Mariam Fraser

Inventive Life: Approaches to the New Vitalism

This book demonstrates how and why vitalism - the idea that life cannot be explained by the principles of mechanism - matters now. Vitalism resists closure and reductionism in the life sciences whilst simultaneously addressing the object of life itself. The aim of this collection is to consider the questions that vitalism makes it possible to ask: questions about the role and status of life across the sciences, social sciences and humanities and questions about contingency, indeterminacy, relationality and change. All have special importance now, as the concepts of complexity, artificial life and artificial intelligence, information theory and cybernetics become increasingly significant in more and more fields of activity.

The nature of Prozac

This article addresses the relations between ‘nature’ and ‘culture’ (and those characteristics associated with ‘the natural’ and ‘the cultural’) in the context of the debates about Prozac. Following Marilyn Strathern, I focus specifically on the contested issue of enablement - that is, on what Prozac does or does not enable, and on the relation between enablement and enhancement, normality and pathology. I argue that the implications of the model of the brain that accompanies explanations of Prozac are such that commentators are obliged to address not only the nature of normality but also the nature of nature itself. Through a close analysis of these debates, I suggest that critiques of Prozac should be understood not as objections to reductionism - to a biology that closes things down - but rather to one that opens things up: that opens up the relations between nature, culture, biology and the individual, relations that are now cross-cut and thrown about by artificiality. Objections to Prozac, then, might be characterized as an attempt to put these concepts back into their ‘proper’ positions, to re-establish the relationality between them. In conclusion, I argue that the biology put forward by proponents of psychopharmacology, regardless of the desirability of the latter, challenges not only the frequent assumptions that are made about the claims of materialist science, but also some of the terms and concepts that are commonly deployed in the social sciences.

What is the matter of feminist criticism

This paper is situated in the context of feminist debates around nature, culture, the body and essentialism, and focuses specifically on matter and materiality. In part, it is a response to recent developments in the natural sciences which suggest that strictly social constructionist and/or epistemological approaches to matter may be inadequate to the task of analysis and critique. It begins by considering some of the specific conditions under which the sex/gender model emerged, and its implications, before addressing the work of three contemporary theorists who are engaged with differing conceptions of matter, ontology and substance. I suggest that, while not necessarily providing ‘solutions’, these projects raise the kinds of questions that promise torevivify the flesh and blood of feminist critique.

Once upon a problem

This article investigates the specificity of sociological materials and methods in relation to other disciplines and practices (art, literature, science and journalism) and questions the opportunities for sociological attentiveness, experimentation and failure in the context of contemporary UK professional, institutional and academic/intellectual constraints. It asks whether materials and methods are ‘sociological’ to the extent that they tell about the problems of society, or whether it is the unique relation of sociology to its materials and methods that defines sociological practice. Exploring these questions in relation to a project that was researched and written during an extended period of unpaid leave (ie outside the profession and the institution), the article also examines some of the consequences of a changed relation between sociology and experience. What would be the implications if the aim of sociology was not only to theorize and explain experience but also, sometimes, to be an ‘informed provocation’ of experience? The second part of the article considers what the concept of ‘make-believe’ might offer sociology – not in terms of what sociology is, but rather in terms of what it does with its materials and methods. Finally, the article returns to the most common material that sociologists work with – words – and asks how it is possible to stay receptive to the vitality of words as forces in the research process.

The ethics of reality and virtual reality: Latour, facts and values

In the context of the question of the extent to which science studies is able to mount an adequate critique of contemporary developments in science and technology, and in view of the proliferating interest in ethics across the social sciences, this article has two aims. Firstly to address some of the implications for ethics of Bruno Latours, and to a lesser extent Alfred North Whitehead’s, conceptions of reality, both of which have a bearing on the long-standing dichotomy between facts and values. Drawing on Whiteheads work, it also, secondly, seeks to make a positive argument for ethics and to ask again, in the light of this discussion, where the ethical dimensions of Latours work might be located. Towards the end of the article, I suggest that Latours concept of exteriority obliges him to pursue a politics of reality which is the special providence of ‘moralists’, rather than a politics of virtual reality in which all entities, human and non-human, are engaged.

Making Music Matter

This article is based on a performance piece, Thought Conductor # 2, by the artist Bruce Gilchrist. In a live-art context, the signals generated by an individual hooked up to an EEG are converted into passages of musical notation and played by a string quartet. What is happening here, or rather what kind of happening is taking place, is the focus of this article. The article explores the relations between the author, the score, and the sound in Thought Conductor # 2 as well in John Cage’s 4’33” (1952), the landmark work that inspired the Thought Conductor pieces, and which has been described as one of the first happenings in America. These key elements offer clues to the different kinds of ‘presences’ that the performances embody, and the different notions of ‘life’ to which they refer. The sound of TC2 is the sound of an event.

Words and Walls, Texts and Textiles: A Conversation

The authors explore how the multi-media artist Farniyaz Zaker uses words to establish connections between different kinds of materials in her work, and how her work makes words material. Zaker’s conception of dress as ‘microcosmic dwelling places’ enables the authors to think about veiling practices, Islams and gender not only in relation to the familiar domains of state, piety, subjectivity, consumption, capitalism, public and private (for instance), but also with regard to some less self-evidently relevant contexts. Light, architecture and cinema, as well as walls, windows, curtains, coffins, tents and screens, are among them. It is by way of these multiple refractions that the authors are able to return to those debates that conceive of Islamic veiling in terms of embodied, material practices and to support and develop further reasons for an understanding of that most exceptionally charged piece of material, the veil, as more than a sign of …