Michael L. Quinn

Theatre as Sign-System: A Semiotics of Text and Performance . By Elaine Aston and George Savona. London and New York: Routledge, 1991. Pp. iv + 203.

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In Vaclav Havels first published essay, ‘The Poet in the Contemporary Era’, he proposed a theory of interpretive understanding that emphasized a poetic response to the world, a combination of imagination with hermeneutic engagement. In this Heideggerian perspective, the things and events in the world, and the people, too, have aesthetic qualities—whether valuable or banal—that a poetic attitude toward perception can discover, and perhaps even communicate. Moreover, poets are supposed, in the same essay, to be unable to separate the quality of their literary efforts from the quality of their lives, i.e. ‘someone who writes kitsch poems on love has presumably had a kitsch love in life, too’.