as a feature extractor for different datasets without retraining. Lastly, we propose an algorithm to select a sufficient subset, which provides an approximate representation capability of the entire set of available speech patterns. We conduct experiments for the application of audio event analysis. Phone triplets from the TIMIT dataset were used as speech patterns to learn the descriptors for audio events of three different datasets with different complexity, including UPC-TALP, Freiburg-106, and NAR. The experimental results on the event classification task show that a good performance can be easily obtained even if a simple linear classifier is used. Furthermore, fusion of the learned descriptors as an additional source leads to state-of-the-art performance on all the three target datasets.

Improved Audio Scene Classification Based on Label-Tree Embeddings and Convolutional Neural Networks

In this paper, we present an efficient approach for audio scene classification. We aim at learning representations for scene examples by exploring the structure of their class labels. A category taxonomy is automatically learned by collectively optimizing a tree-structured clustering of the given labels into multiple metaclasses. A scene recording is then transformed into a label-tree embedding image. Elements of the image represent the likelihoods that the scene instance belongs to the metaclasses. We investigate classification with label-tree embedding features learned from different low-level features as well as their fusion. We show that the combination of multiple features is essential to obtain good performance. While averaging label-tree embedding images over time yields good performance, we argue that average pooling possesses an intrinsic shortcoming. We alternatively propose an improved classification scheme to bypass this limitation. We aim at automatically learning common templates that are useful for the classification task from these images using simple but tailored convolutional neural networks. The trained networks are then employed as a feature extractor that matches the learned templates across a label-tree embedding image and produce the maximum matching scores as features for classification. Since audio scenes exhibit rich content, template learning and matching on low-level features would be inefficient. With label-tree embedding features, we have quantized and reduced the low-level features into the likelihoods of the metaclasses, on which the template learning and matching are efficient. We study both training convolutional neural networks on stacked label-tree embedding images and multistream networks. Experimental results on the DCASE2016 and LITIS Rouen datasets demonstrate the efficiency of the proposed methods.

CNN-LTE: A class of 1-X pooling convolutional neural networks on label tree embeddings for audio scene classification

We present in this work an approach for audio scene classification. Firstly, given the label set of the scenes, a label tree is automatically constructed where the labels are grouped into meta-classes. This category taxonomy is then used in the feature extraction step in which an audio scene instance is transformed into a label tree embedding image. Elements of the image indicate the likelihoods that the scene instances belong to different meta-classes. A class of simple 1-X (i.e. 1-max, 1-mean, and 1-mix) pooling convolutional neural networks, which are tailored for the task at hand, are finally learned on top of the image features for scene recognition. Experimental results on the DCASE 2013 and DCASE 2016 datasets demonstrate the efficiency of the proposed method.

Audio phrases for audio event recognition

The bag-of-audio-words approach has been widely used for audio event recognition. In these models, a local feature of an audio signal is matched to a code word according to a learned codebook. The signal is then represented by frequencies of the matched code words on the whole signal. We present in this paper an improved model based on the idea of audio phrases which are sequences of multiple audio words. By using audio phrases, we are able to capture the relationship between the isolated audio words and produce more semantic descriptors. Furthermore, we also propose an efficient approach to learn a compact codebook in a discriminative manner to deal with high-dimensionality of bag-of-audio-phrases representations. Experiments on the Freiburg-106 dataset show that the recognition performance with our proposed bag-of-audio-phrases descriptor outperforms not only the baselines but also the state-of-the-art results on the dataset.

Learning compact structural representations for audio events using regressor banks

We introduce a new learned descriptor for audio signals which is efficient for event representation. The entries of the descriptor are produced by evaluating a set of regressors on the input signal. The regressors are class-specific and trained using the random regression forests framework. Given an input signal, each regressor estimates the onset and offset positions of the target event. The estimation confidence scores output by a regressor are then used to quantify how the target event aligns with the temporal structure of the corresponding category. Our proposed descriptor has two advantages. First, it is compact, i.e. the dimensionality of the descriptor is equal to the number of event classes. Second, we show that even simple linear classification models, trained on our descriptor, yield better accuracies on audio event classification task than not only the nonlinear baselines but also the state-of-the-art results.