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Featured researches published by Luca Cipriani.


virtual systems and multimedia | 2014

Survey and representation of vaults and cupolas: An overview on some relevant Italian UNESCO sites

Luca Cipriani; Filippo Fantini; Silvia Bertacchi

This paper presents the results of an ongoing research on the survey of vaulted structures of important Italian monumental buildings belonging to UNESCO World Heritage Sites (Ravenna, Rome and Florence). The three case studies deal with various problems of documentation and representation of vaults and domes from different points of view: the first example is concerned with the conversion of apparent color texture from Structure from Motion applications into different maps able to represent heterogeneous BRDF behaviors; the second one illustrates the problem of virtual reconstruction of a partially collapsed ancient cupola using an integrated approach, and finally the last case study describes a technique for developing the eight sides of a textured mesh representing an octagonal frescoed dome. Therefore, the output of different examples, achieved with the combination of several applications, is presented to suggest a general overview regarding the documentation of vaulted spaces.


ISPRS international journal of geo-information | 2018

A Methodology for Planar Representation of Frescoed Oval Domes: Formulation and Testing on Pisa Cathedral

Andrea Piemonte; Gabriella Caroti; Isabel Martínez-Espejo Zaragoza; Filippo Fantini; Luca Cipriani

This paper presents an original methodology for planar development of a frescoed dome with an oval plan. Input data include a rigorous geometric survey, performed with a laser scanner, and a photogrammetry campaign, which associates a high-quality photographic texture to the 3D model. Therefore, the main topics include the development of geometry and, contextually, of the associated textures. In order to overcome the inability to directly develop the surface, an orthographic azimuthal projection is used. Starting from a prerequisite study of building methodology, the dome is divided into sectors and bands, each linked with the maximum acceptable deformations and the actual geometric discontinuities detectable by the analysis of Gaussian curvature. Upon definition of the development model, a custom automation script has been devised for geometry projection. This effectively generates a (u,v) map, associated to the model, which is used for model texturing and provides the planar development of the fresco.


Archeologia e Calcolatori | 2016

Modelli digitali 3D per documentare, conoscere ed analizzare l’architettura e la costruzione nel mondo antico: l’esempio della Sala Ottagonale delle Piccole Terme di Villa Adriana

B. Adembri; A. Alonso-Durá; F. Juan-Vidal; G. Bertacchi; Silvia Bertacchi; Luca Cipriani; Filippo Fantini; B. Soriano-Estevalis

For its unique features and size, the Hadrian’s Villa site has always been the object of studies and investigations. Italian and foreign institutions, as well as research organizations, are working together with the common purpose of understanding and protecting the universally recognized ensemble of buildings and works of art, belonging to the World Heritage List since 1999. Within this interdisciplinary framework, over the past decade, new technologies for digital documentation in the field of cultural heritage have gained more importance with respect to the traditional field of architectural/archaeological surveying. Through expeditious surveying (with no physical contact with the object and different measurement resolutions) several 3D reality-based models were created in the last years, with special regards to the Villa’s pavilions characterized by more complex and daring shapes. The aim was a better understanding of specific problems in those cases where archaeological investigation methods may take advantage of a correct and complete digital surveying of elevations in general and in particular of vaulted spaces, intrados and extrados surfaces. 3D digital models of complex roofing, as shown in the case study of the Small Baths, provide additional advantages concerning the use of finite elements analysis (FEA). Both the digital models (current state of conservation and reconstruction hypothesis) underwent to an accurate stress analysis that enables further achievements for site conservation and management and for ancient constructive and designing techniques.


ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences | 2014

3D models mapping optimization through an integrated parameterization approach: cases studies from Ravenna

Luca Cipriani; Filippo Fantini; Silvia Bertacchi


SCIRES-IT : SCIentific RESearch and Information Technology | 2013

Criteri di indagine degli spazi voltati nell’ambito dell’architettura storica e in archeologia

Luca Cipriani; Filippo Fantini; Silvia Bertacchi


ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences | 2017

DIGITALIZATION CULTURE VS ARCHAEOLOGICAL VISUALIZATION: INTEGRATION OF PIPELINES AND OPEN ISSUES

Luca Cipriani; Filippo Fantini


Archive | 2017

3D Digital Models for Scientific Purpose: Between Archaeological Heritage and Reverse Modelling

Luca Cipriani; Filippo Fantini; Silvia Bertacchi


SCIRES-IT : SCIentific RESearch and Information Technology | 2015

Reverse designing: an integrated method for interpreting ancient architecture

Benedetta Adembri; Luca Cipriani; Filippo Fantini; Silvia Bertacchi


EGA. Revista de expresión gráfica arquitectónica | 2015

El color en las piedras y en los mosaicos de Rávena: nuevas imágenes de los monumentos antiguos a través de la fotogrametría no convencional de última generación

Luca Cipriani; Filippo Fantini; Silvia Bertacchi


ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences | 2017

GUIDELINES FOR A DIGITAL REINTERPRETATION OF ARCHITECTURALRESTORATION WORK: REALITY-BASED MODELS AND REVERSE MODELLINGTECHNIQUES APPLIED TO THE ARCHITECTURAL DECORATION OF THE TEATROMARITTIMO, VILLA ADRIANA

B. Adembri; Luca Cipriani; G. Bertacchi

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