Michael Alcorn

Díamair: composing for choir and integral music controller

In this paper, we describe the composition of a piece for choir and Integral Music Controller. We focus more on the aesthetic, conceptual, and practical aspects of the interface and less on the technological details. We especially stress the influence that the designed interface poses on the compositional process and how we approach the expressive organisation of musical materials during the composition of the piece, as well as the addition of nuances (personal real-time expression) by the musicians at performance time.

Strasheela: design and usage of a music composition environment based on the oz programming model

Strasheela provides a means for the composer to create a symbolic score by formally describing it in a rule-based way. The environment defines a rich music representation for complex polyphonic scores. Strasheela enables the user to define expressive compositional rules and then to apply them to the score. Compositional rules can restrict many aspects of the music – including the rhythmic structure, the melodic structure and the harmonic structure – by constraining the parameters (e.g. duration or pitch) of musical events according to some numerical or logical relation. Strasheela combines this expressivity with efficient search strategies. Strasheela is implemented in the Oz programming language. The Strasheela user writes an Oz program which applies the Strasheela music representation. The program searches for one or more solution scores which fulfil all compositional rules applied to the score.