Leslie Bunt

A Perspective on Music Therapy Research in Great Britain

Researching and writing about music therapy has evolved from an early anecdotal stage through a period of rigorous behavioural research — particularly in the United States — to the present position where many directions could be followed. Outcome research can contribute to the professions external validity and research into music therapy processes to increased internal validity. This paper argues for a synthesis of these two approaches, implying an integration of quantitative and qualitative analysis. Links with other disciplines are explored but in relation to the development of a coherent individual theory of music therapy.

Music Therapy: An Introduction

The aims and historical development of music therapy are briefly described. Various approaches to research into music therapy are outlined, including recently developed ethological approaches. Much research has focussed on outcome measures, but there is a greater need for studies which focus on the nature of the therapeutic and musical process itself.

A Discussion on the Relationships between Music Therapy and The Psychology of Music

The discussion started with an attempt to examine the ground common to music therapy and the psychology of music, and indicated that mutual incomprehension of concepts and methods on the part of practitioners in both areas constituted a considerable problem. The potential relevance to music therapy of some psychological findings were outlined, appropriate modes of research for music therapy were considered and the potential value which data gathered in the pursuit of music therapy might have for psychology was discussed. Finally, some areas of possible collaboration between the two disciplines were sketched out.