Lucia Boldrini

Let Dante Be Silent: Finnegans Wake and the Medieval Theory of Polysemy

The medieval theory of the four levels of meaning has often been quoted by critics as a relevant model for the study of the multi-layered language of Finnegans Wake. Dante’s versions of the theory in the Convivio and the “Letter to Can Grande della Scala” are particularly important in this context, insofar as Dante was the first modern European poet to claim for his own love poetry the same interpretative method traditionally used for the divine word. In this essay I discuss whether Dante’s theory can be “applied” to the Wake, or whether it is in fact already inscribed within Joyce’s text, made part of its self-referential interpretative system, and with what effects for the theory as well as for the text. I argue that Dante’s medieval exegetical model is transformed in the Wake through precise references that constantly evoke and confound Dante’s terms, thus showing its inadequacy for the modern polysemic work but also, at the same time, acknowledging its fundamental role in the elaboration of such modern radical polysemy.

Multilingual Bibliography of New Work in Comparative Literature in Europe 2007-2014

Part of the American Studies Commons, Comparative Literature Commons, Education Commons, European Languages and Societies Commons, Feminist, Gender, and Sexuality Studies Commons, Other Arts and Humanities Commons, Other Film and Media Studies Commons, Reading and Language Commons, Rhetoric and Composition Commons, Social and Behavioral Sciences Commons, Television Commons, and the Theatre and Performance Studies Commons

Introduction to New Work in Comparative Literature in Europe

Introduction to CLCWeb Special Issue 15.7 (2013), New Work in Comparative Literature in Europe